Even in the rain: Uyghur music in modern China
"Even in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one o...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaiʻi Press
[2023]
|
Schriftenreihe: | Music and performing arts of Asia and the Pacific
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Cover |
Zusammenfassung: | "Even in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one of the fifty-five officially designated "minority nationalities." Drawing on extensive fieldwork in the Uyghur homeland in the far Chinese northwest, Chuen-Fung Wong focuses on aspects of Uyghur music making as it faces the state's management of minority art expressions. Music serves as a metaphor of the Uyghur nation-as heritage (miras), culture (medeniyet), and tradition (en'ene)-while it struggles to survive, respond, and adapt to the Chinese state's aggressive maneuvering and the broader intercultural influences that have shaped Uyghur performing arts in modern times. As the Uyghur and other non-Han peoples in China continue to be minoritized under the pretexts of multiculturalism and cultural enlightenment, local musicians and audiences react with a vast range of performing and listening approaches to engage assimilation, racism, and other grim realities of everyday life. Even in the Rain provides the political, historical, and theoretical context to address overlapping genres and soundscapes, which are bound by creative processes that have negotiated the state's minority policy and the collective pursuit of identity. With a focus on the minoritized musical consciousness in Uyghur performance, especially on the ways in which Uyghur musicians encounter modernity under a colonial context, this book examines the cultivation of a unique musical deftness that has allowed musicians to move across the various localizing strategies and intercultural practices. Uyghur musical modernity should not be understood as the passive acceptance of outside influences-and certainly not the erasure of indigenous elements and national heritage. Local traditions and hegemonic influences sometimes appear to be more collaborating than conflicting, in that subaltern expressions actively opt to manifest in forms that are dominant and deemed universal. This timely and comprehensive analysis spans approximately seven decades of modern Uyghur musical life, during which musicians and audiences adopted an array of methods, experimenting with new identity formations to navigate life as often reluctant Chinese citizens"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xii, 246 Seiten Diagramme, Noten |
ISBN: | 9780824895617 9780824895013 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049836224 | ||
003 | DE-604 | ||
005 | 20241121 | ||
007 | t| | ||
008 | 240827s2023 xxug||| |||| 00||| eng d | ||
020 | |a 9780824895617 |c trade paperback |9 978-0-8248-9561-7 | ||
020 | |a 9780824895013 |c hardcover |9 978-0-8248-9501-3 | ||
035 | |a (OCoLC)1396779666 | ||
035 | |a (DE-599)KXP1847596126 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c XD-US | ||
049 | |a DE-11 | ||
082 | 0 | |a 780.8994323 | |
082 | 0 | |a 780.89/94323 |2 23 | |
084 | |a ASIEN |q DE-1a |2 fid | ||
084 | |a LS 41550 |0 (DE-625)110397: |2 rvk | ||
084 | |a LS 41950 |0 (DE-625)110409: |2 rvk | ||
084 | |a LS 49250 |0 (DE-625)110583: |2 rvk | ||
084 | |a 73.62 |2 bkl | ||
100 | 1 | |a Wong, Chuen-Fung |d 1977- |0 (DE-588)1065797303 |4 aut | |
245 | 1 | 0 | |a Even in the rain |b Uyghur music in modern China |c Chuen-Fung Wong |
264 | 1 | |a Honolulu |b University of Hawaiʻi Press |c [2023] | |
300 | |a xii, 246 Seiten |b Diagramme, Noten | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Music and performing arts of Asia and the Pacific | |
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a "Even in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one of the fifty-five officially designated "minority nationalities." Drawing on extensive fieldwork in the Uyghur homeland in the far Chinese northwest, Chuen-Fung Wong focuses on aspects of Uyghur music making as it faces the state's management of minority art expressions. Music serves as a metaphor of the Uyghur nation-as heritage (miras), culture (medeniyet), and tradition (en'ene)-while it struggles to survive, respond, and adapt to the Chinese state's aggressive maneuvering and the broader intercultural influences that have shaped Uyghur performing arts in modern times. | |
520 | 3 | |a As the Uyghur and other non-Han peoples in China continue to be minoritized under the pretexts of multiculturalism and cultural enlightenment, local musicians and audiences react with a vast range of performing and listening approaches to engage assimilation, racism, and other grim realities of everyday life. Even in the Rain provides the political, historical, and theoretical context to address overlapping genres and soundscapes, which are bound by creative processes that have negotiated the state's minority policy and the collective pursuit of identity. With a focus on the minoritized musical consciousness in Uyghur performance, especially on the ways in which Uyghur musicians encounter modernity under a colonial context, this book examines the cultivation of a unique musical deftness that has allowed musicians to move across the various localizing strategies and intercultural practices. | |
