From mimetic translation to artistic transduction: a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht
"Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY
Anthem Press
2023
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| Schlagworte: | |
| Zusammenfassung: | "Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure's theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce's dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf's novel <i>The Waves</i> to give a political transformation of Wagner's opera 'Das Rheingold'. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil's <i>Aeneid</i>, when he retranslated the vocal text to accompany the musical lyrics of his opera 'The Trojans'. Hyperbole is demonstrated by Bertold Brecht's auto-translation of Gay's <i>The Beggar's Opera</i>. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang." |
| Beschreibung: | 192 Seiten |
| ISBN: | 9781839989087 |
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| 100 | 1 | |a Gorlée, Dinda L. |d 1943- |e Verfasser |0 (DE-588)1053241798 |4 aut | |
| 245 | 1 | 0 | |a From mimetic translation to artistic transduction |b a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht |c Dinda L. Gorlée |
| 264 | 1 | |a London ; New York, NY |b Anthem Press |c 2023 | |
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure's theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce's dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf's novel <i>The Waves</i> to give a political transformation of Wagner's opera 'Das Rheingold'. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil's <i>Aeneid</i>, when he retranslated the vocal text to accompany the musical lyrics of his opera 'The Trojans'. Hyperbole is demonstrated by Bertold Brecht's auto-translation of Gay's <i>The Beggar's Opera</i>. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang." | |
| 600 | 1 | 4 | |a Woolf, Virginia |x 1882-1941 |x Criticism and interpretation |
| 600 | 1 | 4 | |a Brecht, Bertolt |x 1898-1956 |x Criticism and interpretation |
| 600 | 1 | 4 | |a Berlioz, Hector |x 1803-1869 |x Criticism and interpretation |
| 650 | 4 | |a Intermediality | |
| 650 | 4 | |a Translating and interpreting | |
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Datensatz im Suchindex
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| author | Gorlée, Dinda L. 1943- |
| author_GND | (DE-588)1053241798 |
| author_facet | Gorlée, Dinda L. 1943- |
| author_role | aut |
| author_sort | Gorlée, Dinda L. 1943- |
| author_variant | d l g dl dlg |
| building | Verbundindex |
| bvnumber | BV049951129 |
| ctrlnum | (DE-599)BVBBV049951129 |
| dewey-full | 823.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823.912 |
| dewey-search | 823.912 |
| dewey-sort | 3823.912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| id | DE-604.BV049951129 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-02T11:53:55Z |
| institution | BVB |
| isbn | 9781839989087 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035289152 |
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| owner_facet | DE-12 |
| physical | 192 Seiten |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Anthem Press |
| record_format | marc |
| spelling | Gorlée, Dinda L. 1943- Verfasser (DE-588)1053241798 aut From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht Dinda L. Gorlée London ; New York, NY Anthem Press 2023 192 Seiten txt rdacontent n rdamedia nc rdacarrier "Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure's theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce's dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf's novel <i>The Waves</i> to give a political transformation of Wagner's opera 'Das Rheingold'. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil's <i>Aeneid</i>, when he retranslated the vocal text to accompany the musical lyrics of his opera 'The Trojans'. Hyperbole is demonstrated by Bertold Brecht's auto-translation of Gay's <i>The Beggar's Opera</i>. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang." Woolf, Virginia 1882-1941 Criticism and interpretation Brecht, Bertolt 1898-1956 Criticism and interpretation Berlioz, Hector 1803-1869 Criticism and interpretation Intermediality Translating and interpreting Erscheint auch als Online-Ausgabe 978-1-83998-910-0 |
| spellingShingle | Gorlée, Dinda L. 1943- From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht Woolf, Virginia 1882-1941 Criticism and interpretation Brecht, Bertolt 1898-1956 Criticism and interpretation Berlioz, Hector 1803-1869 Criticism and interpretation Intermediality Translating and interpreting |
| title | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht |
| title_auth | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht |
| title_exact_search | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht |
| title_full | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht Dinda L. Gorlée |
| title_fullStr | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht Dinda L. Gorlée |
| title_full_unstemmed | From mimetic translation to artistic transduction a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht Dinda L. Gorlée |
| title_short | From mimetic translation to artistic transduction |
| title_sort | from mimetic translation to artistic transduction a semiotic perspective on virginia woolf hector berlioz and bertolt brecht |
| title_sub | a semiotic perspective on Virginia Woolf, Hector Berlioz, and Bertolt Brecht |
| topic | Woolf, Virginia 1882-1941 Criticism and interpretation Brecht, Bertolt 1898-1956 Criticism and interpretation Berlioz, Hector 1803-1869 Criticism and interpretation Intermediality Translating and interpreting |
| topic_facet | Woolf, Virginia 1882-1941 Criticism and interpretation Brecht, Bertolt 1898-1956 Criticism and interpretation Berlioz, Hector 1803-1869 Criticism and interpretation Intermediality Translating and interpreting |
| work_keys_str_mv | AT gorleedindal frommimetictranslationtoartistictransductionasemioticperspectiveonvirginiawoolfhectorberliozandbertoltbrecht |