The African American male, writing and difference :: a polycentric approach to African American literature, criticism, and history /
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
©2003.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (xiii, 291 pages 23 cm) |
| Bibliographie: | Includes bibliographical references (pages 273-281) and index. |
| ISBN: | 1417524111 9781417524112 9780791487006 0791487008 |
Internformat
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| 100 | 1 | |a Hogue, W. Lawrence, |d 1951- |1 https://id.oclc.org/worldcat/entity/E39PCjJqTypyYcMtcxKct6qgjC |0 http://id.loc.gov/authorities/names/n86002402 | |
| 245 | 1 | 4 | |a The African American male, writing and difference : |b a polycentric approach to African American literature, criticism, and history / |c W. Lawrence Hogue. |
| 260 | |a Albany : |b State University of New York Press, |c ©2003. | ||
| 300 | |a 1 online resource (xiii, 291 pages 23 cm) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 347 | |a text file |2 rdaft |0 http://rdaregistry.info/termList/fileType/1002 | ||
| 504 | |a Includes bibliographical references (pages 273-281) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |g Ch. 1 |t Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- |g Ch. 2 |t History, the White/Black Binary, and the Construction of the African American as Other -- |g Ch. 3 |t White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- |g Ch. 4 |t Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- |g Ch. 5 |t Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- |g Ch. 6 |t Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- |g Ch. 7 |t Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- |g Ch. 8 |t Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- |g Ch. 9 |t Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- |g Ch. 10 |t Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- |g Ch. 11 |t Conclusion. |
| 520 | 8 | |a Annotation |b In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban, jazz/blues, postmodern, and gay African American cultures. Hogue shows that this polycentric perspective can move beyond a "racial uplift" approach to African American literature and history and help paint a clearer picture of the rich diversity of African American life and culture | |
| 546 | |a English. | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a American literature |x Male authors |x History and criticism. | |
| 650 | 0 | |a African American men |x Intellectual life. | |
| 650 | 0 | |a Difference (Psychology) in literature. |0 http://id.loc.gov/authorities/subjects/sh94003914 | |
| 650 | 0 | |a African American men in literature. |0 http://id.loc.gov/authorities/subjects/sh93007967 | |
| 650 | 6 | |a Hommes noirs américains |x Vie intellectuelle. | |
| 650 | 6 | |a Hommes noirs américains dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a African American men in literature |2 fast | |
| 650 | 7 | |a African American men |x Intellectual life |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 650 | 7 | |a American literature |x Male authors |2 fast | |
| 650 | 7 | |a Difference (Psychology) in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a The African American male, writing and difference (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFwCt6tTYKBy9gRMbqj9Qm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hogue, W. Lawrence, 1951- |t African American male, writing and difference. |d Albany : State University of New York Press, ©2003 |z 0791456935 |z 0791456943 |w (DLC) 2002075873 |w (OCoLC)50064867 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm55896333 |
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| _version_ | 1816881616437379072 |
| adam_text | |
| any_adam_object | |
| author | Hogue, W. Lawrence, 1951- |
| author_GND | http://id.loc.gov/authorities/names/n86002402 |
| author_facet | Hogue, W. Lawrence, 1951- |
| author_role | |
| author_sort | Hogue, W. Lawrence, 1951- |
| author_variant | w l h wl wlh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS153 |
| callnumber-raw | PS153.N5 H59 2003eb |
| callnumber-search | PS153.N5 H59 2003eb |
| callnumber-sort | PS 3153 N5 H59 42003EB |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- History, the White/Black Binary, and the Construction of the African American as Other -- White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- Conclusion. |
| ctrlnum | (OCoLC)55896333 |
| dewey-full | 810.9/9286/08996073 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
| dewey-raw | 810.9/9286/08996073 |
| dewey-search | 810.9/9286/08996073 |
| dewey-sort | 3810.9 49286 78996073 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm55896333 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:33Z |
| institution | BVB |
| isbn | 1417524111 9781417524112 9780791487006 0791487008 |
| language | English |
| oclc_num | 55896333 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 291 pages 23 cm) |
| psigel | ZDB-4-EBA |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | State University of New York Press, |
| record_format | marc |
| spelling | Hogue, W. Lawrence, 1951- https://id.oclc.org/worldcat/entity/E39PCjJqTypyYcMtcxKct6qgjC http://id.loc.gov/authorities/names/n86002402 The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / W. Lawrence Hogue. Albany : State University of New York Press, ©2003. 