Shocking representation :: historical trauma, national cinema, and the modern horror film /
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franj...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Columbia University Press,
©2005.
|
| Series: | Film and culture.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermat. |
| Physical Description: | 1 online resource (xii, 255 pages) : illustrations |
| Bibliography: | Includes bibliographical references (pages 221-240) and index. |
| ISBN: | 0231507186 9780231507189 0231132468 9780231132466 0231132476 9780231132473 |
Staff View
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| 520 | |a In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermat. | ||
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| indexdate | 2025-04-11T08:35:41Z |
| institution | BVB |
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| spelling | Lowenstein, Adam. Shocking representation : historical trauma, national cinema, and the modern horror film / Adam Lowenstein. New York : Columbia University Press, ©2005. 1 online resource (xii, 255 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Includes bibliographical references (pages 221-240) and index. Print version record. France -- Britain -- Japan -- United States -- Canada. In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermat. Horror films History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Films d'horreur Histoire et critique. Cinéma et histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Horror films fast Motion pictures and history fast Electronic books. Criticism, interpretation, etc. fast has work: Shocking representation (Text) https://id.oclc.org/worldcat/entity/E39PCFFtx3PbxghBCHmxCJGGVy https://id.oclc.org/worldcat/ontology/hasWork Print version: Lowenstein, Adam. Shocking representation. New York : Columbia University Press, ©2005 0231132468 0231132476 (DLC) 2005049359 (OCoLC)60558909 Film and culture. http://id.loc.gov/authorities/names/n92059833 |
| spellingShingle | Lowenstein, Adam Shocking representation : historical trauma, national cinema, and the modern horror film / Film and culture. France -- Britain -- Japan -- United States -- Canada. Horror films History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Films d'horreur Histoire et critique. Cinéma et histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Horror films fast Motion pictures and history fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088131 |
| title | Shocking representation : historical trauma, national cinema, and the modern horror film / |
| title_auth | Shocking representation : historical trauma, national cinema, and the modern horror film / |
| title_exact_search | Shocking representation : historical trauma, national cinema, and the modern horror film / |
| title_full | Shocking representation : historical trauma, national cinema, and the modern horror film / Adam Lowenstein. |
| title_fullStr | Shocking representation : historical trauma, national cinema, and the modern horror film / Adam Lowenstein. |
| title_full_unstemmed | Shocking representation : historical trauma, national cinema, and the modern horror film / Adam Lowenstein. |
| title_short | Shocking representation : |
| title_sort | shocking representation historical trauma national cinema and the modern horror film |
| title_sub | historical trauma, national cinema, and the modern horror film / |
| topic | Horror films History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Films d'horreur Histoire et critique. Cinéma et histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Horror films fast Motion pictures and history fast |
| topic_facet | Horror films History and criticism. Motion pictures and history. Films d'horreur Histoire et critique. Cinéma et histoire. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video History & Criticism. Horror films Motion pictures and history Electronic books. Criticism, interpretation, etc. |
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