Women's Experimental Cinema: Critical Frameworks
Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying bio...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers' forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume's final essay focuses explicitly on teaching women's experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Beschreibung: | 1 Online-Ressource (432 Seiten) 62 illustrations |
| ISBN: | 9781478091448 |
| DOI: | 10.1515/9781478091448 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) | ||
| 520 | |a Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. | ||
| 520 | |a Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers' forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. | ||
| 520 | |a At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume's final essay focuses explicitly on teaching women's experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees | ||
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Datensatz im Suchindex
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| dewey-search | 791.433 |
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| dewey-tens | 790 - Recreational and performing arts |
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| doi_str_mv | 10.1515/9781478091448 |
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| isbn | 9781478091448 |
| language | English |
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| spellingShingle | Women's Experimental Cinema Critical Frameworks PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films United States History and criticism Experimental films Performing arts Women motion picture producers and directors United States |
| title | Women's Experimental Cinema Critical Frameworks |
| title_auth | Women's Experimental Cinema Critical Frameworks |
| title_exact_search | Women's Experimental Cinema Critical Frameworks |
| title_full | Women's Experimental Cinema Critical Frameworks ed. by Robin Blaetz |
| title_fullStr | Women's Experimental Cinema Critical Frameworks ed. by Robin Blaetz |
| title_full_unstemmed | Women's Experimental Cinema Critical Frameworks ed. by Robin Blaetz |
| title_short | Women's Experimental Cinema |
| title_sort | women s experimental cinema critical frameworks |
| title_sub | Critical Frameworks |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Experimental films United States History and criticism Experimental films Performing arts Women motion picture producers and directors United States |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Experimental films United States History and criticism Experimental films Performing arts Women motion picture producers and directors United States |
| url | https://doi.org/10.1515/9781478091448 |
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