The films of Woody Allen /:
"The Films of Woody Allen is the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspe...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
©2002.
|
| Edition: | 2nd edition. |
| Series: | Cambridge film classics.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "The Films of Woody Allen is the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender, and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special aura about him remains intact despite the director's concerted effort to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and sensual realism that differ profoundly from the moral sensibility of his earlier work."--Jacket |
| Physical Description: | 1 online resource (xii, 200 pages) : illustrations |
| Bibliography: | Filmography: pages 175-191. Includes bibliographical references (pages 193-195) and index. |
| ISBN: | 0511064330 9780511064333 9780511615252 0511615256 9786610418473 6610418470 9780511072796 0511072791 |
| Access: | Single user license access. |
Staff View
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| 100 | 1 | |a Girgus, Sam B., |d 1941- |1 https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq |0 http://id.loc.gov/authorities/names/n78073888 | |
| 245 | 1 | 4 | |a The films of Woody Allen / |c Sam B. Girgus. |
| 250 | |a 2nd edition. | ||
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©2002. | |
| 300 | |a 1 online resource (xii, 200 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a text file |2 rdaft | ||
| 490 | 1 | |a Cambridge film classics | |
| 504 | |a Filmography: pages 175-191. | ||
| 504 | |a Includes bibliographical references (pages 193-195) and index. | ||
| 505 | 0 | |a Introduction to the revised edition: The prisoner of aura : the lost world of Woody Allen -- Reconstruction and revision in Woody Allen's films -- Desire and narrativity in Annie Hall -- Love in Manhattan -- Zelig and The Purple Rose of Cairo : Allen and poststructural anxiety -- Happy ending : Hannah and Her Sisters -- Eyes of God : seeking justice in Crimes and Misdemeanors -- Allen's fall : mind, morals, and meaning in Deconstructing Harry. | |
| 520 | |a "The Films of Woody Allen is the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender, and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special aura about him remains intact despite the director's concerted effort to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and sensual realism that differ profoundly from the moral sensibility of his earlier work."--Jacket | ||
| 588 | 0 | |a Print version record. | |
| 506 | |a Single user license access. | ||
| 600 | 1 | 0 | |a Allen, Woody, |d 1935- |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Allen, Woody |x Critique et interprétation. |
| 600 | 1 | 7 | |a Allen, Woody, |d 1935- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfmkykbpvdWhr3cBQW4bd |
| 600 | 1 | 7 | |a Allen, Woody. |2 swd |
| 650 | 2 | 2 | |a Motion Pictures as Topic |0 (DNLM)D009040 |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Filmographies. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2019026014 | |
| 655 | 7 | |a Filmographies. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Girgus, Sam B., 1941- |t Films of Woody Allen. |b 2nd ed. |d Cambridge ; New York : Cambridge University Press, 2002 |z 0521810914 |w (DLC) 2002025617 |w (OCoLC)49403653 |
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Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm57254251 |
|---|---|
| _version_ | 1829094591273369600 |
| adam_text | |
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| author | Girgus, Sam B., 1941- |
| author_GND | http://id.loc.gov/authorities/names/n78073888 |
| author_facet | Girgus, Sam B., 1941- |
| author_role | |
| author_sort | Girgus, Sam B., 1941- |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.A45 G57 2002eb |
| callnumber-search | PN1998.3.A45 G57 2002eb |
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| collection | ZDB-4-EBA |
| contents | Introduction to the revised edition: The prisoner of aura : the lost world of Woody Allen -- Reconstruction and revision in Woody Allen's films -- Desire and narrativity in Annie Hall -- Love in Manhattan -- Zelig and The Purple Rose of Cairo : Allen and poststructural anxiety -- Happy ending : Hannah and Her Sisters -- Eyes of God : seeking justice in Crimes and Misdemeanors -- Allen's fall : mind, morals, and meaning in Deconstructing Harry. |
| ctrlnum | (OCoLC)57254251 |
| dewey-full | 791.43/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/092 |
| dewey-search | 791.43/092 |
| dewey-sort | 3791.43 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 2nd edition. |
| format | Electronic eBook |
