Grime, Glitter, and Glass: The Body and the Sonic in Contemporary Black Art
In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene tra...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2024]
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| Schriftenreihe: | The Visual Arts of Africa and its Diasporas : 43
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Beschreibung: | 1 Online-Ressource (296 pages) |
| ISBN: | 9781478059554 |
| DOI: | 10.1515/9781478059554 |
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| spelling | Greene, Nikki A. Verfasser aut Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art Nikki A. Greene Durham Duke University Press [2024] 2024 1 Online-Ressource (296 pages) txt rdacontent c rdamedia cr rdacarrier The Visual Arts of Africa and its Diasporas : 43 Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible In English ART / American / African-American bisacsh African American artists African American arts African Americans Race identity Art and music United States Art and race Arts and society United States History 20th century Multimedia (Art) United States https://doi.org/10.1515/9781478059554?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Greene, Nikki A. Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art ART / American / African-American bisacsh African American artists African American arts African Americans Race identity Art and music United States Art and race Arts and society United States History 20th century Multimedia (Art) United States |
| title | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art |
| title_auth | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art |
| title_exact_search | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art |
| title_full | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art Nikki A. Greene |
| title_fullStr | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art Nikki A. Greene |
| title_full_unstemmed | Grime, Glitter, and Glass The Body and the Sonic in Contemporary Black Art Nikki A. Greene |
| title_short | Grime, Glitter, and Glass |
| title_sort | grime glitter and glass the body and the sonic in contemporary black art |
| title_sub | The Body and the Sonic in Contemporary Black Art |
| topic | ART / American / African-American bisacsh African American artists African American arts African Americans Race identity Art and music United States Art and race Arts and society United States History 20th century Multimedia (Art) United States |
| topic_facet | ART / American / African-American African American artists African American arts African Americans Race identity Art and music United States Art and race Arts and society United States History 20th century Multimedia (Art) United States |
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