Drama, theater, and identity in the American New Republic /:
Jeffrey Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theater is viewed by Richards as a transatlantic hybr...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
©2005.
|
Schriftenreihe: | Cambridge studies in American theatre and drama ;
22. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Jeffrey Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theater is viewed by Richards as a transatlantic hybrid in which British theatrical traditions provide material and templates by which Americans express themselves and their relationship to others. Through intensive analysis of plays, this book confronts matters of political, ethnic, and cultural identity by moving from play text to theatrical context and from historical event to audience demography.--Publisher description. |
Beschreibung: | 1 online resource (xi, 392 pages) |
Bibliographie: | Includes bibliographical references (pages 362-383) and index. |
ISBN: | 0511132824 9780511132827 051113228X 9780511132285 9780511486128 051148612X 128121793X 9781281217936 9780521066686 0521066689 9780511331367 0511331363 052184746X 9780521847469 |
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490 | 1 | |a Cambridge studies in American theatre and drama ; |v 22 | |
504 | |a Includes bibliographical references (pages 362-383) and index. | ||
505 | 0 | |a Introduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Crèvecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveler Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer André: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rawson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theater, white theater, and the stage African. -- Theodore, culture, and reflected identity. -- Tales of the Philadelphia Theodore: Osmond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage. | |
520 | |a Jeffrey Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theater is viewed by Richards as a transatlantic hybrid in which British theatrical traditions provide material and templates by which Americans express themselves and their relationship to others. Through intensive analysis of plays, this book confronts matters of political, ethnic, and cultural identity by moving from play text to theatrical context and from historical event to audience demography.--Publisher description. | ||
588 | 0 | |a Print version record. | |
610 | 2 | 7 | |a Universidad Sergio Arboleda |2 gnd |0 http://d-nb.info/gnd/5325141-6 |
650 | 0 | |a Theater and society |z United States. | |
650 | 0 | |a National characteristics, American. |0 http://id.loc.gov/authorities/subjects/sh85089950 | |
650 | 6 | |a Théâtre et société |z États-Unis. | |
650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
650 | 7 | |a National characteristics, American |2 fast | |
650 | 7 | |a Theater and society |2 fast | |
651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
650 | 7 | |a Drama |2 gnd | |
650 | 7 | |a Theater |2 gnd | |
650 | 7 | |a Nationalbewusstsein |2 gnd |0 http://d-nb.info/gnd/4041282-9 | |
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655 | 0 | |a Electronic books. | |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a Drama, theater, and identity in the American New Republic (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPgRBr4Ck6JQ7j8bPYMKb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Richards, Jeffrey H. |t Drama, theatre, and identity in the American New Republic. |d Cambridge, UK ; New York : Cambridge University Press, 2005 |z 052184746X |w (OCoLC)61176542 |
830 | 0 | |a Cambridge studies in American theatre and drama ; |v 22. |0 http://id.loc.gov/authorities/names/n93047893 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocm62425210 |
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adam_text | |
any_adam_object | |
author | Richards, Jeffrey H. |
author_GND | http://id.loc.gov/authorities/names/n77011998 |
author_facet | Richards, Jeffrey H. |
author_role | |
author_sort | Richards, Jeffrey H. |
author_variant | j h r jh jhr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN2237 |
callnumber-raw | PN2237 .R53 2005eb |
callnumber-search | PN2237 .R53 2005eb |
callnumber-sort | PN 42237 R53 42005EB |
callnumber-subject | PN - General Literature |
classification_rvk | HS 1780 HT 1770 |
collection | ZDB-4-EBA |
contents | Introduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Crèvecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveler Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer André: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rawson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theater, white theater, and the stage African. -- Theodore, culture, and reflected identity. -- Tales of the Philadelphia Theodore: Osmond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage. |
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dewey-raw | 306.48480973 |
dewey-search | 306.48480973 |
dewey-sort | 3306.48480973 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie Anglistik / Amerikanistik |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-11-27T13:15:48Z |
institution | BVB |
isbn | 0511132824 9780511132827 051113228X 9780511132285 9780511486128 051148612X 128121793X 9781281217936 9780521066686 0521066689 9780511331367 0511331363 052184746X 9780521847469 |
