Music and institutions in fascist Italy:
"In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new n...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
2024
|
| Schriftenreihe: | Music, criticism & politics
volume 10 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: «Fascism is a great orchestra, where everyone plays a different instrument». A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world." |
| Beschreibung: | xxx, 415 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503611846 |
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| 520 | 3 | |a "In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: «Fascism is a great orchestra, where everyone plays a different instrument». A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world." | |
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Datensatz im Suchindex
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| indexdate | 2025-05-23T12:00:46Z |
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| isbn | 9782503611846 |
| language | English |
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| series | Music, criticism & politics |
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| spelling | Music and institutions in fascist Italy edited by Roberto Illiano, Luca Lévi Sala Turnhout Brepols 2024 xxx, 415 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music, criticism & politics volume 10 "In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: «Fascism is a great orchestra, where everyone plays a different instrument». A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world." Musikleben (DE-588)4075128-4 gnd rswk-swf Faschismus (DE-588)4016494-9 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Faschismus (DE-588)4016494-9 s Musikleben (DE-588)4075128-4 s Kulturpolitik (DE-588)4033581-1 s DE-604 Illiano, Roberto (DE-588)1024916030 edt Sala, Luca (DE-588)1024338517 edt Music, criticism & politics volume 10 (DE-604)BV043468126 10 Digitalisierung BSB München - ADAM Catalogue Enrichment https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035179842&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music and institutions in fascist Italy Music, criticism & politics Musikleben (DE-588)4075128-4 gnd Faschismus (DE-588)4016494-9 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4016494-9 (DE-588)4033581-1 (DE-588)4027833-5 |
| title | Music and institutions in fascist Italy |
| title_auth | Music and institutions in fascist Italy |
| title_exact_search | Music and institutions in fascist Italy |
| title_full | Music and institutions in fascist Italy edited by Roberto Illiano, Luca Lévi Sala |
| title_fullStr | Music and institutions in fascist Italy edited by Roberto Illiano, Luca Lévi Sala |
| title_full_unstemmed | Music and institutions in fascist Italy edited by Roberto Illiano, Luca Lévi Sala |
| title_short | Music and institutions in fascist Italy |
| title_sort | music and institutions in fascist italy |
| topic | Musikleben (DE-588)4075128-4 gnd Faschismus (DE-588)4016494-9 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| topic_facet | Musikleben Faschismus Kulturpolitik Italien |
| url | https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035179842&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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