Relics of war: the history of a photograph
"How a single haunting image tells a story about violence, mourning, and memoryIn 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "How a single haunting image tells a story about violence, mourning, and memoryIn 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics-whittled spoons, woven reed plates, a piece from the prison's "dead line," a tattered Bible-and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans' families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window onto the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War.Jennifer Raab shows how this photograph was a crucial part of Barton's efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced.Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 218 Seiten 126 Illustrationen |
| ISBN: | 9780691179971 |
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| 520 | 3 | |a "How a single haunting image tells a story about violence, mourning, and memoryIn 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics-whittled spoons, woven reed plates, a piece from the prison's "dead line," a tattered Bible-and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans' families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window onto the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War.Jennifer Raab shows how this photograph was a crucial part of Barton's efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced.Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory"-- | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Raab, Jennifer |
| author_GND | (DE-588)107845244X |
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| ctrlnum | (DE-599)KXP1893845788 |
| dewey-full | 779 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 779 - Photographic images |
| dewey-raw | 779 |
| dewey-search | 779 |
| dewey-sort | 3779 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Book |
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| spelling | Raab, Jennifer Verfasser (DE-588)107845244X aut Relics of war the history of a photograph Jennifer Raab Princeton ; Oxford Princeton University Press [2024] 218 Seiten 126 Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "How a single haunting image tells a story about violence, mourning, and memoryIn 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics-whittled spoons, woven reed plates, a piece from the prison's "dead line," a tattered Bible-and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans' families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window onto the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War.Jennifer Raab shows how this photograph was a crucial part of Barton's efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced.Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory"-- Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Brady's National Photographic Portrait Galleries / Relics of Andersonville Prison Images, Photographic / Psychological aspects Photography / Social aspects / United States / History / 19th century PHOTOGRAPHY / Subjects & Themes / Historical ART / American / General United States / History / Civil War, 1861-1865 / Antiquities United States / History / Civil War, 1861-1865 / Photography United States / History / Civil War, 1861-1865 / Social aspects USA (DE-588)4078704-7 g Fotografie (DE-588)4045895-7 s Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 s DE-604 Erscheint auch als Online-Ausgabe 978-0-691-26350-2 DE-601 pdf/application http://www.gbv.de/dms/bowker/toc/9780691179971.pdf 2024-10-28 Aggregator Inhaltsverzeichnis |
| spellingShingle | Raab, Jennifer Relics of war the history of a photograph Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4208546-9 (DE-588)4045895-7 (DE-588)4078704-7 |
| title | Relics of war the history of a photograph |
| title_auth | Relics of war the history of a photograph |
| title_exact_search | Relics of war the history of a photograph |
| title_full | Relics of war the history of a photograph Jennifer Raab |
| title_fullStr | Relics of war the history of a photograph Jennifer Raab |
| title_full_unstemmed | Relics of war the history of a photograph Jennifer Raab |
| title_short | Relics of war |
| title_sort | relics of war the history of a photograph |
| title_sub | the history of a photograph |
| topic | Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Sezessionskrieg 1861-1865, Motiv Fotografie USA |
| url | http://www.gbv.de/dms/bowker/toc/9780691179971.pdf |
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