Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama
Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism: ›Hemispheric Soulscapes‹ between Spanish Harlem, Black Rio and Panama

In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Steinitz, Matti (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Berlin ; Boston De Gruyter [2024]
Schriftenreihe:American Frictions 1
Schlagworte:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Black power > Latin America
Black power > United States
Music > Social aspects > Latin America
Music > Social aspects > United States
Soul music > History and criticism
Soul music > Latin America > History and criticism
Online-Zugang:DE-1046
DE-1043
DE-858
DE-859
DE-860
DE-739
DE-473
URL des Erstveröffentlichers
Zusammenfassung:In the 1960s and 1970s, soul music not only gave voice to a new sense of assertiveness among African Americans in the United States but also contributed to the popularization of Black Power across the Americas. Tracing the emergence of Afro-Latin Soul scenes among Puerto Rican youth in New York, the descendants of Caribbean labor migrants in Panama, and Rio de Janeiro's black community, the book examines how soul as genre, a style, and a discourse became an inter-American lingua franca that provided diasporic youth with a platform to express solidarity with the African American freedom struggle and a source of inspiration in their struggles against the often denied forms of anti-black racism in Latin American contexts. Drawing on interviews with protagonists of Spanish Harlem's Latin Boogaloo scene, Panama's combos nacionales and the Black Rio movement such as Joe Bataan, Benny Bonilla, Carlos Brown, Ernie King, and Dom Filó and activists such as Denise Oliver, Felipe Luciano, Melva Lowe, Alberto Barrow, Gerado Maloney and Carlos Alberto Medeiros, the multi-sited study conceives of these border-crossing dialogues as expressions of Black Power cosmopolitanism that challenged nationalist identity discourses and the related homogenizing notions of latinidad. Bridging African American and Latin American Studies, the book opens new perspectives to scholars of hemispheric black transnationalism, popular music and social movements in the African diaspora
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025)
Beschreibung:1 Online-Ressource (X, 240 Seiten)
ISBN:9783110665550
DOI:10.1515/9783110665550

Ähnliche Einträge