The Routledge handbook of popular music and politics of the Balkans:
"The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area ever since the 1990s has been intertwined w...
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London ; New York
Routledge
2025
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| Schriftenreihe: | Routledge music handbooks
Routledge handbooks |
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| Online-Zugang: | Inhaltsverzeichnis Register // Gemischte Register |
| Zusammenfassung: | "The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area ever since the 1990s has been intertwined with the region's political and socio-economic transformations, including the collapse of state socialism in much of the region, the break-up of Yugoslavia, the advent of neoliberal capitalism, the rise of Romani activism, the complex politics of 'Europeanization' before and after the global financial crisis, and the region's relationship to the European Union border regime. The handbook illustrates the wide range of disciplines and methods that contribute to this field's interdisciplinary dialogue, and highlights emerging approaches such as the study of Black diasporas in the region, popular music's links with LGBTQ+ communities, and the impact of digital technologies on musical cultures. This volume will benefit specialist researchers; tutors creating or refreshing courses on popular music in the region; and students interested in these topics, especially those who are at the point of developing their own independent research projects." |
| Beschreibung: | xxii, 639 Seiten 7 Illustrationen 26 cm |
| ISBN: | 9781032357157 |
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Datensatz im Suchindex
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CONTENTS xü хШ xiv xxi List offigures List of tables List of contributors Acknowledgements Introduction: thinking politically with popular music of the Balkans Catherine Baker 1 PARTI Region and ‘the Balkans’ in practice 29 1 The emergence of the world music concept in the Balkans: early and more recent steps Iva Nenic and Tatjana Nikolic 31 2 Läutari, music-making, and social practices of live performance in southern Romania Margaret Hiebert Beissinger 49 3 Politics, activism, and Romani music: interpreting trends in Serbia, North Macedonia, and Bulgaria Carol Silverman 61 4 Electronic dance music festivals in Romania: a case of reversed Balkanism Ruxandra Trandafoiu 78 5 The Balkans in the Eurovision Song Contest Dean Vuletic 91 vii
Contents PART II Reviving and revising histories 103 6 Reviving nineteenth-century Wallachian and Moldavian urban music Florin Iordan 105 7 Bosnian discography before World War I: recording artists, repertoire, and politics Risto Pekka Pennanen 116 8 The development and institutionalization of Albanian music during the communist period Erjada Progonati 131 9 ‘Please, Mile, don’t sing anything political’: turbo-folk, politics and the restoration of capitalism in Serbia Aleksandar Momcilovié 147 10 The artistic units of the Army of the Republic of Bosnia-Herzegovina (ARBiH), popular patriotic music production, and the question of national identity in Bosnia-Herzegovina during the war from 1992 to 1995 162 Petra Hamer 11 The politics of performance and popular music in Turkey Gonca Girgin and Merve Eken Kiiçükaksoy 176 12 Songs after genocide: music of hatred and triumphalism Hariz Halilovich 192 PART III Defining ‘the popular’ 209 13 Popular music and the ‘mass culture’ of socialist Yugoslavia in the eyes of critics and theorists Reana Senjkovié 211 14 To traghoùdhi tou nekroù adelfou: Mikis Theodorakis’ autoethnographic and political perspectives in a contemporary Greek laiki tragedy Maria Athanasiou 227 15 Groovy aesthetics, intercultural perspectives, and the rise of Ethnojazz in Bulgaria Claire Levy 238 viii
Contents 16 The sound of distinction: social class and political orientations as predictors of music taste in Croatia Kresimir Krolo and Zeljka Tonkovic 251 17 Popular culture and pandemic politics: musically mitigating COVID-19 in 2020 Bulgaria Donna A. Buchanan 265 PART IV Political economies and political aesthetics 281 18 Women and gender in the early record industry in former Yugoslavia: snapshots of singers, a composer, industrial manpower, and gendered humour Naila Ceribasic 283 19 The musical film genre in Romanian cinema: from melodramatic socialism to postmodern irony Doru Pop 297 20 In search of national style: Yugoslav popular music between the Balkans and the Mediterranean Anita Buhin 312 21 How do you solve a problem like Korea?: Laibach and the poetics of politics Irena Sentevska 22 White power music and antifascist rap: anti-system music in Greece during the 2009-21 crises George Kordas 23 Popular culture or resistance?: rap and politics in Turkey since the 1990s Ozan Eren 327 346 360 PARTY Margins of national belonging 373 24 The neopontic music of Greece: traditions of modernity and the а/politics of identity Ioannis Tsekouras 375 25 Just Mediterranean, please: Croatian neoklapa music and national (re)positioning Eni Buljubasic ix 390
Contents 26 Between the virtual and the make-believe: anthems, bells, and a performance for Liberland along the Croatian and Serbian Danube Ian MacMillen 404 ΊΊ Queering Bulgarian pop-folk: hybridity, gaga feminism, and defamiliarization in chalga Elitza Kotzeva 419 28 Understanding gender and sexuality in sevdah as a popular genre Damir Imamovic 436 PART VI Globalizing postcoloniality and race 449 29 Black popular musics in Yugoslavia Linda Cimardi 451 30 ‘The Blacks of Yugoslavia’: racialization, resistance, and Kosova’s ‘MTV generation’ Jane C. Sugarman 31 Br/otherhood and dis/unity: racial differentiations across the former Yugoslav region and Serbian diaspora communities in Serbia’s two major music festivals Jelena Gligorijevié 462 482 32 What is this ‘Balkan’ in Balkan popular culture?: Stuart Hall’s sociology of popular culture, identity and race through analogy and connection Catherine Baker 500 33 From AfroGreeks to the Black Mediterranean: de/facing whiteness in the rap of Negros tou Moria Penelope Papailias 513 PART VII New technologies and transformations 529 34 Stacking nightingales, male tears, and albums of the year: how the Balkans and other scales of domestic hip-hop are crafted Owen Kohl and Dragana Cvetanovic X 531
Contents 35 ‘Popularity’ in the YouTube era: an anthropological analysis of music trending on Serbian YouTube and IDJTV Marija Ajduk 550 36 From turbo music to turbo politics: pop-folk and anti-establishment politics in Bulgaria Dragomir Stoyanov and Elza Ibroscheva 565 37 ‘Dajem ti srce, zemljo moja’: patriotic music and national unity in Croatia in the aftermath of the 2020 Petrinja earthquake Ivana Polie 578 38 ‘And then we sang’: affective communities and Russian/EU cultural diplomacy in Moldova’s Victory Day and Europe Day, 2022 Domenico Valenza 595 39 Queer Yugosphere: queer audiences and popular music in the post Yugoslav space Miso Kapetanovic 613 Index 629