520 | 3 | |a Uyghur musical modernity should not be understood as the passive acceptance of outside influences-and certainly not the erasure of indigenous elements and national heritage. Local traditions and hegemonic influences sometimes appear to be more collaborating than conflicting, in that subaltern expressions actively opt to manifest in forms that are dominant and deemed universal. This timely and comprehensive analysis spans approximately seven decades of modern Uyghur musical life, during which musicians and audiences adopted an array of methods, experimenting with new identity formations to navigate life as often reluctant Chinese citizens"-- | |
648 | 7 | |a Geschichte 1950- |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Moderne |0 (DE-588)4039827-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikethnologie |0 (DE-588)4127833-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Uiguren |0 (DE-588)4061491-8 |2 gnd |9 rswk-swf |
651 | 7 | |a China |0 (DE-588)4009937-4 |2 gnd |9 rswk-swf | |
653 | 0 | |a Uighur (Turkic people) / China / Xinjiang Uygur Zizhiqu / Music / History and criticism | |
653 | 0 | |a Music / China / Xinjiang Uygur Zizhiqu / History and criticism | |
653 | 0 | |a Maqām / China / Xinjiang Uygur Zizhiqu / History and criticism | |
653 | 0 | |a Asian history | |
653 | 0 | |a Asiatische Geschichte | |
653 | 0 | |a HISTORY / Asia / China | |
653 | 0 | |a MUSIC / Instruction & Study / Theory | |
653 | 0 | |a Musikwissenschaft und Musiktheorie | |
653 | 0 | |a SOCIAL SCIENCE / Anthropology / Cultural | |
653 | 0 | |a Social & cultural anthropology, ethnography | |
653 | 0 | |a Sozial- und Kulturanthropologie, Ethnographie | |
653 | 0 | |a Theory of music & musicology | |
653 | 2 | |a China | |
653 | 2 | |a China | |
689 | 0 | 0 | |a China |0 (DE-588)4009937-4 |D g |
689 | 0 | 1 | |a Uiguren |0 (DE-588)4061491-8 |D s |
689 | 0 | 2 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 3 | |a Moderne |0 (DE-588)4039827-4 |D s |
689 | 0 | 4 | |a Musikethnologie |0 (DE-588)4127833-1 |D s |
689 | 0 | 5 | |a Geschichte 1950- |A z |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m DE-601 |q pdf/application |u http://www.gbv.de/dms/bowker/toc/9780824895617.pdf |v 2024-02-28 |x Aggregator |3 Inhaltsverzeichnis |
856 | 4 | 2 | |u https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738303832343839353031337C7C434F50.jpg?sq=1 |x Verlag |3 Cover |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035176227 |
Datensatz im Suchindex
_version_ | 1822482835055837184 |
---|---|
adam_text | |
any_adam_object | |
author | Wong, Chuen-Fung 1977- |
author_GND | (DE-588)1065797303 |
author_facet | Wong, Chuen-Fung 1977- |
author_role | aut |
author_sort | Wong, Chuen-Fung 1977- |
author_variant | c f w cfw |
building | Verbundindex |
bvnumber | BV049836224 |
classification_rvk | LS 41550 LS 41950 LS 49250 |
ctrlnum | (OCoLC)1396779666 (DE-599)KXP1847596126 |
dewey-full | 780.8994323 780.89/94323 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.8994323 780.89/94323 |
dewey-search | 780.8994323 780.89/94323 |
dewey-sort | 3780.8994323 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1950- gnd |
era_facet | Geschichte 1950- |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049836224</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241121</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240827s2023 xxug||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824895617</subfield><subfield code="c">trade paperback</subfield><subfield code="9">978-0-8248-9561-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824895013</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-0-8248-9501-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1396779666</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1847596126</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.8994323</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.89/94323</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ASIEN</subfield><subfield code="q">DE-1a</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 41550</subfield><subfield code="0">(DE-625)110397:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 41950</subfield><subfield code="0">(DE-625)110409:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 49250</subfield><subfield code="0">(DE-625)110583:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">73.62</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wong, Chuen-Fung</subfield><subfield code="d">1977-</subfield><subfield code="0">(DE-588)1065797303</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Even in the rain</subfield><subfield code="b">Uyghur music in modern China</subfield><subfield code="c">Chuen-Fung Wong</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaiʻi Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 246 Seiten</subfield><subfield