The art of counterpoint from Du Fay to Josquin:
This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York
Cambridge University Press
2025
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it, can be contrasted with smoother and less goal-oriented approaches in music from before - and after - the period ca. 1425-1520. Casting wide evidentiary and repertorial nets, the book reinterprets central genres, theoretical concepts, historical documents, famous pieces, and periodizations; a provocative concluding chapter suggests that we moderns have tended to conceal the period's musical poetics by neglecting central evidence. Above all the book introduces an analytical approach sensitive to musical flow and invites new ways of hearing, performing, and thinking about music from Du Fay to Josquin |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 06 Dec 2024) Part I. Starting Points. An Esthetics of Opposition that Privileges Intensification, Deintensification, and Dramatic Arcs - and What Came Before and After ; A Discursive Vacuum -- Part II. Tinctoris's Varietas. Defining Terms. Varietas as an Esthetic Paradigm ; Tinctoris Knew the Repertoire ; Pieces Exemplifying Varietas -- Part III. Fundaments of the Art. The Parameters ; Affordances of Four- and Five-Voice Texture ; Sacred Genres ; The Formes Fixes -- Part IV. The Art in Action. Some Songs by Du Fay ; Peaks, Valleys, and Flow in Okeghem's Sacred Music ; Busnoys, Josquin, and the Hurricane Osanna ; Seven Awesome Endings ; Pater noster across the Esthetic Divide ; The Art of Counterpoint in Performance -- Appendices. 1. Tinctoris's Rules of Counterpoint ; Rough Guide to the Late Fifteenth-Century Cyclic Mass |
| Beschreibung: | 1 Online-Ressource (xvii, 372 Seiten) |
| ISBN: | 9781316882191 |
| DOI: | 10.1017/9781316882191 |
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| 500 | |a Part I. Starting Points. An Esthetics of Opposition that Privileges Intensification, Deintensification, and Dramatic Arcs - and What Came Before and After ; A Discursive Vacuum -- Part II. Tinctoris's Varietas. Defining Terms. Varietas as an Esthetic Paradigm ; Tinctoris Knew the Repertoire ; Pieces Exemplifying Varietas -- Part III. Fundaments of the Art. The Parameters ; Affordances of Four- and Five-Voice Texture ; Sacred Genres ; The Formes Fixes -- Part IV. The Art in Action. Some Songs by Du Fay ; Peaks, Valleys, and Flow in Okeghem's Sacred Music ; Busnoys, Josquin, and the Hurricane Osanna ; Seven Awesome Endings ; Pater noster across the Esthetic Divide ; The Art of Counterpoint in Performance -- Appendices. 1. Tinctoris's Rules of Counterpoint ; Rough Guide to the Late Fifteenth-Century Cyclic Mass | ||
| 520 | |a This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it, can be contrasted with smoother and less goal-oriented approaches in music from before - and after - the period ca. 1425-1520. Casting wide evidentiary and repertorial nets, the book reinterprets central genres, theoretical concepts, historical documents, famous pieces, and periodizations; a provocative concluding chapter suggests that we moderns have tended to conceal the period's musical poetics by neglecting central evidence. Above all the book introduces an analytical approach sensitive to musical flow and invites new ways of hearing, performing, and thinking about music from Du Fay to Josquin | ||
| 650 | 4 | |a Counterpoint / History / To 1500 | |
| 650 | 4 | |a Counterpoint / History / 16th century | |
| 650 | 4 | |a Music / 15th century / Analysis, appreciation | |
| 650 | 4 | |a Music / 16th century / Analysis, appreciation | |
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Datensatz im Suchindex
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| author | Rodin, Jesse 19XX- |
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| dewey-full | 781.309/02 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.309/02 |
| dewey-search | 781.309/02 |
| dewey-sort | 3781.309 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781316882191 |
| format | Electronic eBook |
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| id | DE-604.BV050173099 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T15:09:44Z |
