concepts: a travelogue
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Publishing Plc
2024
|
| Schriftenreihe: | Thinking Media
|
| Schlagworte: | |
| Beschreibung: | 22 bw illus Acknowledgements ; Dedication; Introduction; Bernd Herzogenrath (Goethe University of Frankfurt am Main, Germany); 1. Liana Psarologaki (Greek) (University of Suffolk, UK) ; Anaesthesis, Sensoma, Veoma: Cyborg Life Modes of Immersion After Deleuze; 2. Sebastian Wiedemann (Brazilian) (Pontifical Bolivarian University, Columbia) ; Antropofagia: Devouring Experimentations of a Manifesto Towards a Kinosophy to Come; 3. Ana Peraica (Croatian) (Danube University Krems, Austria) ; Autofotografija, Or; a non-human selfie ; ; 4. Bhaskar Sarkar (Persian) (University of California, Santa Barbara, USA) ; Bazaar: The Persistence of the Informal; ; 5. Helena Wu (Chinese) (University of British Columbia, Canada) ; Be (Like) Water; ; 6. Agnieszka Dytman-Stasienko and Jan Stasienko (Polish) (University of Lower Silesia, Wroclaw, Poland) ; cmiatlo and swiecien : Jacek Dukaj's Concepts in the Perspective of Philosophy of Visual Media and Telecommunication; ; 7. - Kajri Jain (Hindi) (University of Toronto, Canada) ; Darshan: Vision as Touch and the Stakes of Immediacy; ; 8. Budhaditya Chattopadhyay (Sanskrit) (Artist/ Independent Scholar, the Netherlands) ; Dhvani: Resonance; ; 9. Bernd Herzogenrath (German) (Goethe Universitaet Frankfurt am Main, Germany) ; Gestell: Heidegger's Cyborg and the Vicissitudes of the Machine | Body; 10. Woosung Kang (Korean) (Seoul National University, South Korea) ; Gong | Saek: The Ineffable Persistence of Becoming; ; 11. Jukka-Pekko Puro & Veli-Matti Karhulahti (Finnish) (University of Turku, Finland); Hiljaa: Silent and Slow Media Use; 12. Babson Ajibade (Yoruba) (University of Cross River State, Nigeria) ; ko ko ka, the Sound of Colonial Shoes - Forgotten Words of a Yoruba Song of Success; 13. Holger Schulze (French/ German) (University of Copenhagen, Denmark) ; L'Implexe: What's in a Situation?; ; 14. Erik Steinskog (Norwegian) (University of Copenhagen, Denmark) ; Ljom - A Meditation; ; 15. - Soudhamini (Sanskrit) (Deakin University, Melbourne, Australia) ; Maya: A Measured Response to and in Cinematic Virtual Reality; ; 16. Jukka Sihvonen (Finnish) (University of Turku, Finland) ; Mediataju: A Sense of Media; ; 17. Vit Pokorny (Czech) (UJEP Usti nad Labem & the Institute of Philosophy AS CR, Czech Republic) ; Myslet medii. Thinking In, With or Through Media: Images, Interfaces, Apparatuses; ; 18. Behrooz Mahmoodi-Bakhtiari (Iranian) (University of Tehran, Iran) ; Naqqali: Iranian Storytelling in Two Films by Ali Hatami; ; 19. Gretchen Jude (Japanese) (University of California, Davis, USA) ; Nikusei: The Fleshly Voice; ; 20. Julia Vassilieva (Russian) (Monash University, Australia) ; (OTKAZ): From Expressive Movement to a Figure of Thought; 21. Mohammad Hadi (Persian); or rend; ; 22. Didi Cheeka (The Twi language of the Akan people of Ghana) (Filmmaker/ Critic, Nigeria) ; Sankofa- A Synthesis; 23. - Susana Viegas (Portuguese) (Universidade NOVA de Lisboa, Portugal) ; Saudade: (De)Mythologizing a Portuguese concept; ; 24. Lorenz Engell (German) (Bauhaus-University Weimar, Germany); Schalten und Walten: Towards Operative Ontologies in the Digital Iconosphere; ; 25. Sebastian Kawanami-Breu (Japanese) (Tokyo University, Japan) and Shintaro Miyazaki (University of Applied