INDEX activism 18, 61-74, 259, 265, 276, 329, 516, 544, 606; anti-war 155,157, 329,463; celebrity 73-4, 157,433, 521; conservative 274; human rights 95; nationalist (see nation-building); queer 14, 19, 274,421-2, 543, 615, 618-19, 622-3; Romani 11, 61-74, 501; women’s 368 Adorno, Theodor 252, 298, 361-2 Adriatic Sea 169,457; as cultural area 5, 254, 321-2; music and 316, 319, 395; tourism and 93, 315, 319, 322; see also Dalmatia Africa 504-5, 517, 520, 522; music of 33,451, 455, 515; North 43; South 74,463; stereotypes of454-8; see also Yugoslavia, Non-Aligned Movement and African Americans: comparisons with 16, 69, 466-7, 506-7, 539; hip-hop and 11, 69,74, 349, 363-4, 367, 504-6, 533-4; intellectuals 504-5; jazz and 451-3,456; soul and 456 Albania 3; communism and 131-2, 135-44; geopolitics and 92-3,131, 135,139-40, 142; independence of 134-5; music of 131-44; youth in 140, 142 Americanization 6, 215, 312, 314-15 America, United States of: Balkan music in 41, 249; civil rights movement 65, 74,452, 545; cultural diplomacy of 212, 302-3, 451-3, 459; cultural theory in 211, 215, 217-18, 222-3, 504-5; migration to 309,491-2, 507-8; military of 336; Native Americans 84; politics of 178, 545; popular music of 421, 540-1 (influence of 70, 178, 238-48, 314, 316, 319, 365, 379,415,453, 456, 458,466-7,472,477, 509, 534-5, 539, 617, 619-20; see also Americanization; Black diaspora, as musicians; hip-hop; jazz); queer life in 615,617, 619; racism in 363,426-7, 466-7,476, 520 (see also African Americans; coloniality, settler); television of 626 Anastasia 32, 36, 45 anticolonialism
454-5, 463, 467-8, 504, 514, 516, 521, 545 antisemitism 299-300, 304, 329, 331, 508, 516, 541 apartheid 463-4, 467 arabesk 5,158-9, 182-9, 277, 360, 364, 382 Athens 6, 91, 98, 111, 228, 230, 348, 513-23 Austria 116, 118, 158, 291-2, 328, 337, 340, 459, 495; Roma in 63, 68; see also Vienna Austria-Hungary see Habsburg Empire authenticity: Balkans and 33, 36, 39-40, 246, 566; communism and 221, 323,446; folk culture and 9-10, 34, 36-8, 40, 45, 121,147, 219-20, 291, 386, 397-8,446, 487, 509; nationalism and 9-10, 121, 386, 398, 505, 551; performance and 429, 556, 616; pop-folk music and 147, 219, 386, 506; subcultures and 348; tourism and 79-80, 395, 397-8, 487; world music and 31, 34, 36, 40, 246, 395, 455 Azis 14, 73-4, 274,420, 424-8 Baja Mali Knindza 155, 196-7, 200, 202 Balasevic, Dorde 193, 224 balkanism 4, 312-23, 393-4, 399-400, 482-4; postcolonialism and 509; racialization and 489, 492-5; ‘reversed’ 78-88 Balkans 44, 508; as crossroads 33, 113-14, 138, 313, 390,425; definitions of 2-4, 6, 323, 500, 508-9, 533, 538; Europe and Balkans and 2, 13, 16, 32-3, 39-40,44, 62, 78, 82, 85-6, 88, 91-101, 245-6, 292, 322, 390-1, 394, 483-4,489,492-3, 501, 618; identity and 32, 629
Index 79, 100-1,113-14, 312-23, 382, 390-400; nationalism and 9-10; representations of 78, 85-6, 92, 99,100, 319; scholarship on 2, 5-6, 18-19; as semi-periphery 8,18-19; ‘timelessness’ of 79; as transnational musical culture 82, 122-3, 245, 378, 425,505-6; see also balkanism Balkan Wars (1912-13) 6,46,126, 267, 525 Bano, Al, and Romina Power 142, 606 Belgrade 33, 37, 38, 91, 92, 98, 119-20, 122-3, 126-8, 489, 536, 587; media in 149, 165, 287, 314-17, 323; musicians in 155, 192-5, 212, 253, 285-6, 444-5,452,454,456,459, 537, 542-4, 553, 562; nightlife of 194, 198, 204, 212, 337, 452,458, 531, 613-14, 616, 619-21, 623; record industry in 284-6, 290, 294, 560; research in 222, 317; Roma in 69-72, 626; society of 253,433,469, 477-8, 543, 618-19 Berlin 66, 117, 335, 338, 343, 365,404, 598, 600, 615-16; Congress of 116, 124-5 Black Sea 5, 17, 86-8, 188, 377-8, 386; Greeks’ displacement from 375-6; tourism in 12, 78, 86-7, 93, 303-4,486 Bohlman, Philip 9-10, 503 borders: Balkans and 5-7, 88, 323, 390, 425, 502; communism and 79, 320, 322, 338; Europe and 8, 88, 353-5,410-11, 520, 523, 545; fortification 8, 265, 270, 353-5, 410-11, 414, 520, 523, 545; gender and 425, 437, 623-4; music and 5-7,18, 41-2, 136,169, 246, 269, 401, 404,487, 502, 535-7, 615, 624; nations and 12, 40, 44, 51, 79, 132, 156, 169, 200, 390, 409, 433, 490, 502, 561, 617; postsocialism and 51,567; Roma and 62, 270; tourism and 320, 322, 404,483; war and 15, 158, 169, 200, 376 Bosnia-Herzegovina: during 1992-5 war 7, 96, 127, 156, 158,162-72,192-5, 198-200, 203, 337, 341-2, 417,471; after 1992-5 war 100, 339,
341-2, 471, 531, 534, 556, 616, 619; constitution of 100, 200; discography of 116-28; Habsburg rule in 6, 116-28; identity of 116, 125-7, 163, 166, 168-72, 538; independence of 91, 163-5; massacres in 197, 203 (see also Bosnian Genocide); music of 38,40-2, 46, 116-28, 162-72,284, 318-19,436-46, 489-90, 531, 535-8; Ottoman past and 10, 14-15,99, 168, 198, 203, 436-46; relations with Croatia 399, 531, 580-1, 621; relations with Serbia 97, 156-8,485,489,492, 494, 552, 558, 561, 624; Republika Srpska 7,100, 156, 164, 196, 200, 205, 341, 417, 484, 487, 490; in Yugoslavia 3, 45, 334, 336,444-6; see also Brcko; Sarajevo; sevdah; sevdalinka; Srebrenica; Tuzla Bosnian Genocide 7, 18, 192-204, 484-5, 489 495 Bourdieu, Pierre 256,260, 362, 364-5 bouzouki 228, 230-1, 378-9, 383, 514, 521 630 brass bands 8,134,138, 336,482-95; Balkans and 12; jazz 241-2; military 8, 107, 109, 176-7; Romani 33, 36, 39, 67, 70, 277, 294,426 Brcko 119,156,197, 531 Brecht, Bertolt 228, 343,431 Bregovic, Goran 36, 37, 78, 246, 323 Bucharest 51, 58, 87, 105-6, 108, 298-300, 422 Budapest 85,119, 126,128, 338 Bulgaria 3; Balkans and 13, 36, 79, 244-6, 248, 319, 323, 432, 538; bells in 275-6, 405-7,417; communism 93,238, 240, 248, 406,420-1,423, 427, 432, 501, 567; Europe and 98, 100, 274, 277, 410, 422; identity in 323,406, 424, 428, 432, 503; independence of 407-8,430; music of 31, 36, 38,44,91, 265-77, 292, 382, 415, 417, 419-33,465, 501 (ethnojazz 34, 238-48; Romani musicians 14, 53, 61-74, 245, 267, 270, 274,420, 567; wedding music 31, 68,150,246, 420, 567; world music and 36, 38, 45, 247,400); politics of
565-75; postsocialism in 36,248, 419-33, 501-2, 566-8; research in 13,18, 267, 404; Russia and 611; tourism and 12, 93,486; Turkish minority in 3, 99,248,420; see also Azis; chalga; Dimchev, Ivo Byzantine Empire 2, 32, 515; music of 41 Caribbean 1, 37, 363, 500, 505, 507-8, 521 Catholicism see Christianity Ceausescu, Nicolae 93, 306-8 censorship 12,125-6,128,138, 141-3,151, 167, 182,216, 229,360,420 chalga 5, 68, 73, 266-71, 277, 382, 419-33, 503, 565-75; origins 565-8 Christianity 84, 116, 202-3,271-2, 330, 376,478, 518,581; Catholicism 84, 86,116, 119,125, 133-4, 163, 335,343, 391-2, 395, 543, 580-1, 584; Evangelical 68; Orthodoxy 39,41,45, 68, 108, 116, 125-6,133, 135, 163,172,200, 202-3, 265, 270-2,274-5, 348, 376, 381, 385, 394, 489, 494, 542-3, 580 cinema 9, 83, 86, 179, 212, 220, 241, 314-15, 332, 334-5,427,451-2, 467, 522, 526; Balkan 2, 5, 78; festivals 65; musical 6, 80, 152,158, 284, 297-309, 617; soundtracks 2,12, 32, 36,291, 328-9,331,424, 599 citizenship 370, 385, 410,484, 514, 517-20, 522-3, 525-6 class: arts and 2, 9,12, 39, 228, 301, 317, 380,484, 493; consumption and 9, 12, 53, 180,187, 189, 215, 250-2, 260, 301-3, 378, 419-23,462, 469; gender and 189, 292,424-5, 447, 505, 523, 545; nation and 13, 272, 301, 354-5, 430, 538; race and 10-12, 354-5,424-7,431, 503, 505-6, 523, 545; Roma and 50, 53, 62, 70,110; sexuality and 421-2,432-3; taste and 9, 12, 43, 53, 106, 110, 151-3, 179, 185,217, 251-62,
