Popular music in Brazil: identity, genres, and industry
This Element outlines an overview of popular music made in Brazil, from the nineteenth century to the beginning of the twenty-first century. Initially addressing the definition of the 'popular' category, discussion then follows on the ways a Brazilian music identity was built after the cou...
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| Main Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY
Cambridge University Press
2024
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| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | This Element outlines an overview of popular music made in Brazil, from the nineteenth century to the beginning of the twenty-first century. Initially addressing the definition of the 'popular' category, discussion then follows on the ways a Brazilian music identity was built after the country's independence in 1822 until the end of the 1920s. An idea of 'popular music' was consolidated throughout the twentieth century, from being associated with rural musical performances of oral tradition to the recorded urban musical genres that were established through radio and television. After exploring the world of mass popular music, the relationships between traditional and modern, the topics of cultural diversity, multiculturalism, and the impact of digitalization, as well as the musical kaleidoscope of the twenty-first century, the Element ends with an insight into music genres in the era of digital platforms |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Dec 2024) Building the Idea of Popular and the Music Market in Brazil -- The Social Construction of Music as Popular and Brazilian : Aesthetics, Ideology, and Politics (1920-2000) -- Globalization and Musical Diversity |
| Physical Description: | 1 Online-Ressource (71 Seiten) |
| ISBN: | 9781009357180 |
| DOI: | 10.1017/9781009357180 |
Staff View
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| 520 | |a This Element outlines an overview of popular music made in Brazil, from the nineteenth century to the beginning of the twenty-first century. Initially addressing the definition of the 'popular' category, discussion then follows on the ways a Brazilian music identity was built after the country's independence in 1822 until the end of the 1920s. An idea of 'popular music' was consolidated throughout the twentieth century, from being associated with rural musical performances of oral tradition to the recorded urban musical genres that were established through radio and television. After exploring the world of mass popular music, the relationships between traditional and modern, the topics of cultural diversity, multiculturalism, and the impact of digitalization, as well as the musical kaleidoscope of the twenty-first century, the Element ends with an insight into music genres in the era of digital platforms | ||
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| author | Ulhôa, Martha De Marchi, Leonardo 1989- Torres Borges, Renato Pereira |
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| dewey-full | 781.640981 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.640981 |
| dewey-search | 781.640981 |
| dewey-sort | 3781.640981 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781009357180 |
| format | Electronic eBook |
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| id | DE-604.BV050173050 |
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| spelling | Ulhôa, Martha Verfasser (DE-588)1046710524 aut Popular music in Brazil identity, genres, and industry Martha Tupinambá de Ulhôa, Leonardo De Marchi, Renato Pereira Torres Borges Cambridge, United Kingdom ; New York, NY Cambridge University Press 2024 1 Online-Ressource (71 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Dec 2024) Building the Idea of Popular and the Music Market in Brazil -- The Social Construction of Music as Popular and Brazilian : Aesthetics, Ideology, and Politics (1920-2000) -- Globalization and Musical Diversity This Element outlines an overview of popular music made in Brazil, from the nineteenth century to the beginning of the twenty-first century. Initially addressing the definition of the 'popular' category, discussion then follows on the ways a Brazilian music identity was built after the country's independence in 1822 until the end of the 1920s. An idea of 'popular music' was consolidated throughout the twentieth century, from being associated with rural musical performances of oral tradition to the recorded urban musical genres that were established through radio and television. After exploring the world of mass popular music, the relationships between traditional and modern, the topics of cultural diversity, multiculturalism, and the impact of digitalization, as well as the musical kaleidoscope of the twenty-first century, the Element ends with an insight into music genres in the era of digital platforms Popular music / Brazil / History and criticism Popular music / Social aspects / Brazil / History De Marchi, Leonardo 1989- Verfasser (DE-588)1217884432 aut Torres Borges, Renato Pereira Verfasser aut Erscheint auch als Druck-Ausgabe 9781009565240 Erscheint auch als Druck-Ausgabe 9781009357197 https://doi.org/10.1017/9781009357180?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ulhôa, Martha De Marchi, Leonardo 1989- Torres Borges, Renato Pereira Popular music in Brazil identity, genres, and industry Popular music / Brazil / History and criticism Popular music / Social aspects / Brazil / History |
| title | Popular music in Brazil identity, genres, and industry |
| title_auth | Popular music in Brazil identity, genres, and industry |
| title_exact_search | Popular music in Brazil identity, genres, and industry |
| title_full | Popular music in Brazil identity, genres, and industry Martha Tupinambá de Ulhôa, Leonardo De Marchi, Renato Pereira Torres Borges |
| title_fullStr | Popular music in Brazil identity, genres, and industry Martha Tupinambá de Ulhôa, Leonardo De Marchi, Renato Pereira Torres Borges |
| title_full_unstemmed | Popular music in Brazil identity, genres, and industry Martha Tupinambá de Ulhôa, Leonardo De Marchi, Renato Pereira Torres Borges |
| title_short | Popular music in Brazil |
| title_sort | popular music in brazil identity genres and industry |
| title_sub | identity, genres, and industry |
| topic | Popular music / Brazil / History and criticism Popular music / Social aspects / Brazil / History |
| topic_facet | Popular music / Brazil / History and criticism Popular music / Social aspects / Brazil / History |
| url | https://doi.org/10.1017/9781009357180?locatt=mode:legacy |
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