Sciences and Arts Northwestern Switzerland) ; Seken: Webs and Networks of In-Betweenness; ; 26. Victor Fan (Chinese) (King's College London, UK) ; Tathagatagarbha: Translating the Untranslatable; ; 27. Bogdan Deznan (Romanian) (University of Bucharest, Romania) and Andrei Ionescu (Independent Scholar, Romania) ; Todetita: Facebook's Ontological Malady; ; 28. Lucia D'Errico (Italian) (Orpheus Institute, Belgium) ; Togliere di scena; ; 29. Chantelle Gray (Nguni language group) (North-West University, South Africa) ; Ubuntu: Be-ing Becoming (Capable of Being Affected); ; 30. - Suk-Jun Kim (Korean) (University of Aberdeen, UK) ; Uri: Sound and the Porous Self; ; 31. Andreas Jacobsson (Swedish) (Karlstad University, Sweden) ; "Utbrytningsdroem": Swedish Audio-visual Expressions of a Desire for Leaving Far; ; 32. Rick Dolphijn (Dutch) (Utrecht University, the Netherlands) ; Wellevenskunst; ; 33. Cora Bender (Transcultural) (Universitaet Siegen, Germany); Line and Bump; Contributors; Index |
| Beschreibung: | 406 Seiten 216 mm |
| ISBN: | 9781501375309 |
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| 500 | |a Acknowledgements ; Dedication; Introduction; Bernd Herzogenrath (Goethe University of Frankfurt am Main, Germany); 1. Liana Psarologaki (Greek) (University of Suffolk, UK) ; Anaesthesis, Sensoma, Veoma: Cyborg Life Modes of Immersion After Deleuze; 2. Sebastian Wiedemann (Brazilian) (Pontifical Bolivarian University, Columbia) ; Antropofagia: Devouring Experimentations of a Manifesto Towards a Kinosophy to Come; 3. Ana Peraica (Croatian) (Danube University Krems, Austria) ; Autofotografija, Or; a non-human selfie ; ; 4. Bhaskar Sarkar (Persian) (University of California, Santa Barbara, USA) ; Bazaar: The Persistence of the Informal; ; 5. Helena Wu (Chinese) (University of British Columbia, Canada) ; Be (Like) Water; ; 6. Agnieszka Dytman-Stasienko and Jan Stasienko (Polish) (University of Lower Silesia, Wroclaw, Poland) ; cmiatlo and swiecien : Jacek Dukaj's Concepts in the Perspective of Philosophy of Visual Media and Telecommunication; ; 7. | ||
| 500 | |a - Kajri Jain (Hindi) (University of Toronto, Canada) ; Darshan: Vision as Touch and the Stakes of Immediacy; ; 8. Budhaditya Chattopadhyay (Sanskrit) (Artist/ Independent Scholar, the Netherlands) ; Dhvani: Resonance; ; 9. Bernd Herzogenrath (German) (Goethe Universitaet Frankfurt am Main, Germany) ; Gestell: Heidegger's Cyborg and the Vicissitudes of the Machine | Body; 10. Woosung Kang (Korean) (Seoul National University, South Korea) ; Gong | Saek: The Ineffable Persistence of Becoming; ; 11. Jukka-Pekko Puro & Veli-Matti Karhulahti (Finnish) (University of Turku, Finland); Hiljaa: Silent and Slow Media Use; 12. Babson Ajibade (Yoruba) (University of Cross River State, Nigeria) ; ko ko ka, the Sound of Colonial Shoes - Forgotten Words of a Yoruba Song of Success; 13. Holger Schulze (French/ German) (University of Copenhagen, Denmark) ; L'Implexe: What's in a Situation?; ; 14. Erik Steinskog (Norwegian) (University of Copenhagen, Denmark) ; Ljom - A Meditation; ; 15. | ||