Index 617, 622-3; politics of 93-4, 96, 171,223, 253-4,260-2, 392-3, 486, 540, 578-90; record industry in 149, 289-90; relations with BosniaHerzegovina 124, 399, 531, 621; relations with North Macedonia 42; relations with Serbia/ Serbs 32, 97,156,158, 167, 284-6, 404-5,411, 488-9, 539, 552, 556, 580, 584, 587, 617-18, 621-3; research in 19,459; state television in 96, 100, 291, 395, 559, 578-90; taste cultures in 251-62, 614, 621, 623; tourism and 152-3, 156, 312-23, 319, 393-5, 486; turbo-folk and 152, 167,194, 251-62,423,425, 621, 623; war of independence (Homeland War) 7, 96,162-5, 167, 170-2,195, 201,400, 485,495, 578-90; in Yugoslavia 93, 95-6,149, 211-14, 216, 221, 284-9, 316, 344, 408-9, 468, 617, 619; see also Dalmatia; Dubrovnik; Severina; Zagreb Croatia, Independent State of (NDH) 6, 124, 159, 168, 196, 283, 546 Cyprus 5, 94, 97, 99,408 Czechia 40,109,404, 406-7,409,412,417 Czechoslovakia 7, 93, 287, 338, 343 317-18,419-23, 539; war and 155; working class politics 4, 9, 43,180, 187-8, 215, 221-2, 228, 260-2, 308, 333, 346, 348, 353-4, 385, 420-1, 431, 501, 521, 537; see also urban/rural divide classical music 37, 39,45, 67,105-6, 111, 119, 177-8, 233, 241, 286, 288,298, 314, 317, 329-31,415, 521, 569, 606; Turkish 176, 179, 181-2,387 climate 20, 590 Cluj-Napoca 78, 83-6 cocek 53, 67, 73-4,493; see also kyuchek Cold War 3, 7, 78, 93-4, 99, 238, 302-3, 328, 333, 348; Balkans and 7, 91-3, 319; end of 96, 500, 544, 568; Greece and 94, 227, 346; see also Yugoslavia, Non-Aligned Movement and colonialism: European 331,469, 508, 514, 520, 523, 617; of European Union 8,
508; Habsburg 2,116,121,415; inter-imperiality 1, 13,16, 20, 321, 484, 505; neocolonialism 15,19, 87; race and 2,15-16, 20,454-5, 503, 523; Russian 2, 4-5, 17; settler 409,415, 425,469, 476,478; Western 14-15,19,132, 302, 336; see also anticolonialism; postcoloniality communism: Balkans and 3, 7, 18, 93; culture and 38, 139, 147,151, 211-23, 254, 318, 568; fall of (see postsocialism); folklore and 7, 33, 111, 138-9, 439; ideology of 12, 86, 131, 137, 211-23, 306-7, 315, 335-6, 503; memory of 610; music and 3, 7, 9, 12, 50-1, 82,111-12, 131,135-44, 235,238, 240,248, 253, 297, 301-8, 312-23, 338, 420-1,432, 503-4, 567; nationalism and 79, 112,132, 133, 219, 304; political violence and 94, 229, 340, 349; private economy and 150-1; repression 3, 50-1,113, 140-3, 307, 333,420; Roma and 51, 61; youth and 140, 212, 216, 252, 306-8, 568; see also Yugoslavia, communism of Constanta 78, 83, 86-7, 303-4 consumerism 140,180, 211-19, 251-2, 302-3, 315,336,362 Council of Europe 94, 96, 610; Roma and 63-6 COVID-19 pandemic 347, 586, 605; events and 85, 266, 273; impact on research 61, 265; musicians and 67, 265-76, 429-32, 624; restrictions during 266, 268-70, 514; television and 582-3 Crimea 17, 127,494 crime, organized 51, 54-5, 57-8, 568 Croatia: Balkans and 3, 32, 322, 390-400, 533, 538; Europe and 97, 100, 322, 390-400, 409; Habsburg rule in 118,409,411; identity of 3, 12, 32, 322, 390-400,411,489, 533, 579-80; independence of 91, 96, 392-3, 412, 489, 541, 578, 580, 584, 590, 610, 620; music of 10, 32, 35-6, 38,42, 93-6, 251-62, 284-9, 316, 390-400,415, 503, 525, 531,534-5, 537-42,
Dalmatia 10, 93,156, 262, 320-3, 390-400, 537, 540; tourism and 78, 320; see also klapa music dance: communism and 136-8, 212-13, 307, 315, 451; electronic (see electronic dance music); folk 10,12, 97, 109, 188, 242, 291, 379-81, 384, 415 (see also cocek; kolo; kyuchek); hip hop and 186, 533, 542; jazz and 241-3; Latin American 241-3, 455; Roma and 49, 63-4, 67, 69-71,112,179,187-90,420,431; sexuality and 420,423-4,429,457, 542, 614-16, 620-1; social aspects of 9, 36, 39,49-59, 239, 269, 379, 385, 387,466,490-1, 602, 607, 614-16, 621; theatre and 177, 231-3, 299, 305, 330,420, 429, 431, 507-8; Western 109,178,181, 284, 315 Danube, River 12,400, 404-16, 496 democracy 9, 34, 51, 94, 99, 140, 149,182, 228, 233, 252, 340, 347-8, 354-5,452,482, 495, 505, 544, 571-3, 579 democratization 7,96, 133, 212, 222, 229, 245, 267, 294, 309, 312-13, 315, 346, 569, 586, 590 diaspora 10, 15-16, 18, 113, 397, 500-9, 572; Albanian 4,463-4,474, 476; Black 504-6 (diversity of 506; as musicians 2,11, 15,451-9, 466-7,476-7, 500, 506, 513-23, 533-5, 539, 617; as students 454-8; see also African Americans); Greek 380; Jewish 249; memory and 113; nationalism and 197; research and 19; Serbian 197, 482-95; Turkish 99, 365, 370; Yugoslav 4,158, 536-9, 556 Dimchev, Ivo 273-4, 419-20,429-3 3 disability 65, 73-4,426, 440-1 Dragovic, Doris 95, 578-90 Dubrovnik 200, 321, 397, 399,457 631
Index reunification of 93-5, 328; Roma and 40, 61-6, 68,71,187, 270; Russia and 108-9; sexuality and 14; values of 14, 86-7, 98, 100, 274,422,472, 523, 574, 581; Western 91-101,140,158, 213,260,292,320, 336, 346, 348-9, 394-5,415,429,464, 471, 509, 542,615,617 European Commission 64, 348, 603, 610 European Union: border regime of 352, 354,410, 523, 545; coloniality of 8, 523; enlargement of 1, 32, 81, 94, 97,112, 184-6, 391, 394, 422, 487, 579, 595-609; inequalities in 99-100, 266, 276, 336,348, 356-7,495, 523; integration of 8, 83, 96, 98,101,112, 328, 507, 540-1; Roma and 63 Eurovision Song Contest 5, 91-101; Balkans and 1, 11, 78, 82, 91-101; Croatia in 91, 93-4, 95-6, 395, 399-400,626; Greece in 91-2, 94, 97, 99, 525; Moldova in 1-2, 606-8, 610-11; Romania and 91-3, 95-100; Serbia in 91,97-8, 562, 618, 621; Turkey in 91-2, 94-5, 97, 99-100; Ukraine in 17, 91,94,97,101, 610; Yugoslavia in 91-7, 99, 320, 625 easternness: appeal to musicians 187-8,245, 425; Balkans and 2, 32-3, 246, 396,425,430,483-4, 489-90,492, 608; cultural anxieties about 4-5, 12,158, 184, 399; modernity and 14, 98, 283, 308, 333, 336, 421-2 (see also postcoloniality); world music and 35-7, 43, 245 education: communism and 131—2, 135-7, 139-40, 142-3, 211,213-16, 219, 221-2, 252, 287, 302, 306-7, 309, 314, 316, 332, 343,469, 568; consumption and 186, 214, 256,491, 521, 567-8; corruption and 582; fascism and 300, 332, 353-4; folk culture and 37-8, 135-7, 139-40, 437; gender and 109, 189, 368, 370; nationalism and 132, 135-7, 139-40,227, 399, 437, 463-4, 518, 543, 545, 584; Roma and 61, 63-9, 71, 73-4,
426, 567; social aspects of 187, 273, 467, 518, 532; technology and 590; Western 176-7, 251-2 electronic dance music 10, 78-88, 539 environmentalism 79-80, 586 eroticism 108, 151, 291,424, 542-4, 567 ethnicity 10, 284; Balkans and 12-14, 40-2, 44, 245, 390, 492, 514, 566; communism and 251-2, 420, 487, 544; gender and 13-14,168, 170, 423-5, 489, 566; identity and 12, 251-2, 313, 381, 485-6,490, 502-3, 509, 513, 525, 587, 614; language and 13, 365, 377, 384, 513, 520; nation and 12-14, 18-19, 35-6, 86, 159, 162-72, 188, 192-204, 248, 272, 366, 375-7, 382, 384, 390, 395, 400, 426,470, 482, 489-90, 500-1, 507-9, 513, 520, 621; race and 15, 19, 50, 88, 159, 276, 425-6, 467-8,492, 500, 503-5, 507, 513, 515-6, 520; religion and 184-5, 254, 514; Roma and 13-14, 19, 50, 53, 62-6, 116,277, 285-6,423, 425, 503; world music and 31, 33-6, 39-40,43, 188,244, 505; see also nationalism ethnoregionalism 18,376-7, 380, 382, 384, 399-400 Europe: Balkans and 2, 13, 16, 32-3, 39-40, 44, 62, 78, 82, 85-6, 88, 91-101, 245-6, 292, 322, 390-1, 394, 483-4, 489,492-3, 501, 618 (as model in Balkans 14, 78, 135, 176-8, 241); communism and 7, 92-3, 95, 141,143; definitions of 6, 79,492, 501, 508, 532; fascism and 300-1, 330-1, 340, 346; modernity and 5, 14, 113, 182, 323,400, 423, 486, 507, 520, 608; musical cultures of 1, 6, 11, 35, 39, 82, 91-101, 105-6, 116-17, 127-8, 176-8, 227, 315, 392-3, 451, 454, 464, 506, 519, 539, 552, 606; nationalism and 9, 503, 514, 517, 520, 522, 580, power relations and 2 (see also colonialism, European; postcoloniality); race and 15-16, 339, 349, 455-7, 468, 478, 483,
