Monteverdi's voices: a poetics of the madrigal

While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from composit...

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Bibliographische Detailangaben
1. Verfasser: Carter, Tim 1954- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York Oxford University Press 2024
Schriftenreihe:Oxford scholarship online
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Online-Zugang:DE-12
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Zusammenfassung:While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day - Torquato Tasso, Battista Guarini, and Giambattista Marino - as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s)
Beschreibung:Bibliografie Seite 228-232
Beschreibung:1 Online-Ressource (xiv, 250 Seiten) Illustrationen, Notenbeispiele
ISBN:9780197759226
DOI:10.1093/oso/9780197759196.001.0001