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| genre | filmographies. aat Filmographies fast Criticism, interpretation, etc. fast Filmographies. lcgft http://id.loc.gov/authorities/genreForms/gf2019026014 Filmographies. rvmgf |
| genre_facet | filmographies. Filmographies Criticism, interpretation, etc. Filmographies. |
| id | ZDB-4-EBA-ocm57254251 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:35:33Z |
| institution | BVB |
| isbn | 0511064330 9780511064333 9780511615252 0511615256 9786610418473 6610418470 9780511072796 0511072791 |
| language | English |
| oclc_num | 57254251 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 200 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Cambridge film classics. |
| series2 | Cambridge film classics |
| spelling | Girgus, Sam B., 1941- https://id.oclc.org/worldcat/entity/E39PBJjtbdgXGpdVwMj9gxF3Qq http://id.loc.gov/authorities/names/n78073888 The films of Woody Allen / Sam B. Girgus. 2nd edition. Cambridge ; New York : Cambridge University Press, ©2002. 1 online resource (xii, 200 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft Cambridge film classics Filmography: pages 175-191. Includes bibliographical references (pages 193-195) and index. Introduction to the revised edition: The prisoner of aura : the lost world of Woody Allen -- Reconstruction and revision in Woody Allen's films -- Desire and narrativity in Annie Hall -- Love in Manhattan -- Zelig and The Purple Rose of Cairo : Allen and poststructural anxiety -- Happy ending : Hannah and Her Sisters -- Eyes of God : seeking justice in Crimes and Misdemeanors -- Allen's fall : mind, morals, and meaning in Deconstructing Harry. "The Films of Woody Allen is the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender, and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special aura about him remains intact despite the director's concerted effort to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and sensual realism that differ profoundly from the moral sensibility of his earlier work."--Jacket Print version record. Single user license access. Allen, Woody, 1935- Criticism and interpretation. Allen, Woody Critique et interprétation. Allen, Woody, 1935- fast https://id.oclc.org/worldcat/entity/E39PBJfmkykbpvdWhr3cBQW4bd Allen, Woody. swd Motion Pictures as Topic (DNLM)D009040 PERFORMING ARTS Film & Video Reference. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 filmographies. aat Filmographies fast Criticism, interpretation, etc. fast Filmographies. lcgft http://id.loc.gov/authorities/genreForms/gf2019026014 Filmographies. rvmgf Print version: Girgus, Sam B., 1941- Films of Woody Allen. 2nd ed. Cambridge ; New York : Cambridge University Press, 2002 0521810914 (DLC) 2002025617 (OCoLC)49403653 Cambridge film classics. http://id.loc.gov/authorities/names/n92063109 |
| spellingShingle | Girgus, Sam B., 1941- The films of Woody Allen / Cambridge film classics. Introduction to the revised edition: The prisoner of aura : the lost world of Woody Allen -- Reconstruction and revision in Woody Allen's films -- Desire and narrativity in Annie Hall -- Love in Manhattan -- Zelig and The Purple Rose of Cairo : Allen and poststructural anxiety -- Happy ending : Hannah and Her Sisters -- Eyes of God : seeking justice in Crimes and Misdemeanors -- Allen's fall : mind, morals, and meaning in Deconstructing Harry. Allen, Woody, 1935- Criticism and interpretation. Allen, Woody Critique et interprétation. Allen, Woody, 1935- fast https://id.oclc.org/worldcat/entity/E39PBJfmkykbpvdWhr3cBQW4bd Allen, Woody. swd Motion Pictures as Topic (DNLM)D009040 PERFORMING ARTS Film & Video Reference. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 |
| subject_GND | (DNLM)D009040 http://d-nb.info/gnd/4017102-4 http://id.loc.gov/authorities/genreForms/gf2019026014 |
| title | The films of Woody Allen / |
| title_auth | The films of Woody Allen / |
| title_exact_search | The films of Woody Allen / |
| title_full | The films of Woody Allen / Sam B. Girgus. |
| title_fullStr | The films of Woody Allen / Sam B. Girgus. |
| title_full_unstemmed | The films of Woody Allen / Sam B. Girgus. |
| title_short | The films of Woody Allen / |
| title_sort | films of woody allen |
| topic | Allen, Woody, 1935- Criticism and interpretation. Allen, Woody Critique et interprétation. Allen, Woody, 1935- fast https://id.oclc.org/worldcat/entity/E39PBJfmkykbpvdWhr3cBQW4bd Allen, Woody. swd Motion Pictures as Topic (DNLM)D009040 PERFORMING ARTS Film & Video Reference. bisacsh Film gnd http://d-nb.info/gnd/4017102-4 |
| topic_facet | Allen, Woody, 1935- Criticism and interpretation. Allen, Woody Critique et interprétation. Allen, Woody, 1935- Allen, Woody. Motion Pictures as Topic PERFORMING ARTS Film & Video Reference. Film filmographies. Filmographies Criticism, interpretation, etc. Filmographies. |
| work_keys_str_mv | AT girgussamb thefilmsofwoodyallen AT girgussamb filmsofwoodyallen |