489, 492 495 501, 505, 508-9, 516, 520—3, 525; religion and 133, 275, 339; research in 137, 211, 223' Facebook 32, 61, 83, 266-7, 274, 276,412,430, 552, 573, 581, 585, 587-8, 609, 624 fascism: aesthetics of300-l, 330, 334-6, 339-41, 508; neofascism 68, 344-6, 470, 546, 591; see also Croatia, Independent State of; World War, Second feminism 14; in Balkans 148, 289, 525, 544; hip-hop and 68-71, 542-4; nationalism and 14, 163; pop-folk and 148, 290,425-6, 428-9, 431-2; theory 421, 425, 427, 432; war and 14, 19, 163 festivals 18-19,112,482-95, 605, 608, 622; art music 330, 337; brass band 426, 482-95; commercial 10,78-88,188; communism and 93,133, 137-8, 140, 142-3, 223, 284, 287, 290, 304-5, 315,452; folklore and 126, 138, 199-201, 247, 276, 287, 391-2, 397-9; grassroots 414, 416; popular music and 91-101, 140, 223, 284, 287-8, 290, 315-20, 364, 561, 581; Roma and 62, 65, 69, 187, 482-95; tourism and 78-88, 315-16, 319-20, 396, 484-90; world music and 34-9, 41,43-5,187 Finland 39; Tom of426, 620 flutes 33-4, 37,42,45,106-7, 110-1, 113 folk culture 211, 214, 219, 232 folklore: collection of 109,125-7, 436-9; communism and 7, 33, 50,111-12, 138-9, 219, 315-16,439; COVID-19 and 270-1; gender and 436-46; nationalism and 10, 80,113, 136, 201, 377, 384, 394, 397; repackaging of 78, 84-6, 97, 306-7, 378, 382-3, 391, 507; sexuality and 436-46; study of 9, 13, 19, 106, 108, 121 632
Index France 4-5, 79, 93, 99, 109,113,181, 217, 292, 299-300, 303-4, 309, 369, 429, 453, 465,490-1, 514, 521, 539, 609, 617; French language 93,123,194, 249, 287, 310, 406, 525, 610; see also Paris Frith, Simon 9-10, 362, 555 gender: class and 54, 57, 189, 292, 422, 424-5, 447, 505, 523, 542, 545; equality 68-74, 180, 189, 353, 361, 432 {see also feminism); ethnicity and 13-14, 119, 168-72, 423-5, 489, 566, 580; health and 266-8, 441, 624; labour and 6, 12, 14, 57, 189, 283-93, 305, 353, 397, 519; musicianship and 6, 14, 16, 43, 52, 68-74,119-20, 177, 270-1, 283-93, 400,419-33, 436-8,440,465-6, 477, 534-5, 542-4; nationalism and 14, 163, 168-72, 253, 268, 353, 436-8, 447, 519, 543, 570, 580-1; postsocialism and 14; race and 13, 300, 423-7, 445, 452, 457, 483, 505, 544-5; religion and 14, 119, 163, 172, 177, 193, 197-8, 201-2, 444; Roma and 13-14, 52, 54, 57, 61, 68-74, 119, 189; sexuality and 12, 14, 53, 274,419-33, 436-46, 505, 525, 535, 543—4, 614, 616-17, 619, 622; taste cultures and 213, 219, 256, 261, 616-22, 624; violence and 57, 193, 197-8, 201-2, 268, 368, 370, 473, 542-3, 568, 581; war and 14, 156,163, 166, 168-71, 193, 197-8, 473, 580-1 Germany 99, 292, 469, 526; discography and 117; East 7,137, 306; imperial 516; language of 327-8, 332, 339, 447, 617; music of 232, 236, 240, 329-31; reunification of 340-1; Roma in 70; Third Reich 299-300, 330-1, 335, 339-40, 343, 595, 610 (occupation of Balkans 132, 227, 301-2, 328, 340); Turkish community in 70, 95, 361, 364-6, 369-70; West 343,459, 609; Yugoslav/post-Yugoslav diasporas in 158,172, 536-7; see also Berlin
globalization 33, 36, 80-2,184-6, 260-1, 346, 363, 398,493, 500, 507, 509, 566 Gramsci, Antonio 232, 363, 501, 504, 510 Greece 3; antiquity of 516, 522; art-folk music 227-35; Balkans and 522; Civil War 6, 7,10, 227-35, 346; colonialism and 514, 516, 522; financial crisis 99, 346-57; identity in 323, 513-23; independence of 514, 520-1, 524; left-wing music 227-35, 346-57; migration to 375-86, 513-23; military junta of 94, 346; minorities in 384, 513-23; Pontic community of 375-86 Guca 426,482-95, 608 guitar 43, 51, 109, 138, 145, 178, 197, 241, 272, 284, 305, 396, 400,414,416,426, 456-7; electric 45, 52, 341, 465 gusle 39,46, 51,121, 126, 192,437,447, 537 Habsburg Empire: legacies in Balkans 2, 3,17, 79, 85, 313,406; rule of 13, 116-28, 407-8 Hall, Stuart 10, 15-16, 220, 292, 361-3, 365, 368, 500-9 Hawai’i 16,293 Herzfeld, Michael 5, 393, 525 hip-hop 16, 531-45; commercial 349, 366-7, 477, 509; gender and 535, 542—4; global 363-4, 506, 532; identity and 1-2, 10-11, 365,458, 462-76, 513-23, 531-45; ‘oriental’ 365; protest and 188-9, 346-57, 360-9,462-76, 513-23; Romani 61-74,431; translation into Balkans 458,465-6, 506, 539 Hofman, Ana 12, 82,150 Holocaust 6, 63; resistance to 67; survivors of 286, 302; see also Roma, Holocaust and human rights 11, 14, 62-4, 94-5, 97, 99, 266, 370 Hungary 5, 85, 107, 113, 116-18, 126, 300-1, 304, 306, 309, 338, 390,410, 429,439, 491; see also Budapest hybridity: culture and 13, 80, 83-8, 252, 260, 390, 502, 505-6, 509, 519, 622; music and 9, 32, 39-40, 53, 78, 81,188, 195, 365, 375, 378-9, 386, 424-6, 430,432-3,456, 514, 521, 523, 566, 568-9
ibrahimova, Yildiz 34, 247 identity 13-14, 500-9, 596-7; activism and 62-6, 69, 74, 252,421-2,431-3; communism and 135, 144, 223, 254, 319; cosmopolitanism and 241, 248, 254, 262,423,456; diaspora and 113, 365-6, 375-86, 500-9, 518; local 44, 83, 87, 137-8,140, 364,482, 535; performance and 49, 53, 57-8,196, 424-6,428,430,466; queer 19, 43, 182, 274,421-2,424-5,431, 433, 614-16, 619-24; regional 18, 35, 44,134, 187-8, 312-23, 375-87, 390-400, 579; war and 1,18, 155,162-72,197, 251, 578-84, 586, 595-609; see also Balkans; class; ethnicity; gender; nationalism; race; urban/rural divide Imamovic, Damir 42-3, 44, 446-56 India 33, 35, 50, 244-5, 536 Instagram 368, 513, 522, 525, 552, 587, 609, 624 internet: activism on 63, 367; audiences and 1, 8,16, 18,41, 44, 83, 542, 550-61, 578-90, 613-25; communications and 15-17,408, 545, 578-90, 596, 613, 622-4; far right and 8, 20, 202-4, 352; music industry and 8-9, 16, 20, 39, 186-8,336, 367, 379-80, 537-8, 550-61, 613; repression of 368; research on 16-17, 19-20, 61,118, 616; viral content on 1,155, 202-4,267-70,430-1; see also media, social; technology, digital Iran 8,41, 452 Ireland 229,467-8, 507-8 633
Index Islam: identity and 124, 168-9, 182, 184-6, 365-6; multiethnicity and 68,163; music and 121,133; nationalism and 163,170-1, 177, 184; war and 163, 167,192-204 Islamophobia 4,159, 192-204, 339, 366, 395, 516; see also Bosnian Genocide Israel 95, 100, 300, 302, 310, 523, 545 Istanbul 43, 91, 97,105,177-80, 367, 515 Istria 36, 287-8, 316, 320, 340, 488 Italy 67, 79, 92-3,95-6, 120, 131-2, 136, 138, 140-2,145,176-7,181, 215,223, 275, 286, 300, 303, 319-20, 340, 369,453, 487, 490-1,496, 520, 591; Italian language 189, 520-1, 524, 610 lâutari 13,49-59, 106-7, 110 Lebanon 404-7,416-17,452 Lepa Brena 151-4,156-8, 194, 224, 321,458, 559-60, 617, 624 LGBTQ+ rights 276, 424, 619, 621; see also queer Lili’uokalani 16,286,293 Liszt, Franz 110, 236, 329, 335 Ljubljana 96, 215, 286, 293, 314-15, 317, 323, 327-30,336-8, 340-3,458,487, 537, 613, 616, 619-20 London 33, 63, 69,118,152,284, 293, 321, 328, 336, 338, 341,395 Macedonia (geographical region) 242, 247, 294, 570 Macedonia, Greek 375-6, 378, 384-7 Macedonia, North 3,18,99-101, 126,475, 485-6, 552, 556, 562, 619, 625; music of 32, 36, 39-46, 53, 61-74, 97,172, 284, 319; name dispute 45, 97; Romani musicians 39, 61-74, 270 manele 5, 51-9, 81-2, 309-10,423-4; Roma and 51-9,423, 502; transnational collaborations and 269 media, social 16, 20, 67, 69-70, 201-2, 265-6, 351, 367-9, 392,430, 513, 517, 522, 532, 535, 542, 573-4, 579, 581, 585, 588-9, 596, 605, 609, 613-14, 616, 618, 622-5; see also Facebook; Instagram; TikTok; Twitter; YouTube Mediterranean Sea 5,18, 92, 514, 519; Black 520-3; gender and 380; heritage and 87, 390-400;