code="b">Diagramme, Noten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music and performing arts of Asia and the Pacific</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Even in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one of the fifty-five officially designated "minority nationalities." Drawing on extensive fieldwork in the Uyghur homeland in the far Chinese northwest, Chuen-Fung Wong focuses on aspects of Uyghur music making as it faces the state's management of minority art expressions. Music serves as a metaphor of the Uyghur nation-as heritage (miras), culture (medeniyet), and tradition (en'ene)-while it struggles to survive, respond, and adapt to the Chinese state's aggressive maneuvering and the broader intercultural influences that have shaped Uyghur performing arts in modern times.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">As the Uyghur and other non-Han peoples in China continue to be minoritized under the pretexts of multiculturalism and cultural enlightenment, local musicians and audiences react with a vast range of performing and listening approaches to engage assimilation, racism, and other grim realities of everyday life. Even in the Rain provides the political, historical, and theoretical context to address overlapping genres and soundscapes, which are bound by creative processes that have negotiated the state's minority policy and the collective pursuit of identity. With a focus on the minoritized musical consciousness in Uyghur performance, especially on the ways in which Uyghur musicians encounter modernity under a colonial context, this book examines the cultivation of a unique musical deftness that has allowed musicians to move across the various localizing strategies and intercultural practices.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Uyghur musical modernity should not be understood as the passive acceptance of outside influences-and certainly not the erasure of indigenous elements and national heritage. Local traditions and hegemonic influences sometimes appear to be more collaborating than conflicting, in that subaltern expressions actively opt to manifest in forms that are dominant and deemed universal. This timely and comprehensive analysis spans approximately seven decades of modern Uyghur musical life, during which musicians and audiences adopted an array of methods, experimenting with new identity formations to navigate life as often reluctant Chinese citizens"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1950-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Uiguren</subfield><subfield code="0">(DE-588)4061491-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">China</subfield><subfield code="0">(DE-588)4009937-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Uighur (Turkic people) / China / Xinjiang Uygur Zizhiqu / Music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / China / Xinjiang Uygur Zizhiqu / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Maqām / China / Xinjiang Uygur Zizhiqu / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Asian history</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Asiatische Geschichte</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">HISTORY / Asia / China</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">MUSIC / Instruction & Study / Theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musikwissenschaft und Musiktheorie</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Anthropology / Cultural</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social & cultural anthropology, ethnography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sozial- und Kulturanthropologie, Ethnographie</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theory of music & musicology</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">China</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">China</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">China</subfield><subfield code="0">(DE-588)4009937-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Uiguren</subfield><subfield code="0">(DE-588)4061491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikethnologie</subfield><subfield code="0">(DE-588)4127833-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1950-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DE-601</subfield><subfield code="q">pdf/application</subfield><subfield code="u">http://www.gbv.de/dms/bowker/toc/9780824895617.pdf</subfield><subfield code="v">2024-02-28</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738303832343839353031337C7C434F50.jpg?sq=1</subfield><subfield code="x">Verlag</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035176227</subfield></datafield></record></collection> |
geographic | China (DE-588)4009937-4 gnd |
geographic_facet | China |
id | DE-604.BV049836224 |
illustrated | Illustrated |
indexdate | 2025-01-28T09:04:31Z |
institution | BVB |
isbn | 9780824895617 9780824895013 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035176227 |