| 500 | |a - Soudhamini (Sanskrit) (Deakin University, Melbourne, Australia) ; Maya: A Measured Response to and in Cinematic Virtual Reality; ; 16. Jukka Sihvonen (Finnish) (University of Turku, Finland) ; Mediataju: A Sense of Media; ; 17. Vit Pokorny (Czech) (UJEP Usti nad Labem & the Institute of Philosophy AS CR, Czech Republic) ; Myslet medii. Thinking In, With or Through Media: Images, Interfaces, Apparatuses; ; 18. Behrooz Mahmoodi-Bakhtiari (Iranian) (University of Tehran, Iran) ; Naqqali: Iranian Storytelling in Two Films by Ali Hatami; ; 19. Gretchen Jude (Japanese) (University of California, Davis, USA) ; Nikusei: The Fleshly Voice; ; 20. Julia Vassilieva (Russian) (Monash University, Australia) ; (OTKAZ): From Expressive Movement to a Figure of Thought; 21. Mohammad Hadi (Persian); or rend; ; 22. Didi Cheeka (The Twi language of the Akan people of Ghana) (Filmmaker/ Critic, Nigeria) ; Sankofa- A Synthesis; 23. | ||
| 500 | |a - Susana Viegas (Portuguese) (Universidade NOVA de Lisboa, Portugal) ; Saudade: (De)Mythologizing a Portuguese concept; ; 24. Lorenz Engell (German) (Bauhaus-University Weimar, Germany); Schalten und Walten: Towards Operative Ontologies in the Digital Iconosphere; ; 25. Sebastian Kawanami-Breu (Japanese) (Tokyo University, Japan) and Shintaro Miyazaki (University of Applied Sciences and Arts Northwestern Switzerland) ; Seken: Webs and Networks of In-Betweenness; ; 26. Victor Fan (Chinese) (King's College London, UK) ; Tathagatagarbha: Translating the Untranslatable; ; 27. Bogdan Deznan (Romanian) (University of Bucharest, Romania) and Andrei Ionescu (Independent Scholar, Romania) ; Todetita: Facebook's Ontological Malady; ; 28. Lucia D'Errico (Italian) (Orpheus Institute, Belgium) ; Togliere di scena; ; 29. Chantelle Gray (Nguni language group) (North-West University, South Africa) ; Ubuntu: Be-ing Becoming (Capable of Being Affected); ; 30. | ||
| 500 | |a - Suk-Jun Kim (Korean) (University of Aberdeen, UK) ; Uri: Sound and the Porous Self; ; 31. Andreas Jacobsson (Swedish) (Karlstad University, Sweden) ; "Utbrytningsdroem": Swedish Audio-visual Expressions of a Desire for Leaving Far; ; 32. Rick Dolphijn (Dutch) (Utrecht University, the Netherlands) ; Wellevenskunst; ; 33. Cora Bender (Transcultural) (Universitaet Siegen, Germany); Line and Bump; Contributors; Index | ||
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| 650 | 4 | |a bisacsh / PHILOSOPHY / General | |
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| 650 | 4 | |a Critical theory | |
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| spelling | Herzogenrath, Professor Bernd Professor Verfasser aut concepts a travelogue New York Bloomsbury Publishing Plc 2024 406 Seiten 216 mm txt rdacontent n rdamedia nc rdacarrier Thinking Media 22 bw illus Acknowledgements ; Dedication; Introduction; Bernd Herzogenrath (Goethe University of Frankfurt am Main, Germany); 1. Liana Psarologaki (Greek) (University of Suffolk, UK) ; Anaesthesis, Sensoma, Veoma: Cyborg Life Modes of Immersion After Deleuze; 2. Sebastian Wiedemann (Brazilian) (Pontifical Bolivarian University, Columbia) ; Antropofagia: Devouring Experimentations of a Manifesto Towards a Kinosophy to Come; 3. Ana Peraica (Croatian) (Danube University Krems, Austria) ; Autofotografija, Or; a non-human selfie ; ; 4. Bhaskar Sarkar (Persian) (University of California, Santa Barbara, USA) ; Bazaar: The Persistence of the Informal; ; 5. Helena Wu (Chinese) (University of British Columbia, Canada) ; Be (Like) Water; ; 6. Agnieszka Dytman-Stasienko and Jan Stasienko (Polish) (University of Lower Silesia, Wroclaw, Poland) ; cmiatlo and swiecien : Jacek Dukaj's Concepts in the Perspective of Philosophy of Visual Media and Telecommunication; ; 