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physical | 1 online resource (xi, 392 pages) |
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spelling | Richards, Jeffrey H. http://id.loc.gov/authorities/names/n77011998 Drama, theater, and identity in the American New Republic / Jeffrey H. Richards. Cambridge ; New York : Cambridge University Press, ©2005. 1 online resource (xi, 392 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Cambridge studies in American theatre and drama ; 22 Includes bibliographical references (pages 362-383) and index. Introduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Crèvecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveler Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer André: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rawson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theater, white theater, and the stage African. -- Theodore, culture, and reflected identity. -- Tales of the Philadelphia Theodore: Osmond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage. Jeffrey Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theater is viewed by Richards as a transatlantic hybrid in which British theatrical traditions provide material and templates by which Americans express themselves and their relationship to others. Through intensive analysis of plays, this book confronts matters of political, ethnic, and cultural identity by moving from play text to theatrical context and from historical event to audience demography.--Publisher description. Print version record. Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 Theater and society United States. National characteristics, American. http://id.loc.gov/authorities/subjects/sh85089950 Théâtre et société États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh National characteristics, American fast Theater and society fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Drama gnd Theater gnd Nationalbewusstsein gnd http://d-nb.info/gnd/4041282-9 USA gnd http://d-nb.info/gnd/4078704-7 Electronic books. History fast has work: Drama, theater, and identity in the American New Republic (Text) https://id.oclc.org/worldcat/entity/E39PCFPgRBr4Ck6JQ7j8bPYMKb https://id.oclc.org/worldcat/ontology/hasWork Print version: Richards, Jeffrey H. Drama, theatre, and identity in the American New Republic. Cambridge, UK ; New York : Cambridge University Press, 2005 052184746X (OCoLC)61176542 Cambridge studies in American theatre and drama ; 22. http://id.loc.gov/authorities/names/n93047893 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=142708 Volltext |
spellingShingle | Richards, Jeffrey H. Drama, theater, and identity in the American New Republic / Cambridge studies in American theatre and drama ; Introduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Crèvecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveler Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer André: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rawson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theater, white theater, and the stage African. -- Theodore, culture, and reflected identity. -- Tales of the Philadelphia Theodore: Osmond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage. Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 Theater and society United States. National characteristics, American. http://id.loc.gov/authorities/subjects/sh85089950 Théâtre et société États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh National characteristics, American fast Theater and society fast Drama gnd Theater gnd Nationalbewusstsein gnd http://d-nb.info/gnd/4041282-9 |
subject_GND | http://d-nb.info/gnd/5325141-6 http://id.loc.gov/authorities/subjects/sh85089950 http://d-nb.info/gnd/4041282-9 http://d-nb.info/gnd/4078704-7 |
title | Drama, theater, and identity in the American New Republic / |
title_auth | Drama, theater, and identity in the American New Republic / |
title_exact_search | Drama, theater, and identity in the American New Republic / |
title_full | Drama, theater, and identity in the American New Republic / Jeffrey H. Richards. |
title_fullStr | Drama, theater, and identity in the American New Republic / Jeffrey H. Richards. |
title_full_unstemmed | Drama, theater, and identity in the American New Republic / Jeffrey H. Richards. |
title_short | Drama, theater, and identity in the American New Republic / |
title_sort | drama theater and identity in the american new republic |
topic | Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 Theater and society United States. National characteristics, American. http://id.loc.gov/authorities/subjects/sh85089950 Théâtre et société États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh National characteristics, American fast Theater and society fast Drama gnd Theater gnd Nationalbewusstsein gnd http://d-nb.info/gnd/4041282-9 |
topic_facet | Universidad Sergio Arboleda Theater and society United States. National characteristics, American. Théâtre et société États-Unis. SOCIAL SCIENCE Anthropology Cultural. POLITICAL SCIENCE Public Policy Cultural Policy. SOCIAL SCIENCE Popular Culture. National characteristics, American Theater and society United States Drama Theater Nationalbewusstsein USA Electronic books. History |
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work_keys_str_mv | AT richardsjeffreyh dramatheaterandidentityintheamericannewrepublic |