Sound, music and architecture:
"This book traces the relationship between sound, music and architecture from the Middle Ages to the 21st century. The first part of this volume deals with the physical relationship between music and architecture, focussing on the intersection between rite, sound and architecture in ecclesiasti...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Turnhout
Brepols
2024
|
Schriftenreihe: | Music, science & technology
volume 7 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "This book traces the relationship between sound, music and architecture from the Middle Ages to the 21st century. The first part of this volume deals with the physical relationship between music and architecture, focussing on the intersection between rite, sound and architecture in ecclesiastical spaces such as the Cathedral of Notre-Dame de Paris, the churches of medieval Sicily, the liturgical spaces of 15th-17th-century France and the Roman churches in the Baroque era. A substantial article by Richard Bösel presents a comprehensive panorama of music rooms and concert halls, starting from the archetypes conceived in the Early Modern Age and concluding with their present-day configurations. The last article of this section is dedicated to the Festspielhaus located in Hellerau (Dresden), based on the documentary sources and the writing of the protagonists, in particular Émile Jaques-Dalcroze and Adolphe Appia. The theme continues in the second part of the book with the examination of the historical relationship between architecture and acoustic knowledge in the age of modernity. Moreover, the following chapter explores the architectural idea of designing for musical tone as it found expression in the early decades of the twentieth century. The last two articles of this section explore Leo Beranek’s research regarding the quality of musical spaces in the history of modern science, and the experimentations of the architect Bernard Leitner with his Soundcube. The last part of the book will focus on Music as an ‘art of space’, exploring installations and musical experimentations by composers such as Xenakis, Jean-Luc Hervé and John Chownin.g" |
Beschreibung: | xiii, 410 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9782503611839 |
Internformat
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520 | 3 | |a "This book traces the relationship between sound, music and architecture from the Middle Ages to the 21st century. The first part of this volume deals with the physical relationship between music and architecture, focussing on the intersection between rite, sound and architecture in ecclesiastical spaces such as the Cathedral of Notre-Dame de Paris, the churches of medieval Sicily, the liturgical spaces of 15th-17th-century France and the Roman churches in the Baroque era. A substantial article by Richard Bösel presents a comprehensive panorama of music rooms and concert halls, starting from the archetypes conceived in the Early Modern Age and concluding with their present-day configurations. The last article of this section is dedicated to the Festspielhaus located in Hellerau (Dresden), based on the documentary sources and the writing of the protagonists, in particular Émile Jaques-Dalcroze and Adolphe Appia. The theme continues in the second part of the book with the examination of the historical relationship between architecture and acoustic knowledge in the age of modernity. Moreover, the following chapter explores the architectural idea of designing for musical tone as it found expression in the early decades of the twentieth century. The last two articles of this section explore Leo Beranek’s research regarding the quality of musical spaces in the history of modern science, and the experimentations of the architect Bernard Leitner with his Soundcube. The last part of the book will focus on Music as an ‘art of space’, exploring installations and musical experimentations by composers such as Xenakis, Jean-Luc Hervé and John Chownin.g" | |
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Datensatz im Suchindex
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adam_text |
Contents The Physical Relationship between Music and Architecture Vasco Zara The Phantom of Notre-Dame: Music, Architecture, Acoustics, and the Origins of the Notre-Dame Polyphony 3 Thomas Dittelbach - Tobias C. WEIßMANN Aural Architecture in Medieval Sicily: Architecture, Music and Acoustics of Siculo-Norman Churches 33 Jean-Christophe Valière - Bénédicte Bertholon Location of Acoustic Pots in the Liturgical Space: Functional, Symbolic, Musical and Acoustic Interpretation 63 Galliano Ciliberti Progetti per cupole sonore. Strutture architettoniche e articolazione direzionale della musica liturgica negli spazi delie chiese barocche romane 89 Richard Bösel ‘Soundful Venues’: Music Rooms, Concert Halls, and More 123 Guillem Aloy-Bibiloni - Antoni Ramon-Graells Laia Montserrat-Cortàzar Hellerau, espacio de encuentros: Adolphe Appia y Émile Jaques-Dalcroze 179 Sound Architecture Edward J. Gillin - Fanny Gribenski Sound Architecture: Music, Speech, and the Science of Acoustics in the Age of Modernity 207 |
any_adam_object | 1 |
author2 | Illiano, Roberto |
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spelling | Sound, music and architecture edited by Roberto Illiano Turnhout Brepols 2024 xiii, 410 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music, science & technology volume 7 "This book traces the relationship between sound, music and architecture from the Middle Ages to the 21st century. The first part of this volume deals with the physical relationship between music and architecture, focussing on the intersection between rite, sound and architecture in ecclesiastical spaces such as the Cathedral of Notre-Dame de Paris, the churches of medieval Sicily, the liturgical spaces of 15th-17th-century France and the Roman churches in the Baroque era. A substantial article by Richard Bösel presents a comprehensive panorama of music rooms and concert halls, starting from the archetypes conceived in the Early Modern Age and concluding with their present-day configurations. The last article of this section is dedicated to the Festspielhaus located in Hellerau (Dresden), based on the documentary sources and the writing of the protagonists, in particular Émile Jaques-Dalcroze and Adolphe Appia. The theme continues in the second part of the book with the examination of the historical relationship between architecture and acoustic knowledge in the age of modernity. Moreover, the following chapter explores the architectural idea of designing for musical tone as it found expression in the early decades of the twentieth century. The last two articles of this section explore Leo Beranek’s research regarding the quality of musical spaces in the history of modern science, and the experimentations of the architect Bernard Leitner with his Soundcube. The last part of the book will focus on Music as an ‘art of space’, exploring installations and musical experimentations by composers such as Xenakis, Jean-Luc Hervé and John Chownin.g" Geschichte gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Architektur (DE-588)4002851-3 s Akustik (DE-588)4000988-9 s Klang (DE-588)4030933-2 s Geschichte z DE-604 Illiano, Roberto (DE-588)1024916030 edt Music, science & technology volume 7 (DE-604)BV046158723 7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035114710&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sound, music and architecture Music, science & technology Akustik (DE-588)4000988-9 gnd Musik (DE-588)4040802-4 gnd Klang (DE-588)4030933-2 gnd Architektur (DE-588)4002851-3 gnd |
subject_GND | (DE-588)4000988-9 (DE-588)4040802-4 (DE-588)4030933-2 (DE-588)4002851-3 (DE-588)4143413-4 |
title | Sound, music and architecture |
title_auth | Sound, music and architecture |
title_exact_search | Sound, music and architecture |
title_full | Sound, music and architecture edited by Roberto Illiano |
title_fullStr | Sound, music and architecture edited by Roberto Illiano |
title_full_unstemmed | Sound, music and architecture edited by Roberto Illiano |
title_short | Sound, music and architecture |
title_sort | sound music and architecture |
topic | Akustik (DE-588)4000988-9 gnd Musik (DE-588)4040802-4 gnd Klang (DE-588)4030933-2 gnd Architektur (DE-588)4002851-3 gnd |
topic_facet | Akustik Musik Klang Architektur Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035114710&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV046158723 |
work_keys_str_mv | AT illianoroberto soundmusicandarchitecture |