Modern life & modern subjects: British art in the early twentieth century
"In May 1914 the Whitechapel Art Gallery in London opened its exhibition Twentieth Century Art. The catalogue identified four main strands in modern painting but included a fifth group, of Jewish artists, hung in the 'Small Gallery.' In this illuminating book, art historian Lisa Tickn...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven, CT
Yale University Press
2000
|
| Schlagworte: | |
| Online-Zugang: | DE-255 Volltext |
| Zusammenfassung: | "In May 1914 the Whitechapel Art Gallery in London opened its exhibition Twentieth Century Art. The catalogue identified four main strands in modern painting but included a fifth group, of Jewish artists, hung in the 'Small Gallery.' In this illuminating book, art historian Lisa Tickner takes a fresh look at the work of artists from each to these strands. In a series of innovative case studies, combining analysis with substantial new research, she examines the artists' radical approaches to the process of painting, and their resources in the defining conditions of modern life. Tickner discusses Walter Sickert's Camden Town Murder and L'Affaire de Camden Town in the context of tabloid crime. Augustus John's Lyric Fantasy is seen as rooted in, but also as qualifying, the Edwardian fascination with gypsies and tramping while memorializing John's dead wife, Ida. The studies for Wyndham Lewis's lost Kermesse are connected to popular dance and to his sense of the "wild body." Vanessa Bell's Studland Beach is related to the emergence of the beach as a social and psychic space and to childhood summers in St. Ives drawn on by her sister, Virginia Woolf, in To the Lighthouse. And David Bomberg's In the Hold, along with Mark Gertler's Jewish Family, is shown to emerge from contemporary debates surrounding Jewish art and the possibility of a secular, urban, Yiddish culture. In an extended Afterword, Tickner considers the interplay between modernism and modernity in British art before 1914"--Publisher's description |
| Beschreibung: | Description based on print version record and online resource (A&AePortal, viewed on October 25, 2022) |
| Beschreibung: | 1 Online-Ressource (xiii, 336 Seiten) 153 Illustrationen (some color) |
| ISBN: | 0300271921 9780300271928 |
| DOI: | 10.37862/aaeportal.00322 |
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Datensatz im Suchindex
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| discipline | Kunstgeschichte |
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| format | Electronic eBook |
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| spelling | Tickner, Lisa Verfasser aut Modern life & modern subjects British art in the early twentieth century Lisa Tickner Modern life and modern subjects New Haven, CT Yale University Press 2000 1 Online-Ressource (xiii, 336 Seiten) 153 Illustrationen (some color) txt rdacontent c rdamedia cr rdacarrier Description based on print version record and online resource (A&AePortal, viewed on October 25, 2022) "In May 1914 the Whitechapel Art Gallery in London opened its exhibition Twentieth Century Art. The catalogue identified four main strands in modern painting but included a fifth group, of Jewish artists, hung in the 'Small Gallery.' In this illuminating book, art historian Lisa Tickner takes a fresh look at the work of artists from each to these strands. In a series of innovative case studies, combining analysis with substantial new research, she examines the artists' radical approaches to the process of painting, and their resources in the defining conditions of modern life. Tickner discusses Walter Sickert's Camden Town Murder and L'Affaire de Camden Town in the context of tabloid crime. Augustus John's Lyric Fantasy is seen as rooted in, but also as qualifying, the Edwardian fascination with gypsies and tramping while memorializing John's dead wife, Ida. The studies for Wyndham Lewis's lost Kermesse are connected to popular dance and to his sense of the "wild body." Vanessa Bell's Studland Beach is related to the emergence of the beach as a social and psychic space and to childhood summers in St. Ives drawn on by her sister, Virginia Woolf, in To the Lighthouse. And David Bomberg's In the Hold, along with Mark Gertler's Jewish Family, is shown to emerge from contemporary debates surrounding Jewish art and the possibility of a secular, urban, Yiddish culture. In an extended Afterword, Tickner considers the interplay between modernism and modernity in British art before 1914"--Publisher's description John, Augustus Edwin 1878-1961 (DE-588)119116316 gnd rswk-swf Sickert, Walter 1860-1942 (DE-588)118797034 gnd rswk-swf Lewis, Wyndham 1882-1957 (DE-588)118640550 gnd rswk-swf Bomberg, David 1890-1957 (DE-588)118960784 gnd rswk-swf Bell, Vanessa 1879-1961 (DE-588)119029170 gnd rswk-swf 1900-1999 fast Geschichte 1890-1930 gnd rswk-swf Geschichte 1900-1914 gnd rswk-swf Painting, British fast Painting, British / 20th century Malerei (DE-588)4037220-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Bell, Vanessa 1879-1961 (DE-588)119029170 p Bomberg, David 1890-1957 (DE-588)118960784 p John, Augustus Edwin 1878-1961 (DE-588)119116316 p Lewis, Wyndham 1882-1957 (DE-588)118640550 p Sickert, Walter 1860-1942 (DE-588)118797034 p DE-604 Großbritannien (DE-588)4022153-2 g Malerei (DE-588)4037220-0 s Geschichte 1890-1930 z Geschichte 1900-1914 z Erscheint auch als Druck-Ausgabe 9780300083507 https://doi.org/10.37862/aaeportal.00322 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tickner, Lisa Modern life & modern subjects British art in the early twentieth century John, Augustus Edwin 1878-1961 (DE-588)119116316 gnd Sickert, Walter 1860-1942 (DE-588)118797034 gnd Lewis, Wyndham 1882-1957 (DE-588)118640550 gnd Bomberg, David 1890-1957 (DE-588)118960784 gnd Bell, Vanessa 1879-1961 (DE-588)119029170 gnd Painting, British fast Painting, British / 20th century Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)119116316 (DE-588)118797034 (DE-588)118640550 (DE-588)118960784 (DE-588)119029170 (DE-588)4037220-0 (DE-588)4022153-2 (DE-588)4145395-5 |
| title | Modern life & modern subjects British art in the early twentieth century |
| title_alt | Modern life and modern subjects |
| title_auth | Modern life & modern subjects British art in the early twentieth century |
| title_exact_search | Modern life & modern subjects British art in the early twentieth century |
| title_full | Modern life & modern subjects British art in the early twentieth century Lisa Tickner |
| title_fullStr | Modern life & modern subjects British art in the early twentieth century Lisa Tickner |
| title_full_unstemmed | Modern life & modern subjects British art in the early twentieth century Lisa Tickner |
| title_short | Modern life & modern subjects |
| title_sort | modern life modern subjects british art in the early twentieth century |
| title_sub | British art in the early twentieth century |
| topic | John, Augustus Edwin 1878-1961 (DE-588)119116316 gnd Sickert, Walter 1860-1942 (DE-588)118797034 gnd Lewis, Wyndham 1882-1957 (DE-588)118640550 gnd Bomberg, David 1890-1957 (DE-588)118960784 gnd Bell, Vanessa 1879-1961 (DE-588)119029170 gnd Painting, British fast Painting, British / 20th century Malerei (DE-588)4037220-0 gnd |
| topic_facet | John, Augustus Edwin 1878-1961 Sickert, Walter 1860-1942 Lewis, Wyndham 1882-1957 Bomberg, David 1890-1957 Bell, Vanessa 1879-1961 Painting, British Painting, British / 20th century Malerei Großbritannien Bildband |
| url | https://doi.org/10.37862/aaeportal.00322 |
| work_keys_str_mv | AT ticknerlisa modernlifemodernsubjectsbritishartintheearlytwentiethcentury AT ticknerlisa modernlifeandmodernsubjects |