1 online resource (xiii, 291 pages 23 cm) text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc http://rdaregistry.info/termList/RDAColourContent/1003 text file rdaft http://rdaregistry.info/termList/fileType/1002 Includes bibliographical references (pages 273-281) and index. Print version record. Machine generated contents note: Ch. 1 Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- Ch. 2 History, the White/Black Binary, and the Construction of the African American as Other -- Ch. 3 White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- Ch. 4 Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- Ch. 5 Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- Ch. 6 Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- Ch. 7 Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- Ch. 8 Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- Ch. 9 Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- Ch. 10 Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- Ch. 11 Conclusion. Annotation In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban, jazz/blues, postmodern, and gay African American cultures. Hogue shows that this polycentric perspective can move beyond a "racial uplift" approach to African American literature and history and help paint a clearer picture of the rich diversity of African American life and culture English. American literature African American authors History and criticism. American literature Male authors History and criticism. African American men Intellectual life. Difference (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94003914 African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Hommes noirs américains Vie intellectuelle. Hommes noirs américains dans la littérature. LITERARY CRITICISM American General. bisacsh African American men in literature fast African American men Intellectual life fast American literature African American authors fast American literature Male authors fast Difference (Psychology) in literature fast Criticism, interpretation, etc. fast has work: The African American male, writing and difference (Text) https://id.oclc.org/worldcat/entity/E39PCFwCt6tTYKBy9gRMbqj9Qm https://id.oclc.org/worldcat/ontology/hasWork Print version: Hogue, W. Lawrence, 1951- African American male, writing and difference. Albany : State University of New York Press, ©2003 0791456935 0791456943 (DLC) 2002075873 (OCoLC)50064867 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=112743 Volltext |
| spellingShingle | Hogue, W. Lawrence, 1951- The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- History, the White/Black Binary, and the Construction of the African American as Other -- White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- Conclusion. American literature African American authors History and criticism. American literature Male authors History and criticism. African American men Intellectual life. Difference (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94003914 African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Hommes noirs américains Vie intellectuelle. Hommes noirs américains dans la littérature. LITERARY CRITICISM American General. bisacsh African American men in literature fast African American men Intellectual life fast American literature African American authors fast American literature Male authors fast Difference (Psychology) in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94003914 http://id.loc.gov/authorities/subjects/sh93007967 |
| title | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / |
| title_alt | Introduction: Approaching African American Life, History, Literature, and Criticism Polycentrically -- History, the White/Black Binary, and the Construction of the African American as Other -- White/Black Binary and the African American Sociopolitical Mission of Racial Uplift -- Finding Freedom in Sameness: James Weldon Johnson's The Autobiography of an Ex-Coloured Man -- Disrupting the White/Black Binary: William Melvin Kelley's A Different Drummer -- Exposing Limiting, Racialized Heterological Critical Sites: An Existential Reading of Charles Wright's The Messenger -- Blue Idiom Lifestyle, Counter-Hegemony, and Clarence Major's Dirty Bird Blues -- Naming the Subaltern: The Swinging Life and Nathan Heard's Howard Street -- Identity Politics, Sexual Fluidity, and James Earl Hardy's B-Boy Blues -- Voodoo, A Different African American Experience, and Don Belton's Almost Midnight -- Conclusion. |
| title_auth | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / |
| title_exact_search | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / |
| title_full | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / W. Lawrence Hogue. |
| title_fullStr | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / W. Lawrence Hogue. |
| title_full_unstemmed | The African American male, writing and difference : a polycentric approach to African American literature, criticism, and history / W. Lawrence Hogue. |
| title_short | The African American male, writing and difference : |
| title_sort | african american male writing and difference a polycentric approach to african american literature criticism and history |
| title_sub | a polycentric approach to African American literature, criticism, and history / |
| topic | American literature African American authors History and criticism. American literature Male authors History and criticism. African American men Intellectual life. Difference (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94003914 African American men in literature. http://id.loc.gov/authorities/subjects/sh93007967 Hommes noirs américains Vie intellectuelle. Hommes noirs américains dans la littérature. LITERARY CRITICISM American General. bisacsh African American men in literature fast African American men Intellectual life fast American literature African American authors fast American literature Male authors fast Difference (Psychology) in literature fast |
| topic_facet | American literature African American authors History and criticism. American literature Male authors History and criticism. African American men Intellectual life. Difference (Psychology) in literature. African American men in literature. Hommes noirs américains Vie intellectuelle. Hommes noirs américains dans la littérature. LITERARY CRITICISM American General. African American men in literature African American men Intellectual life American literature African American authors American literature Male authors Difference (Psychology) in literature Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=112743 |
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