identity and 18, 35, 312-23, 390-400; music of 37, 95, 390-400; tourism and 12, 87, 312-23, 390-400; see also Adriatic Sea; Dalmatia memory: clashes of 18,595-609; communism and 12, 133; Holocaust and (see Holocaust); music and6-7, 111, 230-1, 235, 247, 381; myth and 230, 233-4; war and 6, 8, 18, 198-9, 253, 267, 489-90, 580, 584, 590, 610 Merlin, Dino 127, 165, 166,169, 559 metal music 5, 186, 329, 432,462, 465-6 meter 242-3 methodology 17,19-20, 254-5, 350-1,476, 550-1, 597 Middleton, Richard 9-10, 239, 245, 362 migration: ‘crisis’339, 355-6, 509, 520, 545; Global South to Balkans 353, 406, 410, 513-23; resistance to 67, 346, 354-5, 513, 515, 545; see also diaspora; refugees military bands 109, 118-19, 162-3, 165-72,176, 396 Milosevic, Slobodan 8, 96,147,164, 337,419,463, 470; regime of 153-7,193-6, 205,462-76, 483, 566, 620 jazz 178-9, 212, 238-48, 284-6, 303, 314, 316, 331,451-3,456 Jewish community 6, 275, 285-6; migration of 6, 111,300, 302, 310; music ofl07, 110-13, 119-20, 123,128,185,189, 249, 284 (see also klezmer); Sephardic 6-7,42, 116, 119-20 Karleusa, Jelena 424, 429, 433, 617-18, 624 kaval 34, 37, 38, 41-2,44,45, 245, 247, 266, 277 kitsch 8, 53, 147, 151-2, 158, 194-6, 397, 420, 424,428, 431, 566, 586, 623, 625 klapa music 10, 262, 316, 320. 322, 390-400 klezmer 3 5, 106, 110,249, 292 kolo45, 122, 203,205 Korea, North 338-9 Korea, South 553 Kosovo/Kosova: Albanians’ resistance in 11, 462-76, 539; Battle of 192-3; economy of464; international recognition 91, 100; Milosevic’s repression of 154,462-76; in Yugoslavia 92, 95, 462-4, 468-70 Kosovo/Kosova War 100,
156, 337, 463, 465, 468, 471-6 Ku-Ku Band 247, 271, 565-75 kyuchek 53, 73, 267-70, 273, 277; see also cocek Laibach 6, 327-42, 485, 620 laiko 5, 378-81, 383, 385-7,420,434, 521; laiko traghoûdhi 227-35 language 1; gender and 287, 436-44, 542-4; identity and 66-7, 273, 365-6, 376, 385, 425, 456, 464, 467-70, 506, 513-14, 518, 520-1, 525, 532, 603, 606, 613; music and 179-81, 238, 245, 366, 384,428,455,471-2, 506, 513-14, 520-1, 523, 532, 535, 542-4, 551-2, 596, 613-14 (translated songs 287, 369,465, 623); nation and 227, 230, 384, 436, 447, 463, 467-70,478,493, 519-21, 525, 569, 603, 610; research and 17—18, 356, 477, 610; technology and 270, 551—2, 587; visual 335, 486; war and 7-8, 339-40, 463 634
Index Mine, Mitar 199,424 Mirkovic, Dragana 154,156,158,199, 618 Moldavia 13, 61, 105-14 Moldova 1-2,4-5, 79; identity of 595-609 Montenegro 3,45,96-8, 125, 390,409, 463,478, 485, 496, 556, 558, 562, 619, 624; music of 46, 97, 100, 159,319,391,486, 584 MTV 31, 186, 329,462-76, 539 music, folk: acoustic 10, 303, 413-15; definitions 9-10,183, 317, 378,446, 521; ensembles 1, 106-7, 110, 167, 284-6, 302,414 (see also brass bands; lâutari; tambura); jazz and 238-48; modernization and 111, 180-1, 316, 320-2, 377-86, 444-6,482; nationalism and 40-1,43, 96, 181,188,193-201, 228, 315-16, 334-5, 415; rock music and 1; urban 10, 52, 110, 138, 323,436-46 (see also rebetiko; sevdah; sevdalinka; starogradska music); world music and 31-45 music, popular: definitions 1-5, 10, 213, 235, 292, 362,415,446, 500-9, 555-7; genre and 176-88,251-62, 312-23, 346-57, 390-400; media and 91-101, 550-61, 578-91; nationalism and 91-101, 346-57, 360-9, 375-87, 390-400, 565-75, 578-91, 595-609; political expression in 227-35, 346-57, 381-2, 565-75; war and 154-7,162-72,192-204, 462-76, 595-609; see also communism; hip hop; gender; identity; music, rock; nationalism; pop-folk; race music, rock 179-81, 185-6, 194,432; audiences of 186, 188, 245, 252-63, 346-7, 351,452-3, 551; class and 9,253-63,466; communism and 7, 9, 94, 215, 218-19, 253, 303, 305, 307, 451; consumerism and 140, 218-19, 309; cosmopolitanism and 148, 193, 253-62,466, 536; folk music and 1, 33, 64, 147, 245, 247, 415,427, 569; identity and 147-8, 155, 193, 462-74,485, 536; performance of 328-42, 381, 415, 453-4; political engagement and
154-7, 168, 193, 253-4, 261, 333, 370, 396, 485, 496, 606, 626; reactionary 156, 193, 349; resistance to 186, 307-8,420; study of 5, 9, 555; style of 426; see also urban/rural divide music, world: Balkans and 1,4,6, 31-44, 91, 245-7, 323, 400, 505; global market of 111, 187, 189, 245-6, 249, 505; history of 33, 35, 44; Romani musicians in 13, 187 music video 14,19-20, 550-62; communism and 253, 305,457-8; hip-hop and 68-73,186, 269, 361, 365, 367,467,470-5, 506, 513-17, 522, 532-3, 540-5; pop-folk and 14,49, 65-8,154, 186, 265-77, 291-2, 299, 379, 419-33, 570, 622-3; rock and 253, 335,464, 467; tourism and 83, 85, 95, 392, 395-7, 457-8; war and 20, 41, 154, 202-4, 396,464,467, 470-5, 502, 578, 580-9 national anthems 63, 127, 135, 169-70, 188, 329, 407-16,517-18 nationalism 2, 9-10,13-15, 502-3, 508, 532, 543; cinema and 297-309; communism and 79, 93, 112, 132, 133, 219, 221-3, 304, 312-23, 332, 335, 536, 545; emergencies and 266, 270-1, 346-57, 578-90, 595-609; extreme 8,19, 98, 192-204, 248, 354-5; gender and 14, 163, 168-72,253, 268, 353, 436-8, 447, 519, 543-4, 570, 580-1; language and 227, 230, 384, 436, 447, 463,467-70,478, 493, 519-21, 525, 569, 603, 610; methodological 17-18; minorities and 11, 248, 266, 271, 364-6, 368, 375-86, 422, 424-5, 513-23, 525, 539 (see also Roma); music and 10, 32, 35, 41, 44, 96-7, 100, 238, 241, 312-23, 329-30, 332, 346-57, 375-86, 390-400, 396, 420,447, 467, 502, 507, 531, 536-8, 541, 550-1, 553, 565-70, 578-90; racism and 9, 15,424-6, 445, 457, 463,468, 492, 514, 539, 545; resistance to 17-18,44,46, 241, 365-6, 369-70, 432,489-93,
533-4, 536, 538, 613-15, 624-5; territory and 7, 86, 169, 200, 270, 272, 390-400,404-16,482-95, 535, 561; war and 7-8, 12, 17,41, 94, 96, 192-204, 253, 333-5, 337,420,430,438-9, 473-5, 489-90, 509, 544, 578-90, 595-609, 617-18; white 8, 202-4, 346-57; see also borders; nation-building; national anthems nation-building 6, 12,469; folk culture and 10, 17, 80, 86,109, 132-3, 214, 270, 436-9, 447; media and 578-90; music and 33, 37, 227, 232, 234,436-9; Romani 63; see also nationalism; national anthems neoliberalism 9,19, 34-5, 37, 182, 184-5, 361, 404, 408, 422, 502, 504, 523, 540, 545, 623 neopontic music 10-11, 375-86 newly composed folk music (former Yugoslavia) 5, 147-59, 284, 314, 318-19, 448; origins 286, 446; see also turbo-folk nightlife 10,19, 64,123, 177, 188, 194, 204, 378-9, 383-5, 428, 458, 619-24; audiences and 58, 198, 618; communism and 212, 218; economy and 11, 54,179, 266, 537, 620; performance and 12, 38, 49, 51, 178, 243, 380, 531, 625; sex and 387, 542, 615, 622 Nis 33, 69 nostalgia4,35,42, 189, 395-7, 535, 538, 606, 615, 623; communism and 322-3, 406, 535, 601, 624 (see also Yugoslavia, legacies of); diaspora and 151, 320, 378-80, 490-2; internet and 551; nationalism and 485-8, 509; Roma and 62; war and 8,406,485, 600 635