| institution | BVB |
| isbn | 9781316882191 |
| language | English |
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| spelling | Rodin, Jesse 19XX- Verfasser (DE-588)1052599664 aut The art of counterpoint from Du Fay to Josquin Jesse Rodin Cambridge, United Kingdom ; New York Cambridge University Press 2025 1 Online-Ressource (xvii, 372 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 06 Dec 2024) Part I. Starting Points. An Esthetics of Opposition that Privileges Intensification, Deintensification, and Dramatic Arcs - and What Came Before and After ; A Discursive Vacuum -- Part II. Tinctoris's Varietas. Defining Terms. Varietas as an Esthetic Paradigm ; Tinctoris Knew the Repertoire ; Pieces Exemplifying Varietas -- Part III. Fundaments of the Art. The Parameters ; Affordances of Four- and Five-Voice Texture ; Sacred Genres ; The Formes Fixes -- Part IV. The Art in Action. Some Songs by Du Fay ; Peaks, Valleys, and Flow in Okeghem's Sacred Music ; Busnoys, Josquin, and the Hurricane Osanna ; Seven Awesome Endings ; Pater noster across the Esthetic Divide ; The Art of Counterpoint in Performance -- Appendices. 1. Tinctoris's Rules of Counterpoint ; Rough Guide to the Late Fifteenth-Century Cyclic Mass This book transforms our understanding of a fifteenth-century musical revolution. Renaissance composers developed fresh ways of handling musical flow in pursuit of intensifications, unexpected explosions, dramatic pauses, and sudden evaporations. A new esthetics of opposition, as this study calls it, can be contrasted with smoother and less goal-oriented approaches in music from before - and after - the period ca. 1425-1520. Casting wide evidentiary and repertorial nets, the book reinterprets central genres, theoretical concepts, historical documents, famous pieces, and periodizations; a provocative concluding chapter suggests that we moderns have tended to conceal the period's musical poetics by neglecting central evidence. Above all the book introduces an analytical approach sensitive to musical flow and invites new ways of hearing, performing, and thinking about music from Du Fay to Josquin Counterpoint / History / To 1500 Counterpoint / History / 16th century Music / 15th century / Analysis, appreciation Music / 16th century / Analysis, appreciation Music / 15th century / History and criticism Music / 16th century / History and criticism Erscheint auch als Druck-Ausgabe 9781107184596 Erscheint auch als Druck-Ausgabe 9781316636015 https://doi.org/10.1017/9781316882191?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rodin, Jesse 19XX- The art of counterpoint from Du Fay to Josquin Counterpoint / History / To 1500 Counterpoint / History / 16th century Music / 15th century / Analysis, appreciation Music / 16th century / Analysis, appreciation Music / 15th century / History and criticism Music / 16th century / History and criticism |
| title | The art of counterpoint from Du Fay to Josquin |
| title_auth | The art of counterpoint from Du Fay to Josquin |
| title_exact_search | The art of counterpoint from Du Fay to Josquin |
| title_full | The art of counterpoint from Du Fay to Josquin Jesse Rodin |
| title_fullStr | The art of counterpoint from Du Fay to Josquin Jesse Rodin |
| title_full_unstemmed | The art of counterpoint from Du Fay to Josquin Jesse Rodin |
| title_short | The art of counterpoint from Du Fay to Josquin |
| title_sort | the art of counterpoint from du fay to josquin |
| topic | Counterpoint / History / To 1500 Counterpoint / History / 16th century Music / 15th century / Analysis, appreciation Music / 16th century / Analysis, appreciation Music / 15th century / History and criticism Music / 16th century / History and criticism |
| topic_facet | Counterpoint / History / To 1500 Counterpoint / History / 16th century Music / 15th century / Analysis, appreciation Music / 16th century / Analysis, appreciation Music / 15th century / History and criticism Music / 16th century / History and criticism |
| url | https://doi.org/10.1017/9781316882191?locatt=mode:legacy |
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