In with the in crowd: popular jazz in 1960s black America
"Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released t...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jackson
University Press of Mississippi
[2024]
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Schriftenreihe: | American made music series
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Schlagworte: | |
Zusammenfassung: | "Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released top-selling records. Names like Eddie Harris, Nancy Wilson, Ramsey Lewis, and Jimmy Smith are largely neglected in most serious work today. Mike Smith rectifies this oversight and explores why critical writings have generally cast off best-selling 1960s jazz as unworthy of in-depth analysis and reverent documentation. The 1960s were a time of monumental political and social shifts. Avant-garde jazz, made by musicians indifferent to public perception aligns well with widely held images of the era. In with the In Crowd: Popular Jazz in 1960s Black America argues that this dominant, and unfortunately distorted, view negates and ignores a vibrant jazz community. These musicians and their listeners created a music defined by socialization, celebration, and Black pride. Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. This was the music of everyday people, who viewed jazz as an important part of their cultural identity as Black Americans. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph." |
Beschreibung: | viii, 217 Seiten Illustrationen 24 cm |
ISBN: | 9781496851154 9781496851147 |
Internformat
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520 | 3 | |a "Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released top-selling records. Names like Eddie Harris, Nancy Wilson, Ramsey Lewis, and Jimmy Smith are largely neglected in most serious work today. Mike Smith rectifies this oversight and explores why critical writings have generally cast off best-selling 1960s jazz as unworthy of in-depth analysis and reverent documentation. The 1960s were a time of monumental political and social shifts. Avant-garde jazz, made by musicians indifferent to public perception aligns well with widely held images of the era. In with the In Crowd: Popular Jazz in 1960s Black America argues that this dominant, and unfortunately distorted, view negates and ignores a vibrant jazz community. These musicians and their listeners created a music defined by socialization, celebration, and Black pride. Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. This was the music of everyday people, who viewed jazz as an important part of their cultural identity as Black Americans. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph." | |
653 | 0 | |a Jazz / 1961-1970 / History and criticism | |
653 | 0 | |a Jazz / 1961-1970 / Analysis, appreciation | |
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653 | 0 | |a Sound recording industry / United States / History / 20th century | |
653 | 0 | |a Music and race / United States / History / 20th century | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781496851192 |
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Datensatz im Suchindex
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id | DE-604.BV049774183 |
illustrated | Illustrated |
indexdate | 2024-07-20T08:03:46Z |
institution | BVB |
isbn | 9781496851154 9781496851147 |
language | English |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | viii, 217 Seiten Illustrationen 24 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | University Press of Mississippi |
record_format | marc |
series2 | American made music series |
spelling | Smith, Mike Verfasser (DE-588)134524640 aut In with the in crowd popular jazz in 1960s black America Mike Smith Jackson University Press of Mississippi [2024] viii, 217 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier American made music series "Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released top-selling records. Names like Eddie Harris, Nancy Wilson, Ramsey Lewis, and Jimmy Smith are largely neglected in most serious work today. Mike Smith rectifies this oversight and explores why critical writings have generally cast off best-selling 1960s jazz as unworthy of in-depth analysis and reverent documentation. The 1960s were a time of monumental political and social shifts. Avant-garde jazz, made by musicians indifferent to public perception aligns well with widely held images of the era. In with the In Crowd: Popular Jazz in 1960s Black America argues that this dominant, and unfortunately distorted, view negates and ignores a vibrant jazz community. These musicians and their listeners created a music defined by socialization, celebration, and Black pride. Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. This was the music of everyday people, who viewed jazz as an important part of their cultural identity as Black Americans. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph." Jazz / 1961-1970 / History and criticism Jazz / 1961-1970 / Analysis, appreciation Jazz / Social aspects / United States / History / 20th century Sound recording industry / United States / History / 20th century Music and race / United States / History / 20th century Erscheint auch als Online-Ausgabe 9781496851192 Erscheint auch als Online-Ausgabe 9781496851178 |
spellingShingle | Smith, Mike In with the in crowd popular jazz in 1960s black America |
title | In with the in crowd popular jazz in 1960s black America |
title_auth | In with the in crowd popular jazz in 1960s black America |
title_exact_search | In with the in crowd popular jazz in 1960s black America |
title_full | In with the in crowd popular jazz in 1960s black America Mike Smith |
title_fullStr | In with the in crowd popular jazz in 1960s black America Mike Smith |
title_full_unstemmed | In with the in crowd popular jazz in 1960s black America Mike Smith |
title_short | In with the in crowd |
title_sort | in with the in crowd popular jazz in 1960s black america |
title_sub | popular jazz in 1960s black America |
work_keys_str_mv | AT smithmike inwiththeincrowdpopularjazzin1960sblackamerica |