Erotic dawn-songs of the Middle Ages :: voicing the lyric lady /
The alba, or dawn-song, takes its name from the hour at which it is sung. Appearing in southern France around the middle of the twelfth century, the genre presents the parting plaints of adulterous lovers. Such erotically charged songs blend the lyricism, dramatic power, and poignancy implicit in th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Gainesville :
University Press of Florida,
©1996.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The alba, or dawn-song, takes its name from the hour at which it is sung. Appearing in southern France around the middle of the twelfth century, the genre presents the parting plaints of adulterous lovers. Such erotically charged songs blend the lyricism, dramatic power, and poignancy implicit in the lovers' plight. The alba is the only genre in an emerging vernacular lyric corpus whose focus is reciprocal romantic love. Gale Sigal reexamines the role of the female voice as it is commonly viewed in the history of Western lyric. Among lyric ladies, the alba lady plays a vital role: she dramatizes the female love experience in her own voice. The traditional image of the silenced and repressed lady of the canso (the "canonical lyric genre") is overturned by the alba lady's forceful presence and eloquent voice. That voice cries out for a hearing, while the canso lady's is still. Erotic Dawn-Songs redirects our attention to this lyric lady, who for the first time assumes her rightful place at the critical center of a lyric continuum in which an array of women are presented from varying points of view. In the process this book crosses a number of disciplinary borders, including comparative literature, social and literary history, women's studies, and medieval studies |
| Beschreibung: | 1 online resource (xii, 241 pages) |
| Bibliographie: | Includes bibliographical references (pages 215-229) and index. |
| ISBN: | 0813023394 9780813023397 |
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| 260 | |a Gainesville : |b University Press of Florida, |c ©1996. | ||
| 300 | |a 1 online resource (xii, 241 pages) | ||
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| 504 | |a Includes bibliographical references (pages 215-229) and index. | ||
| 520 | |a The alba, or dawn-song, takes its name from the hour at which it is sung. Appearing in southern France around the middle of the twelfth century, the genre presents the parting plaints of adulterous lovers. Such erotically charged songs blend the lyricism, dramatic power, and poignancy implicit in the lovers' plight. The alba is the only genre in an emerging vernacular lyric corpus whose focus is reciprocal romantic love. Gale Sigal reexamines the role of the female voice as it is commonly viewed in the history of Western lyric. Among lyric ladies, the alba lady plays a vital role: she dramatizes the female love experience in her own voice. The traditional image of the silenced and repressed lady of the canso (the "canonical lyric genre") is overturned by the alba lady's forceful presence and eloquent voice. That voice cries out for a hearing, while the canso lady's is still. Erotic Dawn-Songs redirects our attention to this lyric lady, who for the first time assumes her rightful place at the critical center of a lyric continuum in which an array of women are presented from varying points of view. In the process this book crosses a number of disciplinary borders, including comparative literature, social and literary history, women's studies, and medieval studies | ||
| 505 | 0 | |a Theoretical and generic parameters -- The lyric lady and the alba -- pt. I. The alba lady: literary and social perspectives. The alba lady: literary perspectives. The humanized ideal. The alba lady: sex roles and social roles. Adulterous love and the alba. Eros in the socius. Power, gender, and class: the love triangle. Fin'amors: conflicting loyalties; divided selves -- pt. II. Eros and identity. Eros and dawning identity. Nocturnal wonders: (k)night calls. Love's timeless utopia: regressive fantasies. Fusion, androgyny, inseparability. First light: mask and masquerade. Janus-faced dawn and the dualisms of love: pivot and potentiality. Cruel dawn. The dawn descends: the refrain. Conclusion: the fractured self: songs of mo(u)rning. | |
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| 650 | 0 | |a Erotic poetry |x History and criticism. | |
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| 758 | |i has work: |a Erotic dawn-songs of the Middle Ages (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGrC4pgDCTyd7Tg6yW6fC3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sigal, Gale. |t Erotic dawn-songs of the Middle Ages. |d Gainesville : University Press of Florida, ©1996 |z 081301381X |w (DLC) 95042861 |w (OCoLC)33243541 |
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| contents | Theoretical and generic parameters -- The lyric lady and the alba -- pt. I. The alba lady: literary and social perspectives. The alba lady: literary perspectives. The humanized ideal. The alba lady: sex roles and social roles. Adulterous love and the alba. Eros in the socius. Power, gender, and class: the love triangle. Fin'amors: conflicting loyalties; divided selves -- pt. II. Eros and identity. Eros and dawning identity. Nocturnal wonders: (k)night calls. Love's timeless utopia: regressive fantasies. Fusion, androgyny, inseparability. First light: mask and masquerade. Janus-faced dawn and the dualisms of love: pivot and potentiality. Cruel dawn. The dawn descends: the refrain. Conclusion: the fractured self: songs of mo(u)rning. |
| ctrlnum | (OCoLC)48138604 |
| dewey-full | 809.1/93538 |
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| dewey-search | 809.1/93538 |