Index composed folk music; popfolk; turbo-folk; urban/rural divide popular, the 2, 8-11, 213-22, 235, 292, 500, 502, 555, 558, 560-1 populism, political 8, 64, 80, 177, 276, 333,485; folklore and 113; music and 154, 158, 184, 187, 193,271-2,419-20, 502, 535, 537, 565-75; racism and 64, 193, 354 postcoloniality: culture and 544, 566; migration and 346, 520; theory and 2, 15,421,482-3, 502, 507; see also balkanism; orientalism postsocialism 3, 5, 78-9, 336,406, 419, 423, 504, 615; concept of 7-8, 501-2; economy of 34, 37, 81,149,422,433, 541, 579; gender and 14, 423,428; music and 8,53, 88, 149, 245, 323, 400,423, 430,432-3, 502, 540, 543, 565-75, 579; nationalism and 13, 495, 505, 543, 565-75, 578-91 propaganda 116, 121,125-6,135, 155, 193-4, 197-8,203,212, 218, 238, 298, 300-2, 304-8, 310, 315, 331, 333, 335, 339, 342, 366,420, 452-3, 469 notation 108-10, 126 Novi Sad 42, 69, 317, 323,482-95 Olympic Games 83, 273, 299, 517, 525, 585 Open Society Foundation (OSF) 65—7, 73, 277 opera 6, 135, 137, 139, 177, 181, 214, 234, 284, 293,318, 330-1,333,503 operetta 108, 139, 284, 290, 293, 299, 330 orientalism 2, 33, 62,113,134, 247, 277, 298-9, 321,323, 378, 394,483-4,487, 489-93,495, 509; see also balkanism Ottoman Empire: everyday life under 10, 105, 119, 134, 189, 409,442-4, 513, 518; fall of 6, 116, 132, 375, 407-8, 514; legacies in Balkans 2-4, 10, 13, 14-15, 17,35, 37,42,44,79,87,122-4, 132-4, 138, 168-71,176,184, 319, 378, 394, 423, 505, 520-3; music of 8, 13, 42, 105-6, 113, 117, 123, 127, 133-4, 166,168-9, 172, 176-7, 183, 189, 378, 387, 436, 566 (see also scvdalinka);
Ottoman ecumene’3-5, 12-13, 286; Turkey and 4-5, 99, 176-9, 376; warfare against 41, 46, 108, 125-6, 133-4, 192, 203, 267, 278,430, 516, 520, 524-5 queer: aesthetics 14-15, 98,421, 426, 433, 616, 624-5; cultures 14,18-19, 427, 613-25; musicians 14, 273-4, 419-33; possibilities in music 42,440-4; stereotypes 569; themes 14-15, 43, 419-33,440-4, 525, 544, 615, 618; theory 421-2,433; see also activism; LGBTQ+ rights Paris 70, 93, 119, 123, 181, 299, 516, 524, 537, 539 peacebuilding 63, 97, 99, 474,478, 485 performance: audiences and 19, 49-59, 204, 232, 290, 395, 422-3, 431-3,437-8,442-3, 456, 600, 608, 616, 621-2; gender and 13-14, 69-73, 290-3, 391, 423-5,428-9, 437-9, 444, 447, 542-4, 581, 584, 614, 616-19, 622-5; identity and 13, 16, 32, 63, 156-8, 171-2, 384, 393-4, 399-400, 415, 419, 423-7, 429-30, 457, 464-7, 474-6,494, 503, 513-18, 520, 522-3, 534-45, 582-4, 607, 609, 619, 621-5; labour and 4, 69-71, 119-20, 150-3, 156-8, 167, 317, 319, 321, 380, 391-2, 396,420, 446, 489, 503, 559-60, 567, 582; practices of 17, 34, 37-44, 46,49-59, 110, 205, 230-3, 266-77, 303, 335, 338, 341-2, 376, 398, 415, 421, 437-40, 454,464-7, 505, 508, 534-5, 569; see also nightlife Pettan, Svanibor 34, 37, 162, 394 piano 4, 8,45,108-10,112, 122, 124, 178, 183, 238, 242, 249, 380,455 polyphony 134,136-7, 144,177,184, 270-1, 376-7,400 popfolk (Bulgaria) 266-77, 419-33, 565-75 pop-folk music 506; commonalities in Balkans 3-5, 15-16, 18-19, 81-2, 382, 423-4, 505, 566; controversies over 13, 18, 32, 253-62, 568 (see also turbo-folk, controversies over); gender and 14, 299, 502; Global South and
18-19; nationalism and 18, 32, 489, 565-75; queerness and 14,419-33,617-24; Roma in (see Roma); see also arabesk; chalga; laiko; manele; newly race see racialization racialization: Balkans and 14-16, 88,466-70,476, 478,483-4,489, 500-1, 507, 509, 520-1, 525, 617; concepts of 10, 12, 14, 19, 458, 476,483, 503-5; music and 2, 12, 15-16, 364,451-3; Nazism and 300, 331; Roma and 50, 53,61-2, 483-4, 500, 503, 506, 521 (see also Roma); stereotyping and 53, 423, 455, 457, 467, 507; whiteness and 349, 355,457,482-4,492-4, 503,516, 539 racism: anticolonialism and 323, 454-6,458; ethnicity and 196,276, 468-70; Europe and 64, 331,483; migration and 355,455-7, 513-23, 545; music and 192-204, 346-57,487,490; nationalism and 9, 196, 349, 467, 487; resistance to 70, 73, 323, 349, 365-6,419, 424-7, 454,456, 462-76, 513-23, 533-4 (see also anticolonialism); social media and 513; United Kingdom and 500; United States and 426-7, 459,467-8,476,478, 504, 524, 533-4; see also racialization radio: audiences 137,140, 198, 213, 216-17, 317, 322,467; broadcasters 92, 132, 153,158,185-6, 352,400,452-3, 537-8, 585, 613; music and 9, 42, 81, 125,137,141,149-52, 167,170,179, 636
Index 181, 193, 284, 290, 303, 314, 567-8 (musicians and 38, 126, 171,241-3, 285-6, 289, 444-5) Radulescu, Speranta 19, 81, 110 Raznatovic-Arkan, Zeljko 153, 193-6 Raznatovic, Ceca 153, 155, 195-6, 539, 617-18 rebetiko 6,10, 110,123, 227-8, 378, 514, 519, 521 recording industry: artists’independence in 156, 158; history of 6, 20, 116-28, 283-93; labour in 283-93; Western 9,116-17, 284; Yugoslav 149, 283-93, 318; see also world music refugees 8, 167, 227, 348, 354-5, 357, 370, 375-87,406,410,471, 514, 517-23, 531, 545, 605-7 religion: Balkans and 5, 40, 94, 390, 484, 520; identity and 94, 162-74, 184, 188, 262, 321, 395, 484, 518, 520; memory and 169, 230, 381, 395-6, 514; music and 5, 39, 83,105-6, 108, 125,127,132, 134-5, 155, 167-9,185-6, 254, 265, 270-2, 275-6, 329, 385,444,452-3; nationalism and 133,155, 162-74, 182, 200, 272, 274, 335, 384,494, 520, 543, 580-1, 583-4, 586; persecution due to 3, 192-204, 376, 478, 514, 520; relations between 44, 68, 127, 163, 185, 520; secularism and 133, 177-8, 315, 337; war and 162-3, 167, 169,200, 330, 335, 514; see also Christianity; gender, religion and; Islam; Jewish community resistance 80; to music 432, 621, 624; music as 16-17, 42,138,158, 163,187-8, 235, 347, 360-9, 420,462-76, 513-23; popular culture and 10, 292, 502; war and 17,163, 165, 228, 267, 340 revolutions 68,112, 347-8,417, 516, 519; communism and51-3, 131,142, 153-4, 214, 217, 219, 222-3, 307, 323, 335, 340; digital 20, 625; folk culture and 52-3,177, 212, 232, 430; memory of 125, 333-4, 340, 430, 513-14, 517, 522, 524-5; music and 51-2, 94, 177-8, 184, 228,262,
323,466; neoliberal 502 Rexhepi, Piro 14, 615 Roma: Balkans and 19, 63; Blackness and 69, 425-6, 503, 506-7, 523; discrimination against 61, 64, 71, 119, 121,270,420,425, 431, 506, 508; Holocaust and 6, 50, 61,63, 67; music of 3, 5, 62-4,105-7, 111-12, 119-20, 179-80, 183,187,482-3,493, 503 (see also läutari); persecution of 50, 266, 270,492-3; representation of 40, 61-2, 68, 503, 569 Romania 6,491, 595, 611; Balkans and 3, 5, 36, 78-88,91, 99, 319; communism in 3, 9, 92-3, 301-8,420; Europe and 78-88, 91, 95-8, 100, 323,422; festivals in 10, 78-88, 93,486; identity in 78-88,113, 323, 502; musical cinema in 20, 297-309; music of 1,4, 8, 10, 19, 36,40,49-59, 91,105-14, 269,423,426, 502; Ottoman rule in 105-6; postsocialism and 308-9, 422, 502; revolution of 1989 51; Roma in 13,40, 49-59,61, 67, 106-7, 111-12, 270, 503; Romanian language 1, 610; tourism and 10, 12, 78-88, 93, 304 Russia 266, 429,431, 523; Balkans and 13,41, 98,136, 274,495; foreign policy of 266,494, 545, 595-610; music of 13, 91, 98,122,135-7, 139, 304, 309, 315; see also Serbia, Russia and; Ukraine, Russia’s full-scale invasion of; Union of Soviet Socialist Republics Russian Empire 2,4-5, 106,109,128,136; RussoTurkish War (1735-9) 119; Russo-Turkish War (1877-8) 298; Russo-Turkish War (1806-12) 4-5, 108-9 Sabae 120, 150 Said, Edward 2, 62 Sajsi MC 540, 542-4, 618 Sandzak 124-5, 201 Sarajevo 6-8, 116-23, 125-7, 157, 163-8,170-3, 198, 203-4, 285, 292, 316-17, 323, 337, 341-2, 438-9,444-5, 454-5, 459, 486, 531, 536 saxophone 68, 111, 181, 249, 309, 454,459 saz 40, 119-20,124, 170, 440, 447 self-exoticism 4,17,
