Streaming and copyright law: an end-user perspective
"This book examines the challenges posed to Australian copyright law by streaming, from the end-user perspective. It compares the Australian position with the European Union and United States to draw lessons from them, regarding how they have dealt with streaming and copyright. By critically ex...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
2024
|
Ausgabe: | Paperback edition |
Schriftenreihe: | Routledge research in intellectual property
|
Schlagworte: | |
Zusammenfassung: | "This book examines the challenges posed to Australian copyright law by streaming, from the end-user perspective. It compares the Australian position with the European Union and United States to draw lessons from them, regarding how they have dealt with streaming and copyright. By critically examining the technological functionality of streaming and the failure of copyright enforcement against the masses, it argues for strengthening end-user rights. The rising popularity of streaming has resulted in a revolutionary change to how digital content, such as sound recordings, cinematographic films, and radio and television broadcasts, is used on the internet. Superseding the conventional method of downloading, using streaming to access digital content has challenged copyright law, because it is not clear whether end-user acts of streaming constitute copyright infringement. These prevailing grey areas between copyright and streaming often make end-users feel doubtful about accessing digital content through streaming. It is uncertain whether exercising the right of reproduction is appropriately suited for streaming, given the ambiguities of "embodiment" and scope of "substantial part". Conversely, the fair dealing defence in Australia cannot be used aptly to defend end-users’ acts of streaming digital content, because end-users who use streaming to access digital content can rarely rely on the defence of fair dealing for the purposes of criticism or review, news reporting, parody or satire, or research or study. When considering a temporary copy exception, end-users are at risk of being held liable for infringement when using streaming to access a website that contains infringing digital content, even if they lack any knowledge about the content’s infringing nature. [...]." |
Beschreibung: | Literaturverzeichnis: Seite [223]-255 |
Beschreibung: | 264 Seiten |
ISBN: | 9781032260907 9781032260860 |
Internformat
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490 | 0 | |a Routledge research in intellectual property | |
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520 | 3 | |a "This book examines the challenges posed to Australian copyright law by streaming, from the end-user perspective. It compares the Australian position with the European Union and United States to draw lessons from them, regarding how they have dealt with streaming and copyright. By critically examining the technological functionality of streaming and the failure of copyright enforcement against the masses, it argues for strengthening end-user rights. The rising popularity of streaming has resulted in a revolutionary change to how digital content, such as sound recordings, cinematographic films, and radio and television broadcasts, is used on the internet. Superseding the conventional method of downloading, using streaming to access digital content has challenged copyright law, because it is not clear whether end-user acts of streaming constitute copyright infringement. These prevailing grey areas between copyright and streaming often make end-users feel doubtful about accessing digital content through streaming. It is uncertain whether exercising the right of reproduction is appropriately suited for streaming, given the ambiguities of "embodiment" and scope of "substantial part". Conversely, the fair dealing defence in Australia cannot be used aptly to defend end-users’ acts of streaming digital content, because end-users who use streaming to access digital content can rarely rely on the defence of fair dealing for the purposes of criticism or review, news reporting, parody or satire, or research or study. When considering a temporary copy exception, end-users are at risk of being held liable for infringement when using streaming to access a website that contains infringing digital content, even if they lack any knowledge about the content’s infringing nature. [...]." | |
610 | 2 | 7 | |a Europäische Union |0 (DE-588)5098525-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rechtsvergleich |0 (DE-588)4115712-6 |2 gnd |9 rswk-swf |
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651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
