Black time and the aesthetic possibility of objects:
"The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- |
| Beschreibung: | Includes bibliographical references (pages 169-178) and index |
| Beschreibung: | x, 190 Seiten Illustrationen 25 cm |
| ISBN: | 9781469675312 9781469675305 |
Internformat
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| 020 | |a 9781469675305 |c cloth ; alk. paper |9 978-1-4696-7530-5 | ||
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| 100 | 1 | |a Lamothe, Daphne Mary |e Verfasser |0 (DE-588)1053149956 |4 aut | |
| 245 | 1 | 0 | |a Black time and the aesthetic possibility of objects |c Daphne Lamothe |
| 264 | 1 | |a Chapel Hill |b The University of North Carolina Press |c [2023] | |
| 300 | |a x, 190 Seiten |b Illustrationen |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 169-178) and index | ||
| 505 | 8 | |a A body in the world -- Stromae's relational aesthetic -- In search of presence: a digressive reading of Ordinary Light -- The freedom of Black aesthetic optimism -- Black time matters -- To Wander Determined: a portal to Blackness and being -- Migration/stasis/stillness: Paule Marshall's poetics of change -- Black presence in the twilight hour: Dionne Brand's thirsty -- Swing Time: politically minded with an individual soul. | |
| 520 | 3 | |a "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- | |
| 650 | 0 | 7 | |a Objekt |g Philosophie |0 (DE-588)4172302-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Aesthetics, Black | |
| 653 | 0 | |a American literature / African American authors / 20th century / History and criticism | |
| 653 | 0 | |a American literature / African American authors / 21st century / History and criticism | |
| 653 | 0 | |a English literature / Black authors / 20th century / History and criticism | |
| 653 | 0 | |a English literature / Black authors / 21st century / History and criticism | |
| 653 | 0 | |a Musicians, Black / Belgium / History and criticism | |
| 653 | 0 | |a Artists, Black / United States / History and criticism | |
| 653 | 0 | |a African diaspora | |
| 653 | 0 | |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies | |
| 653 | 0 | |a SOCIAL SCIENCE / Black Studies (Global) | |
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| 689 | 0 | 1 | |a Objekt |g Philosophie |0 (DE-588)4172302-8 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035521605 | |
Datensatz im Suchindex
| _version_ | 1825215600200253440 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Lamothe, Daphne Mary |
| author_GND | (DE-588)1053149956 |
| author_facet | Lamothe, Daphne Mary |
| author_role | aut |
| author_sort | Lamothe, Daphne Mary |
| author_variant | d m l dm dml |
| building | Verbundindex |
| bvnumber | BV050185964 |
| contents | A body in the world -- Stromae's relational aesthetic -- In search of presence: a digressive reading of Ordinary Light -- The freedom of Black aesthetic optimism -- Black time matters -- To Wander Determined: a portal to Blackness and being -- Migration/stasis/stillness: Paule Marshall's poetics of change -- Black presence in the twilight hour: Dionne Brand's thirsty -- Swing Time: politically minded with an individual soul. |
| ctrlnum | (DE-599)KXP1857606515 |
| dewey-full | 111/.8508996073 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.8508996073 |
| dewey-search | 111/.8508996073 |
| dewey-sort | 3111 108508996073 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| format | Book |
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| id | DE-604.BV050185964 |
| illustrated | Illustrated |
| indexdate | 2025-02-27T13:00:39Z |
| institution | BVB |
| isbn | 9781469675312 9781469675305 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035521605 |
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| physical | x, 190 Seiten Illustrationen 25 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | The University of North Carolina Press |
| record_format | marc |
| spelling | Lamothe, Daphne Mary Verfasser (DE-588)1053149956 aut Black time and the aesthetic possibility of objects Daphne Lamothe Chapel Hill The University of North Carolina Press [2023] x, 190 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 169-178) and index A body in the world -- Stromae's relational aesthetic -- In search of presence: a digressive reading of Ordinary Light -- The freedom of Black aesthetic optimism -- Black time matters -- To Wander Determined: a portal to Blackness and being -- Migration/stasis/stillness: Paule Marshall's poetics of change -- Black presence in the twilight hour: Dionne Brand's thirsty -- Swing Time: politically minded with an individual soul. "The decades following the civil rights and decolonization movements of the sixties and seventies - termed the post-soul era - created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of 'Black aesthetic time' - a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production - she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders - or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves"-- Objekt Philosophie (DE-588)4172302-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Aesthetics, Black American literature / African American authors / 20th century / History and criticism American literature / African American authors / 21st century / History and criticism English literature / Black authors / 20th century / History and criticism English literature / Black authors / 21st century / History and criticism Musicians, Black / Belgium / History and criticism Artists, Black / United States / History and criticism African diaspora SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies SOCIAL SCIENCE / Black Studies (Global) Schwarze (DE-588)4116433-7 s Objekt Philosophie (DE-588)4172302-8 s Ästhetik (DE-588)4000626-8 s DE-604 |
| spellingShingle | Lamothe, Daphne Mary Black time and the aesthetic possibility of objects A body in the world -- Stromae's relational aesthetic -- In search of presence: a digressive reading of Ordinary Light -- The freedom of Black aesthetic optimism -- Black time matters -- To Wander Determined: a portal to Blackness and being -- Migration/stasis/stillness: Paule Marshall's poetics of change -- Black presence in the twilight hour: Dionne Brand's thirsty -- Swing Time: politically minded with an individual soul. Objekt Philosophie (DE-588)4172302-8 gnd Ästhetik (DE-588)4000626-8 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4172302-8 (DE-588)4000626-8 (DE-588)4116433-7 |
| title | Black time and the aesthetic possibility of objects |
| title_auth | Black time and the aesthetic possibility of objects |
| title_exact_search | Black time and the aesthetic possibility of objects |
| title_full | Black time and the aesthetic possibility of objects Daphne Lamothe |
| title_fullStr | Black time and the aesthetic possibility of objects Daphne Lamothe |
| title_full_unstemmed | Black time and the aesthetic possibility of objects Daphne Lamothe |
| title_short | Black time and the aesthetic possibility of objects |
| title_sort | black time and the aesthetic possibility of objects |
| topic | Objekt Philosophie (DE-588)4172302-8 gnd Ästhetik (DE-588)4000626-8 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Objekt Philosophie Ästhetik Schwarze |
| work_keys_str_mv | AT lamothedaphnemary blacktimeandtheaestheticpossibilityofobjects |