36, 79, 323, 395 Serbia: Balkans and 91, 99, 291, 390, 394, 426, 432,482-95; Europe and 61-2, 96-8,100, 482-95; identity in 3, 61-74, 148, 254, 390,423-4,482-95, 608; Kingdom of 116, 118-23, 125-8, 176, 442; under Milosevic 8, 96, 147-59,163-4, 193-4, 337, 420, 477-8; music of 8, 10, 14, 31-44, 53, 91, 97, 147-59, 162, 165,167, 170, 172, 176, 194, 219, 284, 291, 318-19, 420, 426, 437, 453-4, 456-8, 482-95, 502, 525, 534-40, 542-4, 550-61, 617-24; nationalism of 18, 95, 116, 125-6, 163,168, 192-204, 337, 438, 445,447, 468-70, 473, 478, 486-7, 495-6, 566-7, 587; Romani musicians in 61-74, 426, 493; Russia and 98, 493-4; sanctions against 31, 96-7, 477-8; Yugoslav unification and 120,125-6, 436-7, 447,469; see also Belgrade; Novi Sad; Vojvodina Serifovic, Marija 98, 559, 618, 621 Seselj, Vojislav 156, 205,493,496 sevdah 14-15,42-3, 214,436-46 sevdalinka6,10,42-3,46, 121-8,165,168-72, 436,446 Severina 396, 399,489, 559, 617, 624 Slovenia: Balkans and 3, 152, 322, 484, 487; Europe and 91, 98, 322, 487-8, 493; identity in 322, 493, 614, 619-20; independence of 7, 95-6,154, 329, 340-1, 619-20; music of 33, 96, 152, 284, 316 (alternative music 216, 327-42,485); relations with Serbia 97, 154,484-5,487-8, 621, 624; Roma and 70; 637
Index 420,423-4,431,439-46,455, 482-95, 567, 615 (see also pop-folk music); musical 10-13, 31-46,49-58,110-11,119,122, 126,132-41, 143-4, 176, 179, 182-6, 232-3, 238-48, 253, 271, 314, 319-20, 375-86, 390-400, 423, 426,443,454-5,482-95, 505, 521, 526, 534, 543, 566-7; nationalism and 9-10, 15,17,63, 80-1, 86,112-14,121,131-2,144, 170-2, 192-5, 212, 233, 253-4, 261, 307, 314, 316, 320, 322-3, 375-86, 390-400, 415,482-95, 502-3, 507, 509, 516-17, 543, 580; oral 7, 63, 201, 291, 364,436,438-9; religious 83, 133, 168-72,202, 253, 261,270-2; revivalism 33-4, 37, 105-14; violence and 204, 602; see also folklore; music, folk; music, world Tragaki, Dafni 10,17, 502 Trifonov, Slavi 269, 271-2, 419, 565-75 trumpet 39,45, 51, 67-8,176, 202, 238, 292,426, 454, 482-95 turbo-folk 5, 19, 277, 419, 525-6, 566-7; aesthetics 291, 423-4, 622; audiences 204, 261,423, 615, 618-19; controversies over 8, 147-9,155, 157-8,167, 193-6, 204, 382,423,482,487, 489-90; gender and 14, 420,423-4, 502, 614; nationalism and 196, 204,419-21; origins of 137-59, 419-21,432; resistance to 167, 204, 423,489-90, 621, 623; sexuality and 614-15, 618-19, 625; see also newly composed folk music; pop-folk Turkey: Balkans and 4-5,7,41,43, 79, 87, 99, 121, 193, 198,203-4, 319, 323, 378, 382, 444; Europe and 91-2, 94-5, 97, 99-100, 177-8, 184-5; identity in 99,158, 176-8, 184-6, 323, 376, 459, 522; music of 5,43, 69-70, 91, 97, 109, 122-7, 133-4, 158,176-89, 244-5, 277, 360-70, 381, 387,425, 432,452, 464-5, 501, 566-7; politics of 6, 8, 14, 94-5, 125,159, 176-89, 339, 360-70, 376, 523; Roma in 13, 69, 179-80,183-4,187-9;
Turkish language 105, 117, 119,122-7, 248,277, 376-7, 384, 420, 436, 518, 520-1, 525; see also Ottoman Empire Tuzla 120,126-7, 531 Twitter 368, 552, 581, 611, 624 Yugoslavia and 95-7,154, 216, 316, 322, 327-42,458,487-8, 556, 625 socialist realism 131-2, 142—3, 302, 304, 312, 327, 332-3 sport 86, 194, 200-1, 266, 335, 348, 392, 395, 399, 463, 519, 523, 525, 582, 584-5, 591 Srebrenica 192, 200-3, 484-5, 495 starogradska music 10,122, 317, 323 subcultures 9,11-12, 16, 35, 38, 147, 193, 195, 220, 251-2, 254, 261, 347-9, 363,462, 465, 519, 521,555,614,617 tambura 42, 120, 262, 392, 396, 399-401, 407-8, 415-17,447 Tanase, Constantin 20, 299, 305 technology: digital 67, 82, 186, 188, 203, 269, 545, 550-61,589, 616 (see also internet); modernity and 80, 85, 116, 182, 186-7, 382-3, 444, 504, 514, 520; recording 18,116, 159, 183, 186, 203, 315,3 82-3,444,465 television 9, 17, 84, 522, 550-1, 623; communism and 7, 92-4, 137, 140-1, 152-3, 216-17, 220, 300, 305, 315, 317, 322,464, 567; competitions 72, 91-101, 506, 581; economy of 16, 153, 185-6, 365, 569; music production and 149, 152, 179, 181; nationalism and 156-8,167, 195-6, 395, 578-91; postsocialism and 16, 96-100, 154, 158, 271, 394, 618; satellite 464-5 (see also MTV); study of 17; transnationalism and 91-101, 140,464 theatre 38, 65,68-9,119-20, 125, 137-9,165, 177, 212, 222-3,227-35, 266, 284, 290, 292, 294, 299, 318, 328-30, 336-8, 341, 429, 431, 451,466, 568 Theodorakis, Mikis 10,12, 227-35, 346 Thessaloniki 6-7, 10, 378, 380, 385, 523 TikTok 67, 267, 581,617 Tirana 92, 132, 134-42, 145 Tito, Josip Broz 95,132, 164, 211,
214, 224, 322, 342, 344,417,463 Tochka, Nicholas 7, 132, 143 Todorova, Maria 2, 3,4, 32, 80 Todorova, Miglena 14,423-4, 430, 432 tourism 8; authenticity and 79-80, 395, 397-8,487; borders and 320, 322,404, 483; communism and 303-4, 312-23; economy of 393; festivals and 78-88, 315—16, 319-20, 396, 484-90; history of 12; music video and 83, 85, 95, 392, 395-7, 457-8; sustainability of 20, 81; television and 93, 95; see also Adriatic Sea; Black Sea; Mediterranean tradition: Balkans and 4-5, 10,13-16, 18-19, 31-44, 61, 80, 122, 133-4, 320, 390-400, 566; modernization of 1,4, 15, 18, 31-44, 64, 67, 109,132,147,170, 194, 238-49, 267, 288, 313, 316-22, 365, 375-86, 390-400, 407-8, 415, Ukraine 2, 4, 128; Balkans and 16-18; music of 45, 91, 97, 271, 606; Roma in 63; Russia’s aggression against 4, 8, 94; Russia’s full-scale invasion of 1,17-18, 20, 347,482,493-4,496, 595, 601-3, 605-7, 609 UNESCO 38, 88, 272, 391, 397-9, 406 Union of Soviet Socialist Republics (USSR); Albania and 92-3,131-2, 136-9, 142-5; Balkans and 3, 227, 346, 595; cinema of 212, 301-3, 306-8, 314; identity and 456, 568; legacy of 1,4-5, 18, 91, 608-9; music and 7, 136, 138,143, 212, 303-4, 309, 314-15, 323, 638
Index 536, 598-603; politics of 142, 301, 303, 323; Romania and 93, 301-8; war and 4, 595, 610; Yugoslavia and 92, 143, 149,212,215,218, 312-14, 451,536 United Kingdom 10, 68, 117, 249, 269, 334, 500, 551; Balkans and 95-6, 504; empire and 501, 504, 507, 516, 524-5; music of 38, 63, 247,413, 415, 453-4, 555, 620, 625; theory from 1-20, 220, 239, 262, 348, 362, 501, 504, 507, 555; see also Hall, Stuart; London United Nations 72,463,471, 475; see also UNESCO urbanization 5, 78, 316-17, 320, 322, 377, 469, 516; Balkans and 18-19, 42,44, 247, 318, 321; music and 4, 7, 9-10, 18, 33, 37-9, 42, 44, 116-17, 123, 134-5, 138, 176-89, 277, 284, 315, 363, 377-9, 387, 391, 396, 408,420-1, 465, 519, 536-7, 544, 555, 566; Roma and 3, 49-55, 62, 68-74, 503; taste cultures and 4,12, 31, 37, 155, 220, 261-2, 272, 292, 462, 475, 482, 491, 613; West and 399, 486, 613-14, 616; see also music, folk, urban; urban/rural divide urban/rural divide 7,12,147-8,155, 158, 193, 245-6, 253-4, 260-2, 318,416,466, 482-95, 505, 615, 618; see also pop-folk; tradition, modernization of Venetian Empire 2, 319, 524 Vienna 68, 85, 117, 119-20, 125-6, 337-8,490-1, 616 violin 51-3, 68, 106-7, 110-11,120-1,124,181, 183, 268, 286, 309, 377 Vojvodina 45, 118, 292, 294, 323, 408,411,482, 491,619 Wagner, Richard 177, 232, 236, 329, 331 World War, First 6, 125-6, 128, 132, 298, 525 World War, Second 300; fascist occupation during 6, 132, 227, 300-1, 328,478; memory of 595-609; see also Croatia, Independent State of; Holocaust 539, 568, 573, 601, 615-17; cultural practices of 9, 12, 16, 69, 121, 133, 138, 140, 186,193,
