Class, language, and American film comedy /:
"Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2002.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html. |
Beschreibung: | 1 online resource (vii, 241 pages) |
Bibliographie: | Includes bibliographical references (pages 231-235) and index. |
ISBN: | 0511020422 9780511020421 0511029187 9780511029189 9780521807494 0521807492 9780511606342 0511606346 9780511044472 051104447X 0511157878 9780511157875 9786610419319 6610419310 1107124565 9781107124561 0511323603 9780511323607 1280419318 9781280419317 0511176996 9780511176999 |
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245 | 1 | 0 | |a Class, language, and American film comedy / |c Christopher Beach. |
260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2002. | ||
300 | |a 1 online resource (vii, 241 pages) | ||
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504 | |a Includes bibliographical references (pages 231-235) and index. | ||
505 | 0 | 0 | |g 1. |t A troubled paradise : utopia and transgression in comedies of the early 1930s -- |g 2. |t Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- |g 3. "The |t split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- |g 4. |t Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- |g 5. |t Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- |g 6. |t Is there a class in this text : Woody Allen and postmodern comedy -- |g 7. |t Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. |
520 | |a "Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html. | ||
588 | 0 | |a Print version record. | |
546 | |a English. | ||
650 | 0 | |a Comedy films |z United States |x History and criticism. | |
650 | 0 | |a Speech and social status |z United States. | |
650 | 6 | |a Films comiques |z États-Unis |x Histoire et critique. | |
650 | 6 | |a Langage et statut social |z États-Unis. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a Comedy films |2 fast | |
650 | 7 | |a Speech and social status |2 fast | |
651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
650 | 7 | |a Filmkomödie |2 gnd |0 http://d-nb.info/gnd/4154364-6 | |
651 | 7 | |a USA |2 gnd |0 http://d-nb.info/gnd/4078704-7 | |
650 | 1 | 7 | |a Komische films. |2 gtt |
650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
655 | 0 | |a Electronic books. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Class, language, and American film comedy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFrM4tggxMJFBqMhYV6PDC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Beach, Christopher. |t Class, language, and American film comedy. |d Cambridge ; New York : Cambridge University Press, 2002 |z 0521807492 |w (DLC) 2001025935 |w (OCoLC)46616134 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocm52498949 |
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adam_text | |
any_adam_object | |
author | Beach, Christopher, 1959- |
author_facet | Beach, Christopher, 1959- |
author_role | |
author_sort | Beach, Christopher, 1959- |
author_variant | c b cb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.C55 B43 2002eb |
callnumber-search | PN1995.9.C55 B43 2002eb |
callnumber-sort | PN 41995.9 C55 B43 42002EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | A troubled paradise : utopia and transgression in comedies of the early 1930s -- Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- Is there a class in this text : Woody Allen and postmodern comedy -- Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. |
ctrlnum | (OCoLC)52498949 |
dewey-full | 791.43/617 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/617 |
dewey-search | 791.43/617 |
dewey-sort | 3791.43 3617 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. 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genre_facet | Electronic books. Criticism, interpretation, etc. |
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geographic_facet | United States USA |
id | ZDB-4-EBA-ocm52498949 |
illustrated | Not Illustrated |
indexdate | 2024-10-25T16:15:56Z |
institution | BVB |
isbn | 0511020422 9780511020421 0511029187 9780511029189 9780521807494 0521807492 9780511606342 0511606346 9780511044472 051104447X 0511157878 9780511157875 9786610419319 6610419310 1107124565 9781107124561 0511323603 9780511323607 1280419318 9781280419317 0511176996 9780511176999 |
language | English |
oclc_num | 52498949 |
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owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (vii, 241 pages) |
psigel | ZDB-4-EBA |
publishDate | 2002 |
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publisher | Cambridge University Press, |
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spelling | Beach, Christopher, 1959- https://id.oclc.org/worldcat/entity/E39PBJkHrkhwhkBhdmvTHtFdwC Class, language, and American film comedy / Christopher Beach. Cambridge ; New York : Cambridge University Press, 2002. 1 online resource (vii, 241 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 231-235) and index. 1. A troubled paradise : utopia and transgression in comedies of the early 1930s -- 2. Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- 3. "The split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- 4. Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- 5. Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- 6. Is there a class in this text : Woody Allen and postmodern comedy -- 7. Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. "Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html. Print version record. English. Comedy films United States History and criticism. Speech and social status United States. Films comiques États-Unis Histoire et critique. Langage et statut social États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Comedy films fast Speech and social status fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Filmkomödie gnd http://d-nb.info/gnd/4154364-6 USA gnd http://d-nb.info/gnd/4078704-7 Komische films. gtt Sociale aspecten. gtt Electronic books. Criticism, interpretation, etc. fast has work: Class, language, and American film comedy (Text) https://id.oclc.org/worldcat/entity/E39PCFrM4tggxMJFBqMhYV6PDC https://id.oclc.org/worldcat/ontology/hasWork Print version: Beach, Christopher. Class, language, and American film comedy. Cambridge ; New York : Cambridge University Press, 2002 0521807492 (DLC) 2001025935 (OCoLC)46616134 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=78369 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=78369 Volltext |
spellingShingle | Beach, Christopher, 1959- Class, language, and American film comedy / A troubled paradise : utopia and transgression in comedies of the early 1930s -- Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- Is there a class in this text : Woody Allen and postmodern comedy -- Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. Comedy films United States History and criticism. Speech and social status United States. Films comiques États-Unis Histoire et critique. Langage et statut social États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Comedy films fast Speech and social status fast Filmkomödie gnd http://d-nb.info/gnd/4154364-6 Komische films. gtt Sociale aspecten. gtt |
subject_GND | http://d-nb.info/gnd/4154364-6 http://d-nb.info/gnd/4078704-7 |
title | Class, language, and American film comedy / |
title_alt | A troubled paradise : utopia and transgression in comedies of the early 1930s -- Working ladies and forgotten men : class divisions in romantic comedy, 1934-1937 -- split-pea soup and the succotash" : Frank Capra's 1930s comedies and the subject of class -- Is class necessary : Preston Sturges and Howard Hawks in the early 1940s -- Desperately seeking status : class, gender, and social anxiety in postwar Hollywood comedy -- Is there a class in this text : Woody Allen and postmodern comedy -- Yuppies and other strangers : class satire and cultural clash in contemporary film comedy. |
title_auth | Class, language, and American film comedy / |
title_exact_search | Class, language, and American film comedy / |
title_full | Class, language, and American film comedy / Christopher Beach. |
title_fullStr | Class, language, and American film comedy / Christopher Beach. |
title_full_unstemmed | Class, language, and American film comedy / Christopher Beach. |
title_short | Class, language, and American film comedy / |
title_sort | class language and american film comedy |
topic | Comedy films United States History and criticism. Speech and social status United States. Films comiques États-Unis Histoire et critique. Langage et statut social États-Unis. PERFORMING ARTS Film & Video Reference. bisacsh Comedy films fast Speech and social status fast Filmkomödie gnd http://d-nb.info/gnd/4154364-6 Komische films. gtt Sociale aspecten. gtt |
topic_facet | Comedy films United States History and criticism. Speech and social status United States. Films comiques États-Unis Histoire et critique. Langage et statut social États-Unis. PERFORMING ARTS Film & Video Reference. Comedy films Speech and social status United States Filmkomödie USA Komische films. Sociale aspecten. Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=78369 |
work_keys_str_mv | AT beachchristopher classlanguageandamericanfilmcomedy |