The dramatic art of Athol Fugard :: from South Africa to the world /
Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot, "MASTER HAROLD" ... and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's wo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press,
©2000.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot, "MASTER HAROLD" ... and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalised racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyses the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world |
| Beschreibung: | 1 online resource (xv, 273 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0253109000 9780253109002 1282062832 9781282062832 |
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| 100 | 1 | |a Wertheim, Albert. |0 http://id.loc.gov/authorities/names/n82057286 | |
| 245 | 1 | 4 | |a The dramatic art of Athol Fugard : |b from South Africa to the world / |c Albert Wertheim. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2000. | ||
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| 520 | |a Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot, "MASTER HAROLD" ... and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalised racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyses the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world | ||
| 505 | 0 | |a 1. Early work and early themes. -- 2. The Port Elizabeth plays: The voice with which we speak from the heart. -- 3. "Acting" against Apartheid. -- 4. Dimetos: Fugard's first problem play. -- 5. The drama as teaching and learning: trauerspiel, tragedy, hope, and race. -- 6. The other problem plays -- 7. Writing to right: scripting Apartheid's demise. -- 8. Where do we, where do I, go from here? Performing a New South Africa. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Fugard, Athol |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Fugard, Athol |x Technique. |
| 600 | 1 | 7 | |a Fugard, Athol |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJhCCjjK6hdF9vDtkYBkjC |
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| 650 | 0 | |a Drama |x Technique. |0 http://id.loc.gov/authorities/subjects/sh85039333 | |
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| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Drama |x Technique |2 fast | |
| 650 | 7 | |a Literature |2 fast | |
| 650 | 7 | |a Technique |2 fast | |
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| 758 | |i has work: |a The dramatic art of Athol Fugard (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFr6gtQcbmv8HTQkPhDDv3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Wertheim, Albert. |t Dramatic art of Athol Fugard. |d Bloomington : Indiana University Press, ©2000 |z 0253338239 |w (DLC) 00039627 |w (OCoLC)43894490 |
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| author | Wertheim, Albert |
| author_GND | http://id.loc.gov/authorities/names/n82057286 |
| author_facet | Wertheim, Albert |
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| callnumber-first | P - Language and Literature |
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| callnumber-search | PR9369.3.F8 Z95 2000eb |
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| contents | 1. Early work and early themes. -- 2. The Port Elizabeth plays: The voice with which we speak from the heart. -- 3. "Acting" against Apartheid. -- 4. Dimetos: Fugard's first problem play. -- 5. The drama as teaching and learning: trauerspiel, tragedy, hope, and race. -- 6. The other problem plays -- 7. Writing to right: scripting Apartheid's demise. -- 8. Where do we, where do I, go from here? Performing a New South Africa. |
| ctrlnum | (OCoLC)51103007 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.914 |
| dewey-search | 822/.914 |
| dewey-sort | 3822 3914 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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"><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot, "MASTER HAROLD" ... and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalised racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyses the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">1. Early work and early themes. -- 2. The Port Elizabeth plays: The voice with which we speak from the heart. -- 3. "Acting" against Apartheid. -- 4. Dimetos: Fugard's first problem play. -- 5. The drama as teaching and learning: trauerspiel, tragedy, hope, and race. -- 6. The other problem plays -- 7. Writing to right: scripting Apartheid's demise. -- 8. Where do we, where do I, go from here? 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | South Africa In literature. South Africa fast https://id.oclc.org/worldcat/entity/E39PBJcWtkkqd3cMmFw9GBdYT3 |
