Facing crisis: art as politics in fourteenth-century Venice
"Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo's dogeship (1343-1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Washington, DC
Dumbarton Oaks Research Library and Collection
[2024]
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Schriftenreihe: | Dumbarton Oaks studies
50 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | "Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo's dogeship (1343-1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional tensions had the republic on edge. It was nevertheless precisely at this time that the government sponsored the ambitious and sumptuous artistic campaigns in San Marco that are at the heart of this book: a reliquary-chapel, a new baptistery, and a folding altarpiece, all masterpieces crafted with unparalleled technical skill, blending Byzantine and Italianate visual forms. Far from being mere artistic commissions, these works were affirmative political interventions that interrogated the meaning of community, authority, and (shared) political leadership at a time when those notions were unsettled. Looking beyond established concepts of triumph and imperialism, this book situates the artistic interactions between Byzantium and Venice into ongoing processes of state formation and attests to the power of images to inform (and transform) political imaginations in troubled times. This study thus offers new insights into how medieval communities across the Mediterranean understood and responded to uncertainty through the visual, and in doing so, probes the value of "crisis" as a methodological framework." |
Beschreibung: | xii, 240 Seiten Illustrationen 29 cm |
ISBN: | 9780884025030 |
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Datensatz im Suchindex
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adam_text |
CONTENTS List of Figures ix Acknowledgments INTRODUCTION xi i CHAPTER 1. FACING CRISIS 9 The Legend of the Storm | Sanctity, Politics, and Material History in Trecento Venice A Perfect Storm? | Contextualizing the Fourteenth-Century Renewal ofSan Marco Law and Order | Andrea Dandolo’s Legal Initiatives and Historical Writings Thinking through Crisis | A Vocabularyfor Uncertainty n rd 31 CHAPTER 2. THE HIGH ALTAR | Byzantine Art Made “History” 51 Two Altarpieces for San Marco | The Pala d ’Oro and the Pala Feriale Facing Crisis | Liturgy, History, and Miracle Making 9 55 70 Facing Krisis | Byzantine Art between History andEschaton 85 CHAPTER 3. THE CHAPEL OF SANTISIDORO | The Art of Conflict 93 The Chapel of Sant’Isidoro and the Cult of St. Isidore in Venice | An Overview 95 Making St. Isidore | Eastern Saints, Hagiographie Conventions, and the Staging ofa New Saintly Cult in San Marco 106 Holy Defenders, Military Conflict, and Crusading Ideology in the Mediterranean Imaging Authority | The Doge, the Patriciate, and Venice’s “Dominion ofthe Sea” Conclusion I History Writing, Image Making, and Political Krists Epilogue I Catastrophe, Averted 139 138 110 115
CHAPTER 4. THE BAPTISTERY OF SAN MARCO | Visual Constitutions The Baptistery of San Marco | An Overview 145 Medieval Baptism between Religious Initiation and Civic Induction Imagery, Eschatology, and Liturgy 159 Monumental Crisis? | Community, Disunity, and Assimilation 166 A Humble Sovereign? | The Crucifixion Mosaic as a State Portrait Conclusion 203 CONCLUSION I Artas Politics Bibliography 205 213 ABBREVIATIONS 213 MANUSCRIPTS AND ARCHIVAL SOURCES WORKS CITED General Index viii CONTENTS 233 214 143 214 181 156
CONTENTS List of Figures ix Acknowledgments INTRODUCTION xi i CHAPTER 1. FACING CRISIS 9 The Legend of the Storm | Sanctity, Politics, and Material History in Trecento Venice A Perfect Storm? | Contextualizing the Fourteenth-Century Renewal ofSan Marco Law and Order | Andrea Dandolo’s Legal Initiatives and Historical Writings Thinking through Crisis | A Vocabularyfor Uncertainty n rd 31 CHAPTER 2. THE HIGH ALTAR | Byzantine Art Made “History” 51 Two Altarpieces for San Marco | The Pala d ’Oro and the Pala Feriale Facing Crisis | Liturgy, History, and Miracle Making 9 55 70 Facing Krisis | Byzantine Art between History andEschaton 85 CHAPTER 3. THE CHAPEL OF SANTISIDORO | The Art of Conflict 93 The Chapel of Sant’Isidoro and the Cult of St. Isidore in Venice | An Overview 95 Making St. Isidore | Eastern Saints, Hagiographie Conventions, and the Staging ofa New Saintly Cult in San Marco 106 Holy Defenders, Military Conflict, and Crusading Ideology in the Mediterranean Imaging Authority | The Doge, the Patriciate, and Venice’s “Dominion ofthe Sea” Conclusion I History Writing, Image Making, and Political Krists Epilogue I Catastrophe, Averted 139 138 110 115
