Recording Russia: trying to listen in the nineteenth century
Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consisten...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca ; London
Cornell University Press
2022
|
| Schlagworte: | |
| Zusammenfassung: | Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies-not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words |
| Beschreibung: | ix, 288 Seiten Illustrationen |
| ISBN: | 9781501766329 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049891694 | ||
| 003 | DE-604 | ||
| 005 | 20241029 | ||
| 007 | t| | ||
| 008 | 241002s2022 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781501766329 |q hardback |9 978-1-5017-6632-9 | ||
| 035 | |a (OCoLC)1466901386 | ||
| 035 | |a (DE-599)BVBBV049891694 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 | ||
| 082 | 0 | |a 306.44/0947 |2 23//eng/20220506eng | |
| 084 | |a OST |q DE-12 |2 fid | ||
| 084 | |a MG 85030 |0 (DE-625)122868:12037 |2 rvk | ||
| 100 | 1 | |a Safran, Gabriella |d 1967- |e Verfasser |0 (DE-588)130849103 |4 aut | |
| 245 | 1 | 0 | |a Recording Russia |b trying to listen in the nineteenth century |c Gabriella Safran |
| 264 | 1 | |a Ithaca ; London |b Cornell University Press |c 2022 | |
| 300 | |a ix, 288 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies-not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words | ||
| 650 | 4 | |a Language Arts & Linguistics | |
| 650 | 4 | |a Literary Studies | |
| 650 | 4 | |a Soviet & East European History | |
| 650 | 7 | |a LITERARY CRITICISM / Russian & Former Soviet Union |2 bisacsh | |
| 650 | 4 | |a Language and culture |z Russia |x History |y 19th century | |
| 650 | 4 | |a Listening in literature | |
| 650 | 4 | |a Listening | |
| 650 | 4 | |a Oral communication |x Social aspects |z Russia |x History |y 19th century | |
| 650 | 4 | |a Russian language |x Social aspects |z Russia |x History |y 19th century | |
| 650 | 4 | |a Russian language |x Spoken Russian |x Social aspects |z Russia | |
| 650 | 4 | |a Russian literature |y 19th century |x History and criticism | |
| 650 | 4 | |a Speech in literature | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-5017-6633-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-5017-6634-3 |
| 940 | 1 | |n oe | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035230832 | |
Datensatz im Suchindex
| _version_ | 1817697024333578240 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Safran, Gabriella 1967- |
| author_GND | (DE-588)130849103 |
| author_facet | Safran, Gabriella 1967- |
| author_role | aut |
| author_sort | Safran, Gabriella 1967- |
| author_variant | g s gs |
| building | Verbundindex |
| bvnumber | BV049891694 |
| classification_rvk | MG 85030 |
| ctrlnum | (OCoLC)1466901386 (DE-599)BVBBV049891694 |
| dewey-full | 306.44/0947 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.44/0947 |
| dewey-search | 306.44/0947 |
| dewey-sort | 3306.44 3947 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Politologie |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049891694</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241029</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">241002s2022 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501766329</subfield><subfield code="q">hardback</subfield><subfield code="9">978-1-5017-6632-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1466901386</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049891694</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">306.44/0947</subfield><subfield code="2">23//eng/20220506eng</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MG 85030</subfield><subfield code="0">(DE-625)122868:12037</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Safran, Gabriella</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)130849103</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Recording Russia</subfield><subfield code="b">trying to listen in the nineteenth century</subfield><subfield code="c">Gabriella Safran</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca ; London</subfield><subfield code="b">Cornell University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 288 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies-not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Language Arts & Linguistics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Soviet & East European History</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Russian & Former Soviet Union</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Language and culture</subfield><subfield code="z">Russia</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Listening in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Listening</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Oral communication</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Russia</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian language</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Russia</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian language</subfield><subfield code="x">Spoken Russian</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Russia</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Russian literature</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Speech in literature</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-5017-6633-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-5017-6634-3</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035230832</subfield></datafield></record></collection> |
| id | DE-604.BV049891694 |
| illustrated | Illustrated |
| indexdate | 2024-12-06T13:16:06Z |
| institution | BVB |
| isbn | 9781501766329 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035230832 |
| oclc_num | 1466901386 |
| open_access_boolean | |
| owner | DE-29 |
| owner_facet | DE-29 |
| physical | ix, 288 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cornell University Press |
| record_format | marc |
| spelling | Safran, Gabriella 1967- Verfasser (DE-588)130849103 aut Recording Russia trying to listen in the nineteenth century Gabriella Safran Ithaca ; London Cornell University Press 2022 ix, 288 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies-not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words Language Arts & Linguistics Literary Studies Soviet & East European History LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Language and culture Russia History 19th century Listening in literature Listening Oral communication Social aspects Russia History 19th century Russian language Social aspects Russia History 19th century Russian language Spoken Russian Social aspects Russia Russian literature 19th century History and criticism Speech in literature Erscheint auch als Online-Ausgabe, EPUB 978-1-5017-6633-6 Erscheint auch als Online-Ausgabe, PDF 978-1-5017-6634-3 |
| spellingShingle | Safran, Gabriella 1967- Recording Russia trying to listen in the nineteenth century Language Arts & Linguistics Literary Studies Soviet & East European History LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Language and culture Russia History 19th century Listening in literature Listening Oral communication Social aspects Russia History 19th century Russian language Social aspects Russia History 19th century Russian language Spoken Russian Social aspects Russia Russian literature 19th century History and criticism Speech in literature |
| title | Recording Russia trying to listen in the nineteenth century |
| title_auth | Recording Russia trying to listen in the nineteenth century |
| title_exact_search | Recording Russia trying to listen in the nineteenth century |
| title_full | Recording Russia trying to listen in the nineteenth century Gabriella Safran |
| title_fullStr | Recording Russia trying to listen in the nineteenth century Gabriella Safran |
| title_full_unstemmed | Recording Russia trying to listen in the nineteenth century Gabriella Safran |
| title_short | Recording Russia |
| title_sort | recording russia trying to listen in the nineteenth century |
| title_sub | trying to listen in the nineteenth century |
| topic | Language Arts & Linguistics Literary Studies Soviet & East European History LITERARY CRITICISM / Russian & Former Soviet Union bisacsh Language and culture Russia History 19th century Listening in literature Listening Oral communication Social aspects Russia History 19th century Russian language Social aspects Russia History 19th century Russian language Spoken Russian Social aspects Russia Russian literature 19th century History and criticism Speech in literature |
| topic_facet | Language Arts & Linguistics Literary Studies Soviet & East European History LITERARY CRITICISM / Russian & Former Soviet Union Language and culture Russia History 19th century Listening in literature Listening Oral communication Social aspects Russia History 19th century Russian language Social aspects Russia History 19th century Russian language Spoken Russian Social aspects Russia Russian literature 19th century History and criticism Speech in literature |
| work_keys_str_mv | AT safrangabriella recordingrussiatryingtolisteninthenineteenthcentury |