Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism: ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama
In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2024]
|
| Schriftenreihe: | American Frictions
1 |
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro's black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem's Latin Boogaloo scene, Panama's combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) |
| Beschreibung: | 1 Online-Ressource (X, 240 Seiten) |
| ISBN: | 9783110665550 |
| DOI: | 10.1515/9783110665550 |
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| 520 | |a In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro's black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem's Latin Boogaloo scene, Panama's combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora | ||
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Datensatz im Suchindex
| _version_ | 1824508306997116928 |
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| adam_text | |
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| author | Steinitz, Matti |
| author_facet | Steinitz, Matti |
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| dewey-full | 781.644098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.644098 |
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| id | DE-604.BV050167846 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:38:32Z |
| institution | BVB |
| isbn | 9783110665550 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035503834 |
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| spelling | Steinitz, Matti Verfasser aut Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama Matti Steinitz Berlin ; Boston De Gruyter [2024] 2025 1 Online-Ressource (X, 240 Seiten) txt rdacontent c rdamedia cr rdacarrier American Frictions 1 Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro's black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem's Latin Boogaloo scene, Panama's combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Black power Latin America Black power United States Music Social aspects Latin America Music Social aspects United States Soul music History and criticism Soul music Latin America History and criticism Erscheint auch als Druck-Ausgabe 9783110664508 https://doi.org/10.1515/9783110665550?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Steinitz, Matti Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Black power Latin America Black power United States Music Social aspects Latin America Music Social aspects United States Soul music History and criticism Soul music Latin America History and criticism |
| title | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama |
| title_auth | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama |
| title_exact_search | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama |
| title_full | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama Matti Steinitz |
| title_fullStr | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama Matti Steinitz |
| title_full_unstemmed | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama Matti Steinitz |
| title_short | Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism |
| title_sort | afro latin soul music and the rise of black power cosmopolitanism hemispheric soulscapes between spanish harlem black rio and panama |
| title_sub | ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Black power Latin America Black power United States Music Social aspects Latin America Music Social aspects United States Soul music History and criticism Soul music Latin America History and criticism |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Black power Latin America Black power United States Music Social aspects Latin America Music Social aspects United States Soul music History and criticism Soul music Latin America History and criticism |
| url | https://doi.org/10.1515/9783110665550?locatt=mode:legacy |
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