7. - Kajri Jain (Hindi) (University of Toronto, Canada) ; Darshan: Vision as Touch and the Stakes of Immediacy; ; 8. Budhaditya Chattopadhyay (Sanskrit) (Artist/ Independent Scholar, the Netherlands) ; Dhvani: Resonance; ; 9. Bernd Herzogenrath (German) (Goethe Universitaet Frankfurt am Main, Germany) ; Gestell: Heidegger's Cyborg and the Vicissitudes of the Machine | Body; 10. Woosung Kang (Korean) (Seoul National University, South Korea) ; Gong | Saek: The Ineffable Persistence of Becoming; ; 11. Jukka-Pekko Puro & Veli-Matti Karhulahti (Finnish) (University of Turku, Finland); Hiljaa: Silent and Slow Media Use; 12. Babson Ajibade (Yoruba) (University of Cross River State, Nigeria) ; ko ko ka, the Sound of Colonial Shoes - Forgotten Words of a Yoruba Song of Success; 13. Holger Schulze (French/ German) (University of Copenhagen, Denmark) ; L'Implexe: What's in a Situation?; ; 14. Erik Steinskog (Norwegian) (University of Copenhagen, Denmark) ; Ljom - A Meditation; ; 15. - Soudhamini (Sanskrit) (Deakin University, Melbourne, Australia) ; Maya: A Measured Response to and in Cinematic Virtual Reality; ; 16. Jukka Sihvonen (Finnish) (University of Turku, Finland) ; Mediataju: A Sense of Media; ; 17. Vit Pokorny (Czech) (UJEP Usti nad Labem & the Institute of Philosophy AS CR, Czech Republic) ; Myslet medii. Thinking In, With or Through Media: Images, Interfaces, Apparatuses; ; 18. Behrooz Mahmoodi-Bakhtiari (Iranian) (University of Tehran, Iran) ; Naqqali: Iranian Storytelling in Two Films by Ali Hatami; ; 19. Gretchen Jude (Japanese) (University of California, Davis, USA) ; Nikusei: The Fleshly Voice; ; 20. Julia Vassilieva (Russian) (Monash University, Australia) ; (OTKAZ): From Expressive Movement to a Figure of Thought; 21. Mohammad Hadi (Persian); or rend; ; 22. Didi Cheeka (The Twi language of the Akan people of Ghana) (Filmmaker/ Critic, Nigeria) ; Sankofa- A Synthesis; 23. - Susana Viegas (Portuguese) (Universidade NOVA de Lisboa, Portugal) ; Saudade: (De)Mythologizing a Portuguese concept; ; 24. Lorenz Engell (German) (Bauhaus-University Weimar, Germany); Schalten und Walten: Towards Operative Ontologies in the Digital Iconosphere; ; 25. Sebastian Kawanami-Breu (Japanese) (Tokyo University, Japan) and Shintaro Miyazaki (University of Applied Sciences and Arts Northwestern Switzerland) ; Seken: Webs and Networks of In-Betweenness; ; 26. Victor Fan (Chinese) (King's College London, UK) ; Tathagatagarbha: Translating the Untranslatable; ; 27. Bogdan Deznan (Romanian) (University of Bucharest, Romania) and Andrei Ionescu (Independent Scholar, Romania) ; Todetita: Facebook's Ontological Malady; ; 28. Lucia D'Errico (Italian) (Orpheus Institute, Belgium) ; Togliere di scena; ; 29. Chantelle Gray (Nguni language group) (North-West University, South Africa) ; Ubuntu: Be-ing Becoming (Capable of Being Affected); ; 30. - Suk-Jun Kim (Korean) (University of Aberdeen, UK) ; Uri: Sound and the Porous Self; ; 31. Andreas Jacobsson (Swedish) (Karlstad University, Sweden) ; "Utbrytningsdroem": Swedish Audio-visual Expressions of a Desire for Leaving Far; ; 32. Rick Dolphijn (Dutch) (Utrecht University, the Netherlands) ; Wellevenskunst; ; 33. Cora Bender (Transcultural) (Universitaet Siegen, Germany); Line and Bump; Contributors; Index bicssc / Philosophy bisacsh / PHILOSOPHY / General Mass media Critical theory |
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