#WakingTheFeminists and the data-driven revolution in Irish theatre:
#WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2025
|
| Series: | Cambridge elements
|
| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | #WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre |
| Item Description: | Title from publisher's bibliographic system (viewed on 23 Jan 2025) |
| Physical Description: | 1 Online-Ressource (71 Seiten) |
| ISBN: | 9781009523066 |
| DOI: | 10.1017/9781009523066 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV050208060 | ||
| 003 | DE-604 | ||
| 005 | 20250506 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 250318s2025 xx o|||| 00||| eng d | ||
| 020 | |a 9781009523066 |9 978-1-009-52306-6 | ||
| 024 | 7 | |a 10.1017/9781009523066 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781009523066 | ||
| 035 | |a (OCoLC)1510744900 | ||
| 035 | |a (DE-599)BVBBV050208060 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 822/.909928709415 | |
| 100 | 1 | |a Keogh, Claire |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a #WakingTheFeminists and the data-driven revolution in Irish theatre |c Claire Keogh |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2025 | |
| 300 | |a 1 Online-Ressource (71 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge elements | |
| 500 | |a Title from publisher's bibliographic system (viewed on 23 Jan 2025) | ||
| 520 | |a #WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre | ||
| 650 | 4 | |a English drama / Irish authors / History and criticism | |
| 650 | 4 | |a English drama / Women authors / History and criticism | |
| 650 | 4 | |a Women in the theater / Ireland / History / 21st century | |
| 650 | 4 | |a Feminism and theater / Ireland / History / 21st century | |
| 650 | 4 | |a Internet and activism / Ireland / History / 21st century | |
| 650 | 4 | |a Theater / Political aspects / Ireland / History / 21st century | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781009523103 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781009523097 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781009523066?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035543272 | |
| 966 | e | |u https://doi.org/10.1017/9781009523066?locatt=mode:legacy |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781009523066?locatt=mode:legacy |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1831364866687893504 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Keogh, Claire |
| author_facet | Keogh, Claire |
| author_role | aut |
| author_sort | Keogh, Claire |
| author_variant | c k ck |
| building | Verbundindex |
| bvnumber | BV050208060 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781009523066 (OCoLC)1510744900 (DE-599)BVBBV050208060 |
| dewey-full | 822/.909928709415 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.909928709415 |
| dewey-search | 822/.909928709415 |
| dewey-sort | 3822 12909928709415 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781009523066 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV050208060</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250506</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">250318s2025 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009523066</subfield><subfield code="9">978-1-009-52306-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009523066</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009523066</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1510744900</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050208060</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822/.909928709415</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Keogh, Claire</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">#WakingTheFeminists and the data-driven revolution in Irish theatre</subfield><subfield code="c">Claire Keogh</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2025</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (71 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge elements</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 23 Jan 2025)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">#WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Irish authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Women authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in the theater / Ireland / History / 21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism and theater / Ireland / History / 21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Internet and activism / Ireland / History / 21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / Political aspects / Ireland / History / 21st century</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781009523103</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781009523097</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009523066?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035543272</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009523066?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009523066?locatt=mode:legacy</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV050208060 |
| illustrated | Not Illustrated |
| indexdate | 2025-05-06T10:00:37Z |
| institution | BVB |
| isbn | 9781009523066 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035543272 |
| oclc_num | 1510744900 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (71 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2025 |
| publishDateSearch | 2025 |
| publishDateSort | 2025 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge elements |
| spelling | Keogh, Claire Verfasser aut #WakingTheFeminists and the data-driven revolution in Irish theatre Claire Keogh Cambridge Cambridge University Press 2025 1 Online-Ressource (71 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 23 Jan 2025) #WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 21st century Feminism and theater / Ireland / History / 21st century Internet and activism / Ireland / History / 21st century Theater / Political aspects / Ireland / History / 21st century Erscheint auch als Druck-Ausgabe 9781009523103 Erscheint auch als Druck-Ausgabe 9781009523097 https://doi.org/10.1017/9781009523066?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Keogh, Claire #WakingTheFeminists and the data-driven revolution in Irish theatre English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 21st century Feminism and theater / Ireland / History / 21st century Internet and activism / Ireland / History / 21st century Theater / Political aspects / Ireland / History / 21st century |
| title | #WakingTheFeminists and the data-driven revolution in Irish theatre |
| title_auth | #WakingTheFeminists and the data-driven revolution in Irish theatre |
| title_exact_search | #WakingTheFeminists and the data-driven revolution in Irish theatre |
| title_full | #WakingTheFeminists and the data-driven revolution in Irish theatre Claire Keogh |
| title_fullStr | #WakingTheFeminists and the data-driven revolution in Irish theatre Claire Keogh |
| title_full_unstemmed | #WakingTheFeminists and the data-driven revolution in Irish theatre Claire Keogh |
| title_short | #WakingTheFeminists and the data-driven revolution in Irish theatre |
| title_sort | wakingthefeminists and the data driven revolution in irish theatre |
| topic | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 21st century Feminism and theater / Ireland / History / 21st century Internet and activism / Ireland / History / 21st century Theater / Political aspects / Ireland / History / 21st century |
| topic_facet | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 21st century Feminism and theater / Ireland / History / 21st century Internet and activism / Ireland / History / 21st century Theater / Political aspects / Ireland / History / 21st century |
| url | https://doi.org/10.1017/9781009523066?locatt=mode:legacy |
| work_keys_str_mv | AT keoghclaire wakingthefeministsandthedatadrivenrevolutioninirishtheatre |