oclc_num | 1396779666 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | xii, 246 Seiten Diagramme, Noten |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | University of Hawaiʻi Press |
record_format | marc |
series2 | Music and performing arts of Asia and the Pacific |
spelling | Wong, Chuen-Fung 1977- (DE-588)1065797303 aut Even in the rain Uyghur music in modern China Chuen-Fung Wong Honolulu University of Hawaiʻi Press [2023] xii, 246 Seiten Diagramme, Noten txt rdacontent n rdamedia nc rdacarrier Music and performing arts of Asia and the Pacific Includes bibliographical references and index "Even in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one of the fifty-five officially designated "minority nationalities." Drawing on extensive fieldwork in the Uyghur homeland in the far Chinese northwest, Chuen-Fung Wong focuses on aspects of Uyghur music making as it faces the state's management of minority art expressions. Music serves as a metaphor of the Uyghur nation-as heritage (miras), culture (medeniyet), and tradition (en'ene)-while it struggles to survive, respond, and adapt to the Chinese state's aggressive maneuvering and the broader intercultural influences that have shaped Uyghur performing arts in modern times. As the Uyghur and other non-Han peoples in China continue to be minoritized under the pretexts of multiculturalism and cultural enlightenment, local musicians and audiences react with a vast range of performing and listening approaches to engage assimilation, racism, and other grim realities of everyday life. Even in the Rain provides the political, historical, and theoretical context to address overlapping genres and soundscapes, which are bound by creative processes that have negotiated the state's minority policy and the collective pursuit of identity. With a focus on the minoritized musical consciousness in Uyghur performance, especially on the ways in which Uyghur musicians encounter modernity under a colonial context, this book examines the cultivation of a unique musical deftness that has allowed musicians to move across the various localizing strategies and intercultural practices. Uyghur musical modernity should not be understood as the passive acceptance of outside influences-and certainly not the erasure of indigenous elements and national heritage. Local traditions and hegemonic influences sometimes appear to be more collaborating than conflicting, in that subaltern expressions actively opt to manifest in forms that are dominant and deemed universal. This timely and comprehensive analysis spans approximately seven decades of modern Uyghur musical life, during which musicians and audiences adopted an array of methods, experimenting with new identity formations to navigate life as often reluctant Chinese citizens"-- Geschichte 1950- gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Uiguren (DE-588)4061491-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Uighur (Turkic people) / China / Xinjiang Uygur Zizhiqu / Music / History and criticism Music / China / Xinjiang Uygur Zizhiqu / History and criticism Maqām / China / Xinjiang Uygur Zizhiqu / History and criticism Asian history Asiatische Geschichte HISTORY / Asia / China MUSIC / Instruction & Study / Theory Musikwissenschaft und Musiktheorie SOCIAL SCIENCE / Anthropology / Cultural Social & cultural anthropology, ethnography Sozial- und Kulturanthropologie, Ethnographie Theory of music & musicology China China (DE-588)4009937-4 g Uiguren (DE-588)4061491-8 s Musik (DE-588)4040802-4 s Moderne (DE-588)4039827-4 s Musikethnologie (DE-588)4127833-1 s Geschichte 1950- z DE-604 DE-601 pdf/application http://www.gbv.de/dms/bowker/toc/9780824895617.pdf 2024-02-28 Aggregator Inhaltsverzeichnis https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738303832343839353031337C7C434F50.jpg?sq=1 Verlag Cover |
spellingShingle | Wong, Chuen-Fung 1977- Even in the rain Uyghur music in modern China Musik (DE-588)4040802-4 gnd Moderne (DE-588)4039827-4 gnd Musikethnologie (DE-588)4127833-1 gnd Uiguren (DE-588)4061491-8 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4039827-4 (DE-588)4127833-1 (DE-588)4061491-8 (DE-588)4009937-4 |
title | Even in the rain Uyghur music in modern China |
title_auth | Even in the rain Uyghur music in modern China |
title_exact_search | Even in the rain Uyghur music in modern China |
title_full | Even in the rain Uyghur music in modern China Chuen-Fung Wong |
title_fullStr | Even in the rain Uyghur music in modern China Chuen-Fung Wong |
title_full_unstemmed | Even in the rain Uyghur music in modern China Chuen-Fung Wong |
title_short | Even in the rain |
title_sort | even in the rain uyghur music in modern china |
title_sub | Uyghur music in modern China |
topic | Musik (DE-588)4040802-4 gnd Moderne (DE-588)4039827-4 gnd Musikethnologie (DE-588)4127833-1 gnd Uiguren (DE-588)4061491-8 gnd |
topic_facet | Musik Moderne Musikethnologie Uiguren China |
url | http://www.gbv.de/dms/bowker/toc/9780824895617.pdf https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738303832343839353031337C7C434F50.jpg?sq=1 |
work_keys_str_mv | AT wongchuenfung evenintherainuyghurmusicinmodernchina |