CHAPTER 4. THE BAPTISTERY OF SAN MARCO | Visual Constitutions The Baptistery of San Marco | An Overview 145 Medieval Baptism between Religious Initiation and Civic Induction Imagery, Eschatology, and Liturgy 159 Monumental Crisis? | Community, Disunity, and Assimilation 166 A Humble Sovereign? | The Crucifixion Mosaic as a State Portrait Conclusion 203 CONCLUSION I Artas Politics Bibliography 205 213 ABBREVIATIONS 213 MANUSCRIPTS AND ARCHIVAL SOURCES WORKS CITED General Index viii CONTENTS 233 214 143 214 181 156 |
any_adam_object | 1 |
author | Gerevini, Stefania |
author_GND | (DE-588)1024630226 |
author_facet | Gerevini, Stefania |
author_role | aut |
author_sort | Gerevini, Stefania |
author_variant | s g sg |
building | Verbundindex |
bvnumber | BV049766214 |
classification_rvk | LN 75812 |
contents | Chapter 1. Facing crisis -- The legend of the storm: sanctity, politics, and material history in Trecento Venice -- A perfect storm? Contextualizing the fourteenth-century renewal of San Marco -- Law and order: Andrea Dandolo's legal initiatives and historical writings -- Thinking through crisis: a vocabulary for uncertainty -- Chapter 2. The high altar: Byzantine art made "history" -- Two altarpieces for San Marco: the Pala d'Oro and the Pala Feriale -- Facing crisis: liturgy, history, and eschaton -- Facing krisis: Byzantine art between history and eschaton -- Chapter 3. The chapel of Sant'Isidoro: the art of conflict -- The Chapel of Sant'Isidoro and the cult of St. Isidore in Venice: an overview -- Making St. Isidore: Eastern saints, hagiographic conventions, and the staging of a new saintly cult in San Marco -- Holy defenders, military conflict, and crusading ideology in the Mediterranean -- Imaging authority: the doge, the patriciate, and Venice's "dominion of the sea" -- Conclusion: History writing, image making, and political krisis -- Epilogue: Catastrophe, averted -- Chapter 4. The baptistery of San Marco: visual constitutions -- The baptistery of San Marco: an overview -- Medieval baptism between religious initiation and civic induction -- Imagery, eschatology, and liturgy -- Monumental crisis? Community, disunity, and assimilation -- A humble sovereign? The crucifixion mosaic as a state portrait -- Conclusion: Art as politics |
ctrlnum | (OCoLC)1442247369 (DE-599)BVBBV049766214 |
discipline | Kunstgeschichte |
era | Geschichte 1343-1354 gnd |
era_facet | Geschichte 1343-1354 |
format | Book |
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series | Dumbarton Oaks studies |
series2 | Dumbarton Oaks studies |
spelling | Gerevini, Stefania Verfasser (DE-588)1024630226 aut Facing crisis art as politics in fourteenth-century Venice Stefania Gerevini Art as politics in fourteenth-century Venice Washington, DC Dumbarton Oaks Research Library and Collection [2024] xii, 240 Seiten Illustrationen 29 cm txt rdacontent n rdamedia nc rdacarrier Dumbarton Oaks studies 50 "Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo's dogeship (1343-1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional tensions had the republic on edge. It was nevertheless precisely at this time that the government sponsored the ambitious and sumptuous artistic campaigns in San Marco that are at the heart of this book: a reliquary-chapel, a new baptistery, and a folding altarpiece, all masterpieces crafted with unparalleled technical skill, blending Byzantine and Italianate visual forms. Far from being mere artistic commissions, these works were affirmative political interventions that interrogated the meaning of community, authority, and (shared) political leadership at a time when those notions were unsettled. Looking beyond established concepts of triumph and imperialism, this book situates the artistic interactions between Byzantium and Venice into ongoing processes of state formation and attests to the power of images to inform (and transform) political imaginations in troubled times. This study thus offers new insights into how medieval communities across the Mediterranean understood and responded to uncertainty through the visual, and in doing