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776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-032-26093-8 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035137555 |
Datensatz im Suchindex
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author | Ariyarathna, Lasantha |
author_GND | (DE-588)1305097904 |
author_facet | Ariyarathna, Lasantha |
author_role | aut |
author_sort | Ariyarathna, Lasantha |
author_variant | l a la |
building | Verbundindex |
bvnumber | BV049796863 |
ctrlnum | (OCoLC)1454749243 (DE-599)BVBBV049796863 |
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institution | BVB |
isbn | 9781032260907 9781032260860 |
language | English |
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spelling | Ariyarathna, Lasantha Verfasser (DE-588)1305097904 aut Streaming and copyright law an end-user perspective Lasantha Ariyarathna Paperback edition London ; New York Routledge 2024 264 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge research in intellectual property Literaturverzeichnis: Seite [223]-255 "This book examines the challenges posed to Australian copyright law by streaming, from the end-user perspective. It compares the Australian position with the European Union and United States to draw lessons from them, regarding how they have dealt with streaming and copyright. By critically examining the technological functionality of streaming and the failure of copyright enforcement against the masses, it argues for strengthening end-user rights. The rising popularity of streaming has resulted in a revolutionary change to how digital content, such as sound recordings, cinematographic films, and radio and television broadcasts, is used on the internet. Superseding the conventional method of downloading, using streaming to access digital content has challenged copyright law, because it is not clear whether end-user acts of streaming constitute copyright infringement. These prevailing grey areas between copyright and streaming often make end-users feel doubtful about accessing digital content through streaming. It is uncertain whether exercising the right of reproduction is appropriately suited for streaming, given the ambiguities of "embodiment" and scope of "substantial part". Conversely, the fair dealing defence in Australia cannot be used aptly to defend end-users’ acts of streaming digital content, because end-users who use streaming to access digital content can rarely rely on the defence of fair dealing for the purposes of criticism or review, news reporting, parody or satire, or research or study. When considering a temporary copy exception, end-users are at risk of being held liable for infringement when using streaming to access a website that contains infringing digital content, even if they lack any knowledge about the content’s infringing nature. [...]." Europäische Union (DE-588)5098525-5 gnd rswk-swf Rechtsvergleich (DE-588)4115712-6 gnd rswk-swf Streaming Kommunikationstechnik (DE-588)4614855-3 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Copyright Intellectual property Streaming technology (Telecommunications) / Law and legislation Law / General Law / Intellectual Property / General Law / Intellectual Property / Copyright Australien (DE-588)4003900-6 g Streaming Kommunikationstechnik (DE-588)4614855-3 s Urheberrecht (DE-588)4062127-3 s Rechtsvergleich (DE-588)4115712-6 s USA (DE-588)4078704-7 g Europäische Union (DE-588)5098525-5 b AT-OBV AT-UBG Äquivalent 2023 Druck-Ausgabe, Hardcover 978-1-032-26086-0 Erscheint auch als Online-Ausgabe 978-1-032-26093-8 |
spellingShingle | Ariyarathna, Lasantha Streaming and copyright law an end-user perspective Europäische Union (DE-588)5098525-5 gnd Rechtsvergleich (DE-588)4115712-6 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
subject_GND | (DE-588)5098525-5 (DE-588)4115712-6 (DE-588)4614855-3 (DE-588)4062127-3 (DE-588)4078704-7 (DE-588)4003900-6 |
title | Streaming and copyright law an end-user perspective |
title_auth | Streaming and copyright law an end-user perspective |
title_exact_search | Streaming and copyright law an end-user perspective |
title_full | Streaming and copyright law an end-user perspective Lasantha Ariyarathna |
title_fullStr | Streaming and copyright law an end-user perspective Lasantha Ariyarathna |
title_full_unstemmed | Streaming and copyright law an end-user perspective Lasantha Ariyarathna |
title_short | Streaming and copyright law |
title_sort | streaming and copyright law an end user perspective |
title_sub | an end-user perspective |
topic | Europäische Union (DE-588)5098525-5 gnd Rechtsvergleich (DE-588)4115712-6 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
topic_facet | Europäische Union Rechtsvergleich Streaming Kommunikationstechnik Urheberrecht USA Australien |
work_keys_str_mv | AT ariyarathnalasantha streamingandcopyrightlawanenduserperspective |