Film remakes /:
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2006.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). |
| Beschreibung: | 1 online resource (vii, 198 pages :) |
| Bibliographie: | Includes bibliographical references (pages 179-194) and index. |
| ISBN: | 0748626255 9780748626250 0748621865 9780748621866 0748621873 9780748621873 9781280501388 1280501383 |
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| 504 | |a Includes bibliographical references (pages 179-194) and index. | ||
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| 505 | 0 | |a Remaking as industrial category -- Remaking as textual category -- Remaking as critical category. | |
| 520 | |a This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). | ||
| 650 | 0 | |a Film remakes |x History. | |
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| author | Verevis, Constantine |
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| contents | Remaking as industrial category -- Remaking as textual category -- Remaking as critical category. |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.436 |
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| genre_facet | History Academic theses. Thèses et écrits académiques. |
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| illustrated | Illustrated |
| indexdate | 2024-10-25T16:16:21Z |
| institution | BVB |
| isbn | 0748626255 9780748626250 0748621865 9780748621866 0748621873 9780748621873 9781280501388 1280501383 |
| language | English |
| oclc_num | 70662770 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (vii, 198 pages :) |
| psigel | ZDB-4-EBA |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Verevis, Constantine. http://id.loc.gov/authorities/names/no2006009505 Film remakes / Constantine Verevis. Edinburgh : Edinburgh University Press, 2006. 1 online resource (vii, 198 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 179-194) and index. Print version record. Remaking as industrial category -- Remaking as textual category -- Remaking as critical category. This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels). Film remakes History. Nouvelles versions (Films) Histoire. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Film remakes fast Remake gnd http://d-nb.info/gnd/4491254-7 History fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf has work: Film remakes (Text) https://id.oclc.org/worldcat/entity/E39PCG3pxYpp6WcRj33J9JpmwK https://id.oclc.org/worldcat/ontology/hasWork Print version: Verevis, Constantine. Film remakes. Edinburgh : Edinburgh University Press, 2006 0748621865 0748621873 (OCoLC)61425555 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=163360 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=163360 Volltext |
| spellingShingle | Verevis, Constantine Film remakes / Remaking as industrial category -- Remaking as textual category -- Remaking as critical category. Film remakes History. Nouvelles versions (Films) Histoire. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Film remakes fast Remake gnd http://d-nb.info/gnd/4491254-7 |
| subject_GND | http://d-nb.info/gnd/4491254-7 http://id.loc.gov/authorities/genreForms/gf2014026039 |
| title | Film remakes / |
| title_auth | Film remakes / |
| title_exact_search | Film remakes / |
| title_full | Film remakes / Constantine Verevis. |
| title_fullStr | Film remakes / Constantine Verevis. |
| title_full_unstemmed | Film remakes / Constantine Verevis. |
| title_short | Film remakes / |
| title_sort | film remakes |
| topic | Film remakes History. Nouvelles versions (Films) Histoire. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Film remakes fast Remake gnd http://d-nb.info/gnd/4491254-7 |
| topic_facet | Film remakes History. Nouvelles versions (Films) Histoire. PERFORMING ARTS Film & Video Reference. SOCIAL SCIENCE Media Studies. Film remakes Remake History Academic theses. Thèses et écrits académiques. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=163360 |
| work_keys_str_mv | AT verevisconstantine filmremakes |