Remapping the classics: Haydn, Mozart and Beethoven in Spain during the long nineteenth century
"This publication is the first to explore the collective reception of works by Haydn, Mozart, and Beethoven in Spain. It addresses two main questions that shed light on the roles these composers played in a southern European context, viewed from Europe’s periphery. Firstly, the study examines h...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
2024
|
| Schriftenreihe: | Specvlvm mvsicae
volume 54 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This publication is the first to explore the collective reception of works by Haydn, Mozart, and Beethoven in Spain. It addresses two main questions that shed light on the roles these composers played in a southern European context, viewed from Europe’s periphery. Firstly, the study examines how different contexts and performance practices influenced the presentation of these composers’ music. It delves into the transmission of musical texts and their adaptation to various demands through arrangements and transcriptions. Secondly, it explores how the physical and symbolic nature of performance spaces shaped listening habits. In nineteenth-century Spain, the salon, the church, and the concert hall were the primary venues for this music, similar to the rest of the Western world. However, some works ventured beyond these traditional spaces, finding new homes and creating fresh cultural meanings. These shifts not only altered the functions of the music but also transformed musical sociability, as detailed in the book. By examining the remapping of Haydn, Mozart, and Beethoven’s music to a southern European context, this book provides novel insights into the significant roles these composers played in Western culture." |
| Beschreibung: | Literaturangaben |
| Beschreibung: | x, 355 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503615578 |
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Datensatz im Suchindex
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| adam_text |
Contents Miguel Angel Marin - Teresa Cascudo Garcia-Villaraco vii Preface Haydn: Model and Dissemination Héctor Eulogio Santos Conde Haydn’s Symphonies in Spanish Cathedrals: Circulation and Functions 3 Oscar Manuel Sanchez Haydn as a Model: Composing String Quartets in Late Eighteenth-Century Madrid 43 Mozart’s Impact: The Requiem and Don Giovanni Miguel Angel Marin Listening to Mozart’s Requiem in Nineteenth-Century Spain 73 Cristina Roldan Fidalgo Mozart’s Don Giovanni in Spanish Theatres (1834-1867) 97 Chamber Music: Space and Sociability Lluis Bertran - Oriol Brugarolas The Tusquets Family and the Construction of the Viennese Musical Canon in Barcelona (1780-1880) 137
Teresa Cascudo Garci'a-Villaraco - Carolina Queipo Gutiérrez Haydn, Mozart and Beethoven in Professional Hands: The Sociedad de Cuartetos de Madrid between 1863 and 1875 Disciplining the 183 Classics Thomas Schmitt Transforming the Classics: Haydn, Mozart and Beethoven on the Spanish Guitar 215 Laura de Miguel Teaching the Classics: Haydn, Mozart and Beethoven at the Conservatorio de Madrid Beethoven in the 243 Early Twentieth Century Maria Palacios Nieto - Isabel Jiménez Gutiérrez From the Teatro Real to the Cinema: Remapping Beethoven for the Masses in Madrid (1904-1927) 287 Jaume Carbonell i Guberna The Missa Solemnis in Barcelona: From the Première in 1906 to the Commemoration in 1927 Abstracts and Biographies 309 333 Index of Names 341 Index of Works by Haydn, Mozart and Beethoven 349 |
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| spelling | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century edited by Miguel Ángel Marín and Teresa Cascudo García-Villaraco Turnhout Brepols 2024 x, 355 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 54 Literaturangaben "This publication is the first to explore the collective reception of works by Haydn, Mozart, and Beethoven in Spain. It addresses two main questions that shed light on the roles these composers played in a southern European context, viewed from Europe’s periphery. Firstly, the study examines how different contexts and performance practices influenced the presentation of these composers’ music. It delves into the transmission of musical texts and their adaptation to various demands through arrangements and transcriptions. Secondly, it explores how the physical and symbolic nature of performance spaces shaped listening habits. In nineteenth-century Spain, the salon, the church, and the concert hall were the primary venues for this music, similar to the rest of the Western world. However, some works ventured beyond these traditional spaces, finding new homes and creating fresh cultural meanings. These shifts not only altered the functions of the music but also transformed musical sociability, as detailed in the book. By examining the remapping of Haydn, Mozart, and Beethoven’s music to a southern European context, this book provides novel insights into the significant roles these composers played in Western culture." Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Geschichte 1780-1900 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Haydn, Joseph 1732-1809 (DE-588)118547356 p Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Rezeption (DE-588)4049716-1 s Spanien (DE-588)4055964-6 g Geschichte 1780-1900 z DE-604 Marín, Miguel Angel 1972- (DE-588)1024667286 edt Cascudo, Teresa 1968- (DE-588)1070265896 edt Specvlvm mvsicae volume 54 (DE-604)BV011188963 54 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035433568&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century |
| title_auth | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century |
| title_exact_search | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century |
| title_full | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century edited by Miguel Ángel Marín and Teresa Cascudo García-Villaraco |
| title_fullStr | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century edited by Miguel Ángel Marín and Teresa Cascudo García-Villaraco |
| title_full_unstemmed | Remapping the classics Haydn, Mozart and Beethoven in Spain during the long nineteenth century edited by Miguel Ángel Marín and Teresa Cascudo García-Villaraco |
| title_short | Remapping the classics |
| title_sort | remapping the classics haydn mozart and beethoven in spain during the long nineteenth century |
| title_sub | Haydn, Mozart and Beethoven in Spain during the long nineteenth century |
| topic | Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Rezeption (DE-588)4049716-1 gnd |
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