212-13, 245,251-4, 258-62, 301, 303-5, 315, 318, 364-5, 379, 385, 387, 444,491, 506, 510, 536, 539; family and 57, 71, 109, 122, 231, 233, 288, 301, 304, 309,441-3, 447, 600; gender and 70-2, 120,122, 155, 303, 397, 437-9,441-4, 542-3; as musicians 39, 42,68, 70-2, 111, 113, 137, 165, 216, 272-3, 302, 398, 427,437,444, 462-74, 514, 582; nationalism and 332, 347-9, 365, 462-74, 600-1; postsocialism and 18, 157-8,482; see also communism; consumerism; education YouTube 20,41,49, 54, 61, 67-8, 73, 83,186, 188-9, 202, 204, 266-7, 277, 286, 292, 294, 352, 360-1, 367-70, 380, 401, 417, 427, 430-1, 459, 513, 534, 550-61, 581, 585-6, 613,616, 622-3 Yugoslavia: Balkans and 18, 312-23, 561; collapse of 152-3, 157-8, 164, 327-8, 340-2, 544; communism of 92-4, 143, 148-50, 211-23, 252, 260-1, 312-23, 327-8, 503-4, 536; economy of 152-3, 158, 221, 260-1, 313, 315, 468; identity of 312-23; interwar 283-93, 313, 340; legacies of 3-4, 322-3, 408, 485-8, 531-45, 552, 559-61, 613-25; Non-Aligned Movement and 3, 92, 95, 252, 312, 322, 451-9, 463, 534, 536, 544; Partisan movement 6, 211-12, 219, 253, 283, 286, 293-4, 315, 321, 333-6, 340, 496, 538; Roma in 284-6; unification of 120, 128,462 Yugoslav Wars 7-8, 14, 96,409, 544-5, 591; Balkans and 78, 509; displacement and 158, 167,172,458, 531; impacton music43, 153-8, 162-72, 322-3, 340-2; memory of 484-5, 578-90; resistance to 155, 157, 164-5; Serbia and 147,153-8,484—5 (see also Milosevic, Slobodan); West and 509; see also Bosnian Genocide Zagreb 32, 36, 38, 96,117-21, 126-9, 212,217, 220-3, 283-6, 289-90, 293, 314-17, 323, 330, 335, 392-3,
452,458, 469,488, 531, 534-7, 539, 580, 583—4, 586, 588, 613-14, 616, 619-22 youth: audiences 31, 37-8, 53, 67, 124, 218, 258-62, 272, 288, 293, 303, 306-7, 309, 347-9, 351-3, 356-8,426, 439, 452-3, 462-74, 478, 639 |
| any_adam_object | 1 |
| author_GND | (DE-588)142436852 |
| building | Verbundindex |
| bvnumber | BV049814951 |
| ctrlnum | (OCoLC)1454753773 (DE-599)BVBBV049814951 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049814951</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240923</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240809s2025 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032357157</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-03-235715-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1454753773</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049814951</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Routledge handbook of popular music and politics of the Balkans</subfield><subfield code="c">edited by Catherine Baker</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Handbook of popular music and politics of the Balkans</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Popular music and politics of the Balkans</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Popular music and politics of the Balkans</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2025</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxii, 639 Seiten</subfield><subfield code="b">7 Illustrationen</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge music handbooks</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge handbooks</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. 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| geographic | Südosteuropa (DE-588)4058449-5 gnd |
| geographic_facet | Südosteuropa |
| id | DE-604.BV049814951 |
| illustrated | Illustrated |
| indexdate | 2024-11-11T09:10:46Z |
| institution | BVB |
| isbn | 9781032357157 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035155257 |
| oclc_num | 1454753773 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xxii, 639 Seiten 7 Illustrationen 26 cm |
| psigel | BSB_NED_20240905 |
| publishDate | 2025 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge music handbooks Routledge handbooks |
| spelling | The Routledge handbook of popular music and politics of the Balkans edited by Catherine Baker Handbook of popular music and politics of the Balkans Popular music and politics of the Balkans London ; New York Routledge 2025 xxii, 639 Seiten 7 Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Routledge music handbooks Routledge handbooks "The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region. The vibrant growth of this subject area ever since the 1990s has been intertwined with the region's political and socio-economic transformations, including the collapse of state socialism in much of the region, the break-up of Yugoslavia, the advent of neoliberal capitalism, the rise of Romani activism, the complex politics of 'Europeanization' before and after the global financial crisis, and the region's relationship to the European Union border regime. The handbook illustrates the wide range of disciplines and methods that contribute to this field's interdisciplinary dialogue, and highlights emerging approaches such as the study of Black diasporas in the region, popular music's links with LGBTQ+ communities, and the impact of digital technologies on musical cultures. This volume will benefit specialist researchers; tutors creating or refreshing courses on popular music in the region; and students interested in these topics, especially those who are at the point of developing their own independent research projects." Geschichte gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Volksmusik (DE-588)4063854-6 gnd rswk-swf Südosteuropa (DE-588)4058449-5 gnd rswk-swf Popular music / Political aspects / Balkan Peninsula Popular music / Social aspects / Balkan Peninsula Popular music / Balkan Peninsula / History and criticism Music and race / Balkan Peninsula / History and criticism Südosteuropa (DE-588)4058449-5 g Unterhaltungsmusik (DE-588)4061916-3 s Volksmusik (DE-588)4063854-6 s Politik (DE-588)4046514-7 s Geschichte z DE-604 Baker, Catherine 1982- Sonstige (DE-588)142436852 oth Erscheint auch als Online-Ausgabe 9781003328162 Erscheint auch als Online-Ausgabe 9781040039946 Erscheint auch als Online-Ausgabe 9781040039991 Erscheint auch als Online-Ausgabe Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035155257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035155257&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | The Routledge handbook of popular music and politics of the Balkans Politik (DE-588)4046514-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Volksmusik (DE-588)4063854-6 gnd |
| subject_GND | (DE-588)4046514-7 (DE-588)4061916-3 (DE-588)4063854-6 (DE-588)4058449-5 |
| title | The Routledge handbook of popular music and politics of the Balkans |
| title_alt | Handbook of popular music and politics of the Balkans Popular music and politics of the Balkans |
| title_auth | The Routledge handbook of popular music and politics of the Balkans |
| title_exact_search | The Routledge handbook of popular music and politics of the Balkans |
| title_full | The Routledge handbook of popular music and politics of the Balkans edited by Catherine Baker |
| title_fullStr | The Routledge handbook of popular music and politics of the Balkans edited by Catherine Baker |
| title_full_unstemmed | The Routledge handbook of popular music and politics of the Balkans edited by Catherine Baker |
| title_short | The Routledge handbook of popular music and politics of the Balkans |
| title_sort | the routledge handbook of popular music and politics of the balkans |
| topic | Politik (DE-588)4046514-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Volksmusik (DE-588)4063854-6 gnd |
| topic_facet | Politik Unterhaltungsmusik Volksmusik Südosteuropa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035155257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035155257&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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