Cyberpunk: envisioning possible futures through cinema
Cyberpunk, a subgenre of science fiction, first appeared in the early 1980s and uniquely captured the anxieties of the decade. Featuring near-future scenarios set in worlds that resemble our own, cyberpunk stories juxtapose technological advances with social upheaval, ecological crisis and urban dec...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
DelMonico books
[2024]
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| Schlagworte: | |
| Zusammenfassung: | Cyberpunk, a subgenre of science fiction, first appeared in the early 1980s and uniquely captured the anxieties of the decade. Featuring near-future scenarios set in worlds that resemble our own, cyberpunk stories juxtapose technological advances with social upheaval, ecological crisis and urban decay. Central to these narratives are antihero characters who fight against corrupt political systems, technology gone haywire and global mega-corporations.Cyberpunk: Envisioning Possible Futures through Cinema examines the global impact and lasting influence of cyberpunk on cinema culture. Through rarely published behind-the-scenes photographs, film stills and concept art, the book spotlights iconic cyberpunk films such as Blade Runner, Tron and The Matrix; foundational animated features like Akira and Ghost in the Shell; and more recent releases such as Sleep Dealer, Pumzi, Night Raiders and Neptune Frost. More than 20 case studies written by critics, historians and filmmakers offer new perspectives on these films and their legacies. The book also features an in-depth introduction by curator Doris Berger; an essay by communications scholar Carlen Lavigne that discusses the genre’s 20th-century literary origins and the new, global directions it has taken in the 21st century; and an interview with filmmakers Danis Goulet and Wanuri Kahiu that reflects on the interplay among cyberpunk, Afrofuturism and Indigenous futurism. |
| Beschreibung: | This publication accompanies the exhibition Cyberpunk: Envisioning Possible Futures Through Cinema, curated by Doris Berger with Nicholas Barlow and Emily Rauber Rodriguez and presented at the Academy Museum of Motion Pictures, Los Angeles, October 6, 2024-April 12, 2026 |
| Beschreibung: | 191 Seiten Illustrationen |
| ISBN: | 9781636811314 1636811310 |
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| spelling | Cyberpunk envisioning possible futures through cinema Edited by Doris Berger ; Foreword by Jacqueline Stewart ; Texts by Nicholas Barlow [und weiteren] New York, NY DelMonico books [2024] 191 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier This publication accompanies the exhibition Cyberpunk: Envisioning Possible Futures Through Cinema, curated by Doris Berger with Nicholas Barlow and Emily Rauber Rodriguez and presented at the Academy Museum of Motion Pictures, Los Angeles, October 6, 2024-April 12, 2026 Cyberpunk, a subgenre of science fiction, first appeared in the early 1980s and uniquely captured the anxieties of the decade. Featuring near-future scenarios set in worlds that resemble our own, cyberpunk stories juxtapose technological advances with social upheaval, ecological crisis and urban decay. Central to these narratives are antihero characters who fight against corrupt political systems, technology gone haywire and global mega-corporations.Cyberpunk: Envisioning Possible Futures through Cinema examines the global impact and lasting influence of cyberpunk on cinema culture. Through rarely published behind-the-scenes photographs, film stills and concept art, the book spotlights iconic cyberpunk films such as Blade Runner, Tron and The Matrix; foundational animated features like Akira and Ghost in the Shell; and more recent releases such as Sleep Dealer, Pumzi, Night Raiders and Neptune Frost. More than 20 case studies written by critics, historians and filmmakers offer new perspectives on these films and their legacies. The book also features an in-depth introduction by curator Doris Berger; an essay by communications scholar Carlen Lavigne that discusses the genre’s 20th-century literary origins and the new, global directions it has taken in the 21st century; and an interview with filmmakers Danis Goulet and Wanuri Kahiu that reflects on the interplay among cyberpunk, Afrofuturism and Indigenous futurism. (DE-588)4135467-9 Ausstellungskatalog Academy Museum of Motion Pictures 06.10.2024-12.04.2026 Los Angeles gnd-content Berger, Doris 1972- (DE-588)136299709 win edt Stewart, Jacqueline aui Barlow, Nicholas 1989- (DE-588)1352529297 wst Academy Museum of Motion Pictures (DE-588)1268648809 isb |
| spellingShingle | Cyberpunk envisioning possible futures through cinema |
| subject_GND | (DE-588)4135467-9 |
| title | Cyberpunk envisioning possible futures through cinema |
| title_auth | Cyberpunk envisioning possible futures through cinema |
| title_exact_search | Cyberpunk envisioning possible futures through cinema |
| title_full | Cyberpunk envisioning possible futures through cinema Edited by Doris Berger ; Foreword by Jacqueline Stewart ; Texts by Nicholas Barlow [und weiteren] |
| title_fullStr | Cyberpunk envisioning possible futures through cinema Edited by Doris Berger ; Foreword by Jacqueline Stewart ; Texts by Nicholas Barlow [und weiteren] |
| title_full_unstemmed | Cyberpunk envisioning possible futures through cinema Edited by Doris Berger ; Foreword by Jacqueline Stewart ; Texts by Nicholas Barlow [und weiteren] |
| title_short | Cyberpunk |
| title_sort | cyberpunk envisioning possible futures through cinema |
| title_sub | envisioning possible futures through cinema |
| topic_facet | Ausstellungskatalog Academy Museum of Motion Pictures 06.10.2024-12.04.2026 Los Angeles |
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