| geographic_facet | South Africa In literature. South Africa |
| id | ZDB-4-EBA-ocm51103007 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:21Z |
| institution | BVB |
| isbn | 0253109000 9780253109002 1282062832 9781282062832 |
| language | English |
| lccn | 00039627 |
| oclc_num | 51103007 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 273 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Indiana University Press, |
| record_format | marc |
| spelling | Wertheim, Albert. http://id.loc.gov/authorities/names/n82057286 The dramatic art of Athol Fugard : from South Africa to the world / Albert Wertheim. Bloomington : Indiana University Press, ©2000. 1 online resource (xv, 273 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot, "MASTER HAROLD" ... and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalised racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyses the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world 1. Early work and early themes. -- 2. The Port Elizabeth plays: The voice with which we speak from the heart. -- 3. "Acting" against Apartheid. -- 4. Dimetos: Fugard's first problem play. -- 5. The drama as teaching and learning: trauerspiel, tragedy, hope, and race. -- 6. The other problem plays -- 7. Writing to right: scripting Apartheid's demise. -- 8. Where do we, where do I, go from here? Performing a New South Africa. English. Fugard, Athol Criticism and interpretation. Fugard, Athol Technique. Fugard, Athol fast https://id.oclc.org/worldcat/entity/E39PBJhCCjjK6hdF9vDtkYBkjC South Africa In literature. Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre (Genre littéraire) Technique. DRAMA English, Irish, Scottish, Welsh. bisacsh Drama Technique fast Literature fast Technique fast South Africa fast https://id.oclc.org/worldcat/entity/E39PBJcWtkkqd3cMmFw9GBdYT3 Criticism, interpretation, etc. fast has work: The dramatic art of Athol Fugard (Text) https://id.oclc.org/worldcat/entity/E39PCFr6gtQcbmv8HTQkPhDDv3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Wertheim, Albert. Dramatic art of Athol Fugard. Bloomington : Indiana University Press, ©2000 0253338239 (DLC) 00039627 (OCoLC)43894490 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=68655 Volltext |
| spellingShingle | Wertheim, Albert The dramatic art of Athol Fugard : from South Africa to the world / 1. Early work and early themes. -- 2. The Port Elizabeth plays: The voice with which we speak from the heart. -- 3. "Acting" against Apartheid. -- 4. Dimetos: Fugard's first problem play. -- 5. The drama as teaching and learning: trauerspiel, tragedy, hope, and race. -- 6. The other problem plays -- 7. Writing to right: scripting Apartheid's demise. -- 8. Where do we, where do I, go from here? Performing a New South Africa. Fugard, Athol Criticism and interpretation. Fugard, Athol Technique. Fugard, Athol fast https://id.oclc.org/worldcat/entity/E39PBJhCCjjK6hdF9vDtkYBkjC Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre (Genre littéraire) Technique. DRAMA English, Irish, Scottish, Welsh. bisacsh Drama Technique fast Literature fast Technique fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85039333 |
| title | The dramatic art of Athol Fugard : from South Africa to the world / |
| title_auth | The dramatic art of Athol Fugard : from South Africa to the world / |
| title_exact_search | The dramatic art of Athol Fugard : from South Africa to the world / |
| title_full | The dramatic art of Athol Fugard : from South Africa to the world / Albert Wertheim. |
| title_fullStr | The dramatic art of Athol Fugard : from South Africa to the world / Albert Wertheim. |
| title_full_unstemmed | The dramatic art of Athol Fugard : from South Africa to the world / Albert Wertheim. |
| title_short | The dramatic art of Athol Fugard : |
| title_sort | dramatic art of athol fugard from south africa to the world |
| title_sub | from South Africa to the world / |
| topic | Fugard, Athol Criticism and interpretation. Fugard, Athol Technique. Fugard, Athol fast https://id.oclc.org/worldcat/entity/E39PBJhCCjjK6hdF9vDtkYBkjC Drama Technique. http://id.loc.gov/authorities/subjects/sh85039333 Théâtre (Genre littéraire) Technique. DRAMA English, Irish, Scottish, Welsh. bisacsh Drama Technique fast Literature fast Technique fast |
| topic_facet | Fugard, Athol Criticism and interpretation. Fugard, Athol Technique. Fugard, Athol South Africa In literature. Drama Technique. Théâtre (Genre littéraire) Technique. DRAMA English, Irish, Scottish, Welsh. Drama Technique Literature Technique South Africa Criticism, interpretation, etc. |
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