A Siberian history of Soviet film: manufacturing visions of the indigenous peoples of the North
"In A Siberian History of Soviet Films, Caroline Damiens combines a detailed analysis of key Soviet film and TV works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking the Wolverine (1978) and When the Whales Leave (1981) with primary sources like press articles,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2024
|
| Schriftenreihe: | Kino - the Russian and Soviet cinema
vol 19 |
| Schlagworte: | |
| Zusammenfassung: | "In A Siberian History of Soviet Films, Caroline Damiens combines a detailed analysis of key Soviet film and TV works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking the Wolverine (1978) and When the Whales Leave (1981) with primary sources like press articles, archives, and interviews. In doing so, she reveals how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved"-- |
| Beschreibung: | xiii, 304 Seiten Illustrationen 23 cm |
| ISBN: | 1350269883 |
Internformat
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| 520 | |a "In A Siberian History of Soviet Films, Caroline Damiens combines a detailed analysis of key Soviet film and TV works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking the Wolverine (1978) and When the Whales Leave (1981) with primary sources like press articles, archives, and interviews. In doing so, she reveals how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved"-- | ||
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Datensatz im Suchindex
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| author_GND | (DE-588)131059225X (DE-588)1189351315 |
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| building | Verbundindex |
| bvnumber | BV049920826 |
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| ctrlnum | (OCoLC)1468310684 (DE-599)BVBBV049920826 |
| discipline | Slavistik |
| format | Book |
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| geographic | Siberia (Russia) / In motion pictures Soviet Union / In motion pictures Sibérie (Russie) / Au cinéma |
| geographic_facet | Siberia (Russia) / In motion pictures Soviet Union / In motion pictures Sibérie (Russie) / Au cinéma |
| id | DE-604.BV049920826 |
| illustrated | Illustrated |
| indexdate | 2025-01-28T09:06:42Z |
| institution | BVB |
| isbn | 1350269883 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035259404 |
| oclc_num | 1468310684 |
| open_access_boolean | |
| owner | DE-20 |
| owner_facet | DE-20 |
| physical | xiii, 304 Seiten Illustrationen 23 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series | Kino - the Russian and Soviet cinema |
| series2 | Kino - the Russian and Soviet cinema |
| spelling | Damiens, Caroline 1974- Verfasser (DE-588)131059225X aut Fabriquer la Sibérie soviétique à l'écran A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North Caroline Damiens ; translated by Adrian Morfee London Bloomsbury Academic 2024 xiii, 304 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Kino - the Russian and Soviet cinema vol 19 "In A Siberian History of Soviet Films, Caroline Damiens combines a detailed analysis of key Soviet film and TV works such as Tymancha's Friend (1969), The Most Beautiful Ships (1972), Tracking the Wolverine (1978) and When the Whales Leave (1981) with primary sources like press articles, archives, and interviews. In doing so, she reveals how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved"-- Indigenous peoples in motion pictures Motion pictures / Soviet Union Autochtones au cinéma Cinéma / URSS. Siberia (Russia) / In motion pictures Soviet Union / In motion pictures Sibérie (Russie) / Au cinéma Morfee, Adrian Sonstige (DE-588)1189351315 oth Erscheint auch als Online-Ausgabe 978-1-350-26991-0 Erscheint auch als Online-Ausgabe, PDF 978-1-350-26990-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-350-26989-7 Kino - the Russian and Soviet cinema vol 19 (DE-604)BV050057282 19 |
| spellingShingle | Damiens, Caroline 1974- A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North Indigenous peoples in motion pictures Motion pictures / Soviet Union Autochtones au cinéma Cinéma / URSS. Kino - the Russian and Soviet cinema |
| title | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North |
| title_alt | Fabriquer la Sibérie soviétique à l'écran |
| title_auth | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North |
| title_exact_search | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North |
| title_full | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North Caroline Damiens ; translated by Adrian Morfee |
| title_fullStr | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North Caroline Damiens ; translated by Adrian Morfee |
| title_full_unstemmed | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the North Caroline Damiens ; translated by Adrian Morfee |
| title_short | A Siberian history of Soviet film |
| title_sort | a siberian history of soviet film manufacturing visions of the indigenous peoples of the north |
| title_sub | manufacturing visions of the indigenous peoples of the North |
| topic | Indigenous peoples in motion pictures Motion pictures / Soviet Union Autochtones au cinéma Cinéma / URSS. |
| topic_facet | Indigenous peoples in motion pictures Motion pictures / Soviet Union Autochtones au cinéma Cinéma / URSS. Siberia (Russia) / In motion pictures Soviet Union / In motion pictures Sibérie (Russie) / Au cinéma |
| volume_link | (DE-604)BV050057282 |
| work_keys_str_mv | AT damienscaroline fabriquerlasiberiesovietiquealecran AT morfeeadrian fabriquerlasiberiesovietiquealecran AT damienscaroline asiberianhistoryofsovietfilmmanufacturingvisionsoftheindigenouspeoplesofthenorth AT morfeeadrian asiberianhistoryofsovietfilmmanufacturingvisionsoftheindigenouspeoplesofthenorth |