Harun Farocki: Forms of Intelligence
Harun Farocki was one of the world's most celebrated experimental filmmakers at the time of his death in 2014. In a career spanning over fifty years, the German artist produced more than one hundred works, including political cinema, nonfiction film and video, and art installations, which have...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Columbia University Press
[2024]
|
Schlagworte: | |
Online-Zugang: | DE-Aug4 Volltext |
Zusammenfassung: | Harun Farocki was one of the world's most celebrated experimental filmmakers at the time of his death in 2014. In a career spanning over fifty years, the German artist produced more than one hundred works, including political cinema, nonfiction film and video, and art installations, which have been exhibited globally. After his early politically engaged films in Super 8 and 16 mm, Farocki spent many years making independent films and commissions for German public television. In the last phase of his career, he transitioned to creating digital and multichannel installations. He also collaborated with the director Christian Petzold on a dozen films. In addition to his prolific media-making career, Farocki was an incisive critic and editor.This groundbreaking book is an incisive and comprehensive analysis of Farocki's oeuvre, shedding new light on his media experimentation and writings across platforms and venues. Nora M. Alter examines how Farocki's work investigates film and media images: their history, nature, manipulation, changing function, and strategic use. Focusing on interconnected ideas surrounding labor, critique, and war, she shows how his politically committed art is informed by pedagogical strategies that drive viewers to perceive how the media world they inhabit functions. Alter also argues that Farocki's career provides a lens on the history of avant-garde and experimental filmmaking amid shifts in materials and exhibition platforms. Tracing the transformations of Farocki's artistic practice and thought, this book offers new insight into the body of work of one of the most significant media makers of the late twentieth century |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
Beschreibung: | 1 Online-Ressource 39 b&w images |
ISBN: | 9780231560825 |
DOI: | 10.7312/alte21549 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049858907 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240909s2024 |||| o||u| ||||||eng d | ||
020 | |a 9780231560825 |9 978-0-231-56082-5 | ||
024 | 7 | |a 10.7312/alte21549 |2 doi | |
035 | |a (ZDB-23-DGG)9780231560825 | ||
035 | |a (OCoLC)1456138008 | ||
035 | |a (DE-599)BVBBV049858907 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Aug4 | ||
082 | 0 | |a 791.4302/33092 |2 23//eng/20240814eng | |
100 | 1 | |a Alter, Nora M. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Harun Farocki |b Forms of Intelligence |c Nora M. Alter |
264 | 1 | |a New York, NY |b Columbia University Press |c [2024] | |
264 | 4 | |c 2024 | |
300 | |a 1 Online-Ressource |b 39 b&w images | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | ||
520 | |a Harun Farocki was one of the world's most celebrated experimental filmmakers at the time of his death in 2014. In a career spanning over fifty years, the German artist produced more than one hundred works, including political cinema, nonfiction film and video, and art installations, which have been exhibited globally. After his early politically engaged films in Super 8 and 16 mm, Farocki spent many years making independent films and commissions for German public television. In the last phase of his career, he transitioned to creating digital and multichannel installations. He also collaborated with the director Christian Petzold on a dozen films. In addition to his prolific media-making career, Farocki was an incisive critic and editor.This groundbreaking book is an incisive and comprehensive analysis of Farocki's oeuvre, shedding new light on his media experimentation and writings across platforms and venues. Nora M. Alter examines how Farocki's work investigates film and media images: their history, nature, manipulation, changing function, and strategic use. Focusing on interconnected ideas surrounding labor, critique, and war, she shows how his politically committed art is informed by pedagogical strategies that drive viewers to perceive how the media world they inhabit functions. Alter also argues that Farocki's career provides a lens on the history of avant-garde and experimental filmmaking amid shifts in materials and exhibition platforms. Tracing the transformations of Farocki's artistic practice and thought, this book offers new insight into the body of work of one of the most significant media makers of the late twentieth century | ||
546 | |a In English | ||
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 4 | |a Independent filmmakers |z Germany |v Biography | |
856 | 4 | 0 | |u https://doi.org/10.7312/alte21549 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
940 | 1 | |q FHA_PDA_EMB | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035198668 | |
966 | e | |u https://doi.org/10.7312/alte21549 |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1812974012313108480 |
---|---|
adam_text | |
any_adam_object | |
author | Alter, Nora M. |
author_facet | Alter, Nora M. |
author_role | aut |
author_sort | Alter, Nora M. |
author_variant | n m a nm nma |
building | Verbundindex |
bvnumber | BV049858907 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780231560825 (OCoLC)1456138008 (DE-599)BVBBV049858907 |
dewey-full | 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33092 |
dewey-search | 791.4302/33092 |