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| indexdate | 2024-11-27T13:15:15Z |
| institution | BVB |
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| spelling | Sigal, Gale. http://id.loc.gov/authorities/names/n91037093 Erotic dawn-songs of the Middle Ages : voicing the lyric lady / Gale Sigal. Gainesville : University Press of Florida, ©1996. 1 online resource (xii, 241 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 215-229) and index. The alba, or dawn-song, takes its name from the hour at which it is sung. Appearing in southern France around the middle of the twelfth century, the genre presents the parting plaints of adulterous lovers. Such erotically charged songs blend the lyricism, dramatic power, and poignancy implicit in the lovers' plight. The alba is the only genre in an emerging vernacular lyric corpus whose focus is reciprocal romantic love. Gale Sigal reexamines the role of the female voice as it is commonly viewed in the history of Western lyric. Among lyric ladies, the alba lady plays a vital role: she dramatizes the female love experience in her own voice. The traditional image of the silenced and repressed lady of the canso (the "canonical lyric genre") is overturned by the alba lady's forceful presence and eloquent voice. That voice cries out for a hearing, while the canso lady's is still. Erotic Dawn-Songs redirects our attention to this lyric lady, who for the first time assumes her rightful place at the critical center of a lyric continuum in which an array of women are presented from varying points of view. In the process this book crosses a number of disciplinary borders, including comparative literature, social and literary history, women's studies, and medieval studies Theoretical and generic parameters -- The lyric lady and the alba -- pt. I. The alba lady: literary and social perspectives. The alba lady: literary perspectives. The humanized ideal. The alba lady: sex roles and social roles. Adulterous love and the alba. Eros in the socius. Power, gender, and class: the love triangle. Fin'amors: conflicting loyalties; divided selves -- pt. II. Eros and identity. Eros and dawning identity. Nocturnal wonders: (k)night calls. Love's timeless utopia: regressive fantasies. Fusion, androgyny, inseparability. First light: mask and masquerade. Janus-faced dawn and the dualisms of love: pivot and potentiality. Cruel dawn. The dawn descends: the refrain. Conclusion: the fractured self: songs of mo(u)rning. Print version record. English. Poetry, Medieval History and criticism. Erotic poetry History and criticism. Albas History and criticism. Poésie érotique Histoire et critique. Aubes (Littérature) Histoire et critique. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Albas fast Erotic poetry fast Poetry, Medieval fast Criticism, interpretation, etc. fast has work: Erotic dawn-songs of the Middle Ages (Text) https://id.oclc.org/worldcat/entity/E39PCGrC4pgDCTyd7Tg6yW6fC3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Sigal, Gale. Erotic dawn-songs of the Middle Ages. Gainesville : University Press of Florida, ©1996 081301381X (DLC) 95042861 (OCoLC)33243541 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=54905 Volltext |
| spellingShingle | Sigal, Gale Erotic dawn-songs of the Middle Ages : voicing the lyric lady / Theoretical and generic parameters -- The lyric lady and the alba -- pt. I. The alba lady: literary and social perspectives. The alba lady: literary perspectives. The humanized ideal. The alba lady: sex roles and social roles. Adulterous love and the alba. Eros in the socius. Power, gender, and class: the love triangle. Fin'amors: conflicting loyalties; divided selves -- pt. II. Eros and identity. Eros and dawning identity. Nocturnal wonders: (k)night calls. Love's timeless utopia: regressive fantasies. Fusion, androgyny, inseparability. First light: mask and masquerade. Janus-faced dawn and the dualisms of love: pivot and potentiality. Cruel dawn. The dawn descends: the refrain. Conclusion: the fractured self: songs of mo(u)rning. Poetry, Medieval History and criticism. Erotic poetry History and criticism. Albas History and criticism. Poésie érotique Histoire et critique. Aubes (Littérature) Histoire et critique. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Albas fast Erotic poetry fast Poetry, Medieval fast |
| title | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / |
| title_auth | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / |
| title_exact_search | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / |
| title_full | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / Gale Sigal. |
| title_fullStr | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / Gale Sigal. |
| title_full_unstemmed | Erotic dawn-songs of the Middle Ages : voicing the lyric lady / Gale Sigal. |
| title_short | Erotic dawn-songs of the Middle Ages : |
| title_sort | erotic dawn songs of the middle ages voicing the lyric lady |
| title_sub | voicing the lyric lady / |
| topic | Poetry, Medieval History and criticism. Erotic poetry History and criticism. Albas History and criticism. Poésie érotique Histoire et critique. Aubes (Littérature) Histoire et critique. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Albas fast Erotic poetry fast Poetry, Medieval fast |
| topic_facet | Poetry, Medieval History and criticism. Erotic poetry History and criticism. Albas History and criticism. Poésie érotique Histoire et critique. Aubes (Littérature) Histoire et critique. TRAVEL Special Interest Literary. LITERARY CRITICISM General. Albas Erotic poetry Poetry, Medieval Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=54905 |
| work_keys_str_mv | AT sigalgale eroticdawnsongsofthemiddleagesvoicingthelyriclady |