The play of conscience in Shakespeare's England:
"Having a conscience distinguishes humans from the most advanced A.I. systems. Acting in good conscience, consulting one's conscience, and being conscience-wracked are all aspects of human intelligence that involve reckoning (deriving general laws from particular inputs and vice versa), an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
|
| Schriftenreihe: | Routledge studies in Shakespeare
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Having a conscience distinguishes humans from the most advanced A.I. systems. Acting in good conscience, consulting one's conscience, and being conscience-wracked are all aspects of human intelligence that involve reckoning (deriving general laws from particular inputs and vice versa), and judgement (contemplating the relationship of the reckoning system to the world). While A.I. developers have mastered reckoning, they are still working towards the creation of judgement. This book sheds light on the reckoning and judgement of conscience by demonstrating how these concepts are explored in Everyman, Doctor Faustus, The Merchant of Venice, and Hamlet. Academic, student, or general-interest readers discover the complexity and multiplicity of the early modern concept of conscience, which is informed by the scholastic intellectual tradition, juridical procedures of the court of Chancery, the practical advice of Protestant casuistry, and Reformation theology. The aims are to examine the rubrics for thinking through, regulating, and judging actions that define the various consciences of Shakespeare's day, to use these rubrics to interpret questions of truth and action in early modern plays, and to offer insights into what it is about conscience that developers want to grasp to eliminate the difference between human and non-human intelligences, and achieve true A.I.." |
| Beschreibung: | 168 Seiten |
| ISBN: | 9781032398150 9781032398167 |
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Datensatz im Suchindex
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| adam_text |
Contents Acknowledgements Introduction: The Play of Conscience 1 Everyman’s Reckonings vii 1 34 2 Bureaucratised Conscience in Doctor Faustus 61 3 Civic Conscience in The Merchant of Venice 90 4 Conscience-Caught in Hamlet 118 Conclusion: Artificial Conscience? 150 Index 161
The Play of Conscience in Shakespeare’s England Having a conscience distinguishes humans from the most advanced AI systems. Acting in good conscience, consulting one’s conscience, and being conscience-wracked are all aspects of human intelligence that involve reckoning (deriving general laws from particular inputs and vice versa), and judgement (contemplating the relationship of the reckoning system to the world). While AI developers have mastered reckoning, they are still working towards the creation of judgement. This book sheds light on the reckoning and judgement of conscience by demonstrating how these concepts are explored in Everyman, Doctor Faustus, The Merchant of Venice, and Hamlet. Academic, student, or general-interest readers discover the complexity and multiplicity of the early modern concept of conscience, which is informed by the scholastic intellectual tradition, juridical procedures of the court of Chancery, the practical advice of Protestant casuistry, and Reformation theology. The aims are to examine the rubrics for thinking through, regulating, and judging actions that define the various consciences of Shakespeare’s day, to use these rubrics to interpret questions of truth and action in early modern plays, and to offer insights into what it is about conscience that developers want to grasp to eliminate the difference between human and non-human intelligences, and achieve true AI. |
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| spelling | Standing, Jade ca. 20./21. Jh. Verfasser (DE-588)1341252434 aut The play of conscience The play of conscience in Shakespeare's England Jade Standing New York ; London Routledge, Taylor & Francis Group 2024 168 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge studies in Shakespeare Dissertation University of British Columbia 2020 geänderte Fassung unter dem Titel "The play of conscience : theological, jurisprudential and poetic iterations in English dramaturgy, 1515-1604" "Having a conscience distinguishes humans from the most advanced A.I. systems. Acting in good conscience, consulting one's conscience, and being conscience-wracked are all aspects of human intelligence that involve reckoning (deriving general laws from particular inputs and vice versa), and judgement (contemplating the relationship of the reckoning system to the world). While A.I. developers have mastered reckoning, they are still working towards the creation of judgement. This book sheds light on the reckoning and judgement of conscience by demonstrating how these concepts are explored in Everyman, Doctor Faustus, The Merchant of Venice, and Hamlet. Academic, student, or general-interest readers discover the complexity and multiplicity of the early modern concept of conscience, which is informed by the scholastic intellectual tradition, juridical procedures of the court of Chancery, the practical advice of Protestant casuistry, and Reformation theology. The aims are to examine the rubrics for thinking through, regulating, and judging actions that define the various consciences of Shakespeare's day, to use these rubrics to interpret questions of truth and action in early modern plays, and to offer insights into what it is about conscience that developers want to grasp to eliminate the difference between human and non-human intelligences, and achieve true A.I.." Geschichte 1500-1630 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Gewissen Motiv (DE-588)4157292-0 gnd rswk-swf English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Conscience in literature Consciousness in literature Theater and society / England / History / 16th century Theater and society / England / History / 17th century (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Gewissen Motiv (DE-588)4157292-0 s Geschichte 1500-1630 z DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-39816-7 Erscheint auch als Online-Ausgabe 978-1-003-35151-1 Erscheint auch als Online-Ausgabe 978-1-003-83760-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035157768&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035157768&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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