The Aesthetics of Digital Montage: Film Editing and Technological Change
Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Amsterdam University Press
[2024]
|
| Series: | Cinema and Technology
4 |
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Physical Description: | 1 Online-Ressource (294 Seiten) |
| ISBN: | 9789048543120 |
| DOI: | 10.1515/9789048543120 |
Staff View
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| 520 | |a Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema | ||
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| spelling | Furstenau, Marc Verfasser aut The Aesthetics of Digital Montage Film Editing and Technological Change Marc Furstenau Amsterdam Amsterdam University Press [2024] 2024 1 Online-Ressource (294 Seiten) txt rdacontent c rdamedia cr rdacarrier Cinema and Technology 4 Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema In English AUP Wetenschappelijk Amsterdam University Press Art and Material Culture Film Studies Film, Media, and Communication Media Studies ART / Digital bisacsh Digital cinematography Motion pictures Editing https://doi.org/10.1515/9789048543120?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Furstenau, Marc The Aesthetics of Digital Montage Film Editing and Technological Change AUP Wetenschappelijk Amsterdam University Press Art and Material Culture Film Studies Film, Media, and Communication Media Studies ART / Digital bisacsh Digital cinematography Motion pictures Editing |
| title | The Aesthetics of Digital Montage Film Editing and Technological Change |
| title_auth | The Aesthetics of Digital Montage Film Editing and Technological Change |
| title_exact_search | The Aesthetics of Digital Montage Film Editing and Technological Change |
| title_full | The Aesthetics of Digital Montage Film Editing and Technological Change Marc Furstenau |
| title_fullStr | The Aesthetics of Digital Montage Film Editing and Technological Change Marc Furstenau |
| title_full_unstemmed | The Aesthetics of Digital Montage Film Editing and Technological Change Marc Furstenau |
| title_short | The Aesthetics of Digital Montage |
| title_sort | the aesthetics of digital montage film editing and technological change |
| title_sub | Film Editing and Technological Change |
| topic | AUP Wetenschappelijk Amsterdam University Press Art and Material Culture Film Studies Film, Media, and Communication Media Studies ART / Digital bisacsh Digital cinematography Motion pictures Editing |
| topic_facet | AUP Wetenschappelijk Amsterdam University Press Art and Material Culture Film Studies Film, Media, and Communication Media Studies ART / Digital Digital cinematography Motion pictures Editing |
| url | https://doi.org/10.1515/9789048543120?locatt=mode:legacy |
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