A Siberian history of Soviet film: manufacturing visions of the indigenous peoples of the north
"This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2024
|
| Schriftenreihe: | KINO: the Russian and Soviet cinema
Bloomsbury collections |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-703 Volltext |
| Zusammenfassung: | "This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's evolving perception of modernity. Caroline Damiens combines a detailed analysis of key works such asTymancha’s Friend(1969),The Most Beautiful Ships(1972),Tracking the Wolverine(1978) andWhen the Whales Leave(1981), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved. Using a de-colonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centering indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema." |
| Beschreibung: | 1 Online-Ressource (320 Seiten) Illustrationen |
| ISBN: | 9781350269910 9781350269903 9781350269897 |
| DOI: | 10.5040/9781350269910 |
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Datensatz im Suchindex
| _version_ | 1812331988484358144 |
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| adam_text | |
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| author | Damiens, Caroline 1974- |
| author2 | Morfee, Adrian |
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| author_role | aut |
| author_sort | Damiens, Caroline 1974- |
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| building | Verbundindex |
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| doi_str_mv | 10.5040/9781350269910 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Electronic eBook |
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| indexdate | 2024-10-08T08:01:09Z |
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| isbn | 9781350269910 9781350269903 9781350269897 |
| language | English |
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| series2 | KINO: the Russian and Soviet cinema Bloomsbury collections |
| spelling | Damiens, Caroline 1974- Verfasser (DE-588)131059225X aut Fabriquer la Sibérie soviétique à l'écran A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north Caroline Damiens ; translated by Adrian Morfee London ; New York Bloomsbury Academic 2024 1 Online-Ressource (320 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier KINO: the Russian and Soviet cinema Bloomsbury collections Dissertation Sorbonne Paris Cité 2017 überarbeitete Fassung "This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's evolving perception of modernity. Caroline Damiens combines a detailed analysis of key works such asTymancha’s Friend(1969),The Most Beautiful Ships(1972),Tracking the Wolverine(1978) andWhen the Whales Leave(1981), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved. Using a de-colonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centering indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema." Geschichte gnd rswk-swf Indigenes Volk Motiv (DE-588)4236450-4 gnd rswk-swf Sibirien Motiv (DE-588)4301654-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Indigenous peoples in motion pictures Motion pictures / Soviet Union Siberia (Russia) / In motion pictures Soviet Union / In motion pictures (DE-588)4113937-9 Hochschulschrift gnd-content Sowjetunion (DE-588)4077548-3 g Film (DE-588)4017102-4 s Sibirien Motiv (DE-588)4301654-6 s Indigenes Volk Motiv (DE-588)4236450-4 s Geschichte z DE-604 Morfee, Adrian (DE-588)1189351315 trl Erscheint auch als Druck-Ausgabe, hbk 978-1-3502-6988-0 https://doi.org/10.5040/9781350269910?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Damiens, Caroline 1974- A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north Indigenes Volk Motiv (DE-588)4236450-4 gnd Sibirien Motiv (DE-588)4301654-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4236450-4 (DE-588)4301654-6 (DE-588)4017102-4 (DE-588)4077548-3 (DE-588)4113937-9 |
| title | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north |
| title_alt | Fabriquer la Sibérie soviétique à l'écran |
| title_auth | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north |
| title_exact_search | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north |
| title_full | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north Caroline Damiens ; translated by Adrian Morfee |
| title_fullStr | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north Caroline Damiens ; translated by Adrian Morfee |
| title_full_unstemmed | A Siberian history of Soviet film manufacturing visions of the indigenous peoples of the north Caroline Damiens ; translated by Adrian Morfee |
| title_short | A Siberian history of Soviet film |
| title_sort | a siberian history of soviet film manufacturing visions of the indigenous peoples of the north |
| title_sub | manufacturing visions of the indigenous peoples of the north |
| topic | Indigenes Volk Motiv (DE-588)4236450-4 gnd Sibirien Motiv (DE-588)4301654-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Indigenes Volk Motiv Sibirien Motiv Film Sowjetunion Hochschulschrift |
| url | https://doi.org/10.5040/9781350269910?locatt=label:secondary_bloomsburyCollections |
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