so, probes the value of "crisis" as a methodological framework." Andrea Republik Venedig, Doge 1306-1354 (DE-588)100939716 gnd rswk-swf Geschichte 1343-1354 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf San Marco Venedig Cappella di San Giovanni (DE-588)1053361343 gnd rswk-swf San Marco Venedig (DE-588)4078763-1 gnd rswk-swf San Marco Venedig Cappella di Sant'Isidoro (DE-588)7516206-4 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 gnd rswk-swf Dandolo, Andrea / approximately 1307-1354 Basilica di San Marco (Venice, Italy) Art / Political aspects / Italy / Venice Art, Byzantine / Italy / Venice Art, Medieval / Byzantine influences Art, Byzantine / Influence Venice (Italy) / Politics and government / History / 14th century Andrea Republik Venedig, Doge 1306-1354 (DE-588)100939716 p San Marco Venedig (DE-588)4078763-1 g Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Byzantinisches Reich (DE-588)4009256-2 g Geschichte 1343-1354 z DE-604 San Marco Venedig Cappella di San Giovanni (DE-588)1053361343 g San Marco Venedig Cappella di Sant'Isidoro (DE-588)7516206-4 g Dumbarton Oaks studies 50 (DE-604)BV002781927 50 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035107519&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035107519&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Gerevini, Stefania Facing crisis art as politics in fourteenth-century Venice Dumbarton Oaks studies Chapter 1. Facing crisis -- The legend of the storm: sanctity, politics, and material history in Trecento Venice -- A perfect storm? Contextualizing the fourteenth-century renewal of San Marco -- Law and order: Andrea Dandolo's legal initiatives and historical writings -- Thinking through crisis: a vocabulary for uncertainty -- Chapter 2. The high altar: Byzantine art made "history" -- Two altarpieces for San Marco: the Pala d'Oro and the Pala Feriale -- Facing crisis: liturgy, history, and eschaton -- Facing krisis: Byzantine art between history and eschaton -- Chapter 3. The chapel of Sant'Isidoro: the art of conflict -- The Chapel of Sant'Isidoro and the cult of St. Isidore in Venice: an overview -- Making St. Isidore: Eastern saints, hagiographic conventions, and the staging of a new saintly cult in San Marco -- Holy defenders, military conflict, and crusading ideology in the Mediterranean -- Imaging authority: the doge, the patriciate, and Venice's "dominion of the sea" -- Conclusion: History writing, image making, and political krisis -- Epilogue: Catastrophe, averted -- Chapter 4. The baptistery of San Marco: visual constitutions -- The baptistery of San Marco: an overview -- Medieval baptism between religious initiation and civic induction -- Imagery, eschatology, and liturgy -- Monumental crisis? Community, disunity, and assimilation -- A humble sovereign? The crucifixion mosaic as a state portrait -- Conclusion: Art as politics Andrea Republik Venedig, Doge 1306-1354 (DE-588)100939716 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)100939716 (DE-588)4046514-7 (DE-588)4114333-4 (DE-588)1053361343 (DE-588)4078763-1 (DE-588)7516206-4 (DE-588)4009256-2 |
title | Facing crisis art as politics in fourteenth-century Venice |
title_alt | Art as politics in fourteenth-century Venice |
title_auth | Facing crisis art as politics in fourteenth-century Venice |
title_exact_search | Facing crisis art as politics in fourteenth-century Venice |
title_full | Facing crisis art as politics in fourteenth-century Venice Stefania Gerevini |
title_fullStr | Facing crisis art as politics in fourteenth-century Venice Stefania Gerevini |
title_full_unstemmed | Facing crisis art as politics in fourteenth-century Venice Stefania Gerevini |
title_short | Facing crisis |
title_sort | facing crisis art as politics in fourteenth century venice |
title_sub | art as politics in fourteenth-century Venice |
topic | Andrea Republik Venedig, Doge 1306-1354 (DE-588)100939716 gnd Politik (DE-588)4046514-7 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Andrea Republik Venedig, Doge 1306-1354 Politik Kunst San Marco Venedig Cappella di San Giovanni San Marco Venedig San Marco Venedig Cappella di Sant'Isidoro Byzantinisches Reich |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035107519&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035107519&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV002781927 |
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