dewey-sort | 3791.4302 533092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.7312/alte21549 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049858907</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240909s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231560825</subfield><subfield code="9">978-0-231-56082-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/alte21549</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231560825</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1456138008</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049858907</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">23//eng/20240814eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Alter, Nora M.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Harun Farocki</subfield><subfield code="b">Forms of Intelligence</subfield><subfield code="c">Nora M. Alter</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">39 b&w images</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Harun Farocki was one of the world's most celebrated experimental filmmakers at the time of his death in 2014. In a career spanning over fifty years, the German artist produced more than one hundred works, including political cinema, nonfiction film and video, and art installations, which have been exhibited globally. After his early politically engaged films in Super 8 and 16 mm, Farocki spent many years making independent films and commissions for German public television. In the last phase of his career, he transitioned to creating digital and multichannel installations. He also collaborated with the director Christian Petzold on a dozen films. In addition to his prolific media-making career, Farocki was an incisive critic and editor.This groundbreaking book is an incisive and comprehensive analysis of Farocki's oeuvre, shedding new light on his media experimentation and writings across platforms and venues. Nora M. Alter examines how Farocki's work investigates film and media images: their history, nature, manipulation, changing function, and strategic use. Focusing on interconnected ideas surrounding labor, critique, and war, she shows how his politically committed art is informed by pedagogical strategies that drive viewers to perceive how the media world they inhabit functions. Alter also argues that Farocki's career provides a lens on the history of avant-garde and experimental filmmaking amid shifts in materials and exhibition platforms. Tracing the transformations of Farocki's artistic practice and thought, this book offers new insight into the body of work of one of the most significant media makers of the late twentieth century</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent filmmakers</subfield><subfield code="z">Germany</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/alte21549</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_EMB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035198668</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/alte21549</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049858907 |
illustrated | Not Illustrated |
indexdate | 2024-10-15T10:05:51Z |
institution | BVB |
isbn | 9780231560825 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035198668 |
oclc_num | 1456138008 |
open_access_boolean | |
owner | DE-Aug4 |
owner_facet | DE-Aug4 |
physical | 1 Online-Ressource 39 b&w images |
psigel | ZDB-23-DGG FHA_PDA_EMB ZDB-23-DGG FHA_PDA_DGG |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Columbia University Press |
record_format | marc |
spelling | Alter, Nora M. Verfasser aut Harun Farocki Forms of Intelligence Nora M. Alter New York, NY Columbia University Press [2024] 2024 1 Online-Ressource 39 b&w images txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) Harun Farocki was one of the world's most celebrated experimental filmmakers at the time of his death in 2014. In a career spanning over fifty years, the German artist produced more than one hundred works, including political cinema, nonfiction film and video, and art installations, which have been exhibited globally. After his early politically engaged films in Super 8 and 16 mm, Farocki spent many years making independent films and commissions for German public television. In the last phase of his career, he transitioned to creating digital and multichannel installations. He also collaborated with the director Christian Petzold on a dozen films. In addition to his prolific media-making career, Farocki was an incisive critic and editor.This groundbreaking book is an incisive and comprehensive analysis of Farocki's oeuvre, shedding new light on his media experimentation and writings across platforms and venues. Nora M. Alter examines how Farocki's work investigates film and media images: their history, nature, manipulation, changing function, and strategic use. Focusing on interconnected ideas surrounding labor, critique, and war, she shows how his politically committed art is informed by pedagogical strategies that drive viewers to perceive how the media world they inhabit functions. Alter also argues that Farocki's career provides a lens on the history of avant-garde and experimental filmmaking amid shifts in materials and exhibition platforms. Tracing the transformations of Farocki's artistic practice and thought, this book offers new insight into the body of work of one of the most significant media makers of the late twentieth century In English PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent filmmakers Germany Biography https://doi.org/10.7312/alte21549 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Alter, Nora M. Harun Farocki Forms of Intelligence PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent filmmakers Germany Biography |
title | Harun Farocki Forms of Intelligence |
title_auth | Harun Farocki Forms of Intelligence |
title_exact_search | Harun Farocki Forms of Intelligence |
title_full | Harun Farocki Forms of Intelligence Nora M. Alter |
title_fullStr | Harun Farocki Forms of Intelligence Nora M. Alter |
title_full_unstemmed | Harun Farocki Forms of Intelligence Nora M. Alter |
title_short | Harun Farocki |
title_sort | harun farocki forms of intelligence |
title_sub | Forms of Intelligence |
topic | PERFORMING ARTS / Film & Video / Direction & Production bisacsh Independent filmmakers Germany Biography |
topic_facet | PERFORMING ARTS / Film & Video / Direction & Production Independent filmmakers Germany Biography |
url | https://doi.org/10.7312/alte21549 |
work_keys_str_mv | AT alternoram harunfarockiformsofintelligence |