None a stranger there: England and/in Europe on the Early Modern Stage
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa
The University of Alabama Press
[2025]
|
| Schriftenreihe: | Strode studies in early modern literature and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 285 Seiten |
| ISBN: | 9780817322137 9780817361730 |
Internformat
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Datensatz im Suchindex
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Acknowledgments ix Introduction: Reading Early Modern Drama after Brexit Scott Oldenburg and Matteo Pangallo 1 1. “The Uncertainty of This World”: Shakespeare in “Unprecedented” Times Margaret Tudeau-Clayton 37 2. Profiting in Babylon: Transnationalism and Typology in the Biblical Drama of the English Traveling Theater Kevin Chovanec 64 3. Astonished and Amazed: Early Modern English Black Christianity and Respectability Politics in Middleton and Munday’s The Triumphs of Truth Jamie Paris 86 4. The Nation Embarrassed: Shameful Memories in the Henriad John S. Garrison and Kyle Pivetti 107 5. Building a Wall around Tudor England: Coastal Forts and Fantasies of Border Control in Friar Bacon and Friar Bungay Todd Andrew Borlik i3i 6. The Brut, the Bruce, and Brexit: Scottish Independence in The Valiant Scot (1637), The Outlaw King (2018), and Robert the Bruce (2019) Vimala C. Pasupathi 153 7. English Imperialism and Staff Fighting in Mucedorus Matt Carter i 80 8· Let Burnt Sack Be the Issue”: Immigrants as Threat and Remedy in William Shakespeare’s The Merry Wives of Windsor Heather Bailey 198 9- Thou Hast Incurred the Danger”: Shylock, Brexit, and Urban Citizenship William Casey Caldwell Bibliography Contributors Index 273 245 269 216
Essays that explore complex and controversial formations of English identity through early modern plays by Shakespeare, Marlowe, and others None a Stranger There offers a collection of wide-ranging essays that explore the creation and understanding of English identity through the lens of early modern drama. Drawing together a rich array of disciplines—literary criticism, theater history, linguistics, book history, and performance studies—the scholars in this collection illuminate how diverse or competing notions of ‘'Englishness’' can be seen and studied in early modern English plays. They are an especially fertile site of study because they enabled collective performances in a variety of settings, such as public theaters, royal courts, and streets. They engaged with live audiences from a cross section of society. The contributors also draw parallels between past and present in plays of the period. They identify vivid struggles over controversies—especially Brexit and neonationalism — that still bedevil Britain and much of the western world: attitudes about and experiences of immigrants: xenophobia and tolerance: multiculturalism, assimilation, and hybridity : patri otism and jingoism: racial and ethnic identity: border-making and border-crossing: transna tional itinerancy: and other topics. None a Stranger There provides a nuanced understanding of how early modern drama tists shaped and responded to questions about English identity and its relationship with Europe and beyond. It emphasizes the fluidity and complexities of national identity, re minding us that these
debates remain deeply relevant in an interconnected world. |
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| title | None a stranger there England and/in Europe on the Early Modern Stage |
| title_auth | None a stranger there England and/in Europe on the Early Modern Stage |
| title_exact_search | None a stranger there England and/in Europe on the Early Modern Stage |
| title_full | None a stranger there England and/in Europe on the Early Modern Stage edited by Scott Oldenburg and Matteo Pangallo |
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| title_short | None a stranger there |
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