She Animates: Soviet Female Subjectivity in Russian Animation
She Animates examines the work of twelve female animation directors in the Soviet Union and Russia, who have long been overlooked by film scholars and historians. Our approach examines these directors within history, culture, and industrial practice in animation. In addition to making a case for inc...
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Format: | Elektronisch E-Book |
Sprache: | Russian |
Veröffentlicht: |
Boston, MA
Academic Studies Press
[2023]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | She Animates examines the work of twelve female animation directors in the Soviet Union and Russia, who have long been overlooked by film scholars and historians. Our approach examines these directors within history, culture, and industrial practice in animation. In addition to making a case for including these women and their work in the annals of film and animation history, this volume also makes an argument for why their work should be considered part of the tradition of women's cinema. We offer textual analysis that focuses on the changing attitudes towards both the woman question and feminism by examining the films in light of the emergence and evolution of a Soviet female subjectivity that still informs women's cinema in Russia today |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) |
Beschreibung: | 1 Online-Ressource |
DOI: | 10.1515/9798887194066 |
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author | Michele Leigh, Lora Mjolsness |
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language | Russian |
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spelling | Michele Leigh, Lora Mjolsness Verfasser aut She Animates Soviet Female Subjectivity in Russian Animation Lora Mjolsness Michele Leigh Boston, MA Academic Studies Press [2023] 2023 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) She Animates examines the work of twelve female animation directors in the Soviet Union and Russia, who have long been overlooked by film scholars and historians. Our approach examines these directors within history, culture, and industrial practice in animation. In addition to making a case for including these women and their work in the annals of film and animation history, this volume also makes an argument for why their work should be considered part of the tradition of women's cinema. We offer textual analysis that focuses on the changing attitudes towards both the woman question and feminism by examining the films in light of the emergence and evolution of a Soviet female subjectivity that still informs women's cinema in Russia today In Russian ART / Women Artists bisacsh Fomenko, Alyona Sonstige oth https://doi.org/10.1515/9798887194066?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Michele Leigh, Lora Mjolsness She Animates Soviet Female Subjectivity in Russian Animation ART / Women Artists bisacsh |
title | She Animates Soviet Female Subjectivity in Russian Animation |
title_auth | She Animates Soviet Female Subjectivity in Russian Animation |
title_exact_search | She Animates Soviet Female Subjectivity in Russian Animation |
title_full | She Animates Soviet Female Subjectivity in Russian Animation Lora Mjolsness Michele Leigh |
title_fullStr | She Animates Soviet Female Subjectivity in Russian Animation Lora Mjolsness Michele Leigh |
title_full_unstemmed | She Animates Soviet Female Subjectivity in Russian Animation Lora Mjolsness Michele Leigh |
title_short | She Animates |
title_sort | she animates soviet female subjectivity in russian animation |
title_sub | Soviet Female Subjectivity in Russian Animation |
topic | ART / Women Artists bisacsh |
topic_facet | ART / Women Artists |
url | https://doi.org/10.1515/9798887194066?locatt=mode:legacy |
work_keys_str_mv | AT micheleleighloramjolsness sheanimatessovietfemalesubjectivityinrussiananimation AT fomenkoalyona sheanimatessovietfemalesubjectivityinrussiananimation |