Patriarchy's remains: an autopsy of Iberian cinematic dark humour
"Something is rotten in the state of Spain. The uninterred, lingering corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark c...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen's University Press
[2024]
|
Schriftenreihe: | McGill-Queen's Iberian and Latin American cultures series
8 |
Schlagworte: | |
Zusammenfassung: | "Something is rotten in the state of Spain. The uninterred, lingering corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy's Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939-75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain's transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin K. Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch's persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain's ongoing transition towards democratic pluralism, Patriarchy's Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to impact Iberian society." |
Beschreibung: | x, 218 Seiten Illustrationen 24 cm |
ISBN: | 9780228021261 |
Internformat
MARC
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245 | 1 | 0 | |a Patriarchy's remains |b an autopsy of Iberian cinematic dark humour |c Erin K. Hogan |
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505 | 8 | |a Franco's Bared Death and Barefaced Humour -- Francoism's Patrimonial Persons: Poor Devils, Their Eves, and the Eternal Masculine -- Patrimony's Remains: Cultural Patrimony, Crisis, and the Carnivalesque -- The Patriarch's Remains: The Pater Sacer's Bare Death and the Living Dead -- ¿Verdugas? Leading Women and Specular Comedies of Manslaughter | |
520 | 3 | |a "Something is rotten in the state of Spain. The uninterred, lingering corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy's Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939-75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain's transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin K. Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch's persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain's ongoing transition towards democratic pluralism, Patriarchy's Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to impact Iberian society." | |
648 | 7 | |a Geschichte 1950- |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Filmkomödie |0 (DE-588)4154364-6 |2 gnd |9 rswk-swf |
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653 | 0 | |a Motion pictures / Spain / History / 21st century | |
653 | 0 | |a Patriarchy in motion pictures | |
653 | 0 | |a Death in motion pictures | |
653 | 0 | |a Cinéma / Espagne / Histoire / 20e siècle | |
653 | 0 | |a Cinéma / Espagne / Histoire / 21e siècle | |
653 | 0 | |a Patriarcat au cinéma | |
653 | 0 | |a Mort au cinéma | |
653 | 0 | |a Death in motion pictures | |
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Datensatz im Suchindex
_version_ | 1816412629809233920 |
---|---|
adam_text | |
any_adam_object | |
author | Hogan, Erin K. |
author_GND | (DE-588)1122233477 |
author_facet | Hogan, Erin K. |
author_role | aut |
author_sort | Hogan, Erin K. |
author_variant | e k h ek ekh |
building | Verbundindex |
bvnumber | BV049762876 |
contents | Franco's Bared Death and Barefaced Humour -- Francoism's Patrimonial Persons: Poor Devils, Their Eves, and the Eternal Masculine -- Patrimony's Remains: Cultural Patrimony, Crisis, and the Carnivalesque -- The Patriarch's Remains: The Pater Sacer's Bare Death and the Living Dead -- ¿Verdugas? Leading Women and Specular Comedies of Manslaughter |
ctrlnum | (DE-599)BVBBV049762876 |
era | Geschichte 1950- gnd |
era_facet | Geschichte 1950- |
format | Book |
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geographic | Spanien (DE-588)4055964-6 gnd |
geographic_facet | Spanien |
id | DE-604.BV049762876 |
illustrated | Illustrated |
indexdate | 2024-11-22T09:01:12Z |
institution | BVB |
isbn | 9780228021261 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035104247 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | x, 218 Seiten Illustrationen 24 cm |
psigel | BSB_NED_20241122 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | McGill-Queen's University Press |
record_format | marc |
series | McGill-Queen's Iberian and Latin American cultures series |
series2 | McGill-Queen's Iberian and Latin American cultures series |
spelling | Hogan, Erin K. Verfasser (DE-588)1122233477 aut Patriarchy's remains an autopsy of Iberian cinematic dark humour Erin K. Hogan Montreal ; Kingston ; London ; Chicago McGill-Queen's University Press [2024] x, 218 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier McGill-Queen's Iberian and Latin American cultures series 8 Franco's Bared Death and Barefaced Humour -- Francoism's Patrimonial Persons: Poor Devils, Their Eves, and the Eternal Masculine -- Patrimony's Remains: Cultural Patrimony, Crisis, and the Carnivalesque -- The Patriarch's Remains: The Pater Sacer's Bare Death and the Living Dead -- ¿Verdugas? Leading Women and Specular Comedies of Manslaughter "Something is rotten in the state of Spain. The uninterred, lingering corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy's Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939-75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain's transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin K. Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch's persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain's ongoing transition towards democratic pluralism, Patriarchy's Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to impact Iberian society." Geschichte 1950- gnd rswk-swf Filmkomödie (DE-588)4154364-6 gnd rswk-swf Patriarchat Motiv (DE-588)4232551-1 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Motion pictures / Spain / History / 20th century Motion pictures / Spain / History / 21st century Patriarchy in motion pictures Death in motion pictures Cinéma / Espagne / Histoire / 20e siècle Cinéma / Espagne / Histoire / 21e siècle Patriarcat au cinéma Mort au cinéma Motion pictures Spain 1900-2099 History Spanien (DE-588)4055964-6 g Filmkomödie (DE-588)4154364-6 s Patriarchat Motiv (DE-588)4232551-1 s Geschichte 1950- z DE-604 Erscheint auch als Online-Ausgabe 978-0-2280-2146-9 McGill-Queen's Iberian and Latin American cultures series 8 (DE-604)BV046862562 8 |
spellingShingle | Hogan, Erin K. Patriarchy's remains an autopsy of Iberian cinematic dark humour McGill-Queen's Iberian and Latin American cultures series Franco's Bared Death and Barefaced Humour -- Francoism's Patrimonial Persons: Poor Devils, Their Eves, and the Eternal Masculine -- Patrimony's Remains: Cultural Patrimony, Crisis, and the Carnivalesque -- The Patriarch's Remains: The Pater Sacer's Bare Death and the Living Dead -- ¿Verdugas? Leading Women and Specular Comedies of Manslaughter Filmkomödie (DE-588)4154364-6 gnd Patriarchat Motiv (DE-588)4232551-1 gnd |
subject_GND | (DE-588)4154364-6 (DE-588)4232551-1 (DE-588)4055964-6 |
title | Patriarchy's remains an autopsy of Iberian cinematic dark humour |
title_auth | Patriarchy's remains an autopsy of Iberian cinematic dark humour |
title_exact_search | Patriarchy's remains an autopsy of Iberian cinematic dark humour |
title_full | Patriarchy's remains an autopsy of Iberian cinematic dark humour Erin K. Hogan |
title_fullStr | Patriarchy's remains an autopsy of Iberian cinematic dark humour Erin K. Hogan |
title_full_unstemmed | Patriarchy's remains an autopsy of Iberian cinematic dark humour Erin K. Hogan |
title_short | Patriarchy's remains |
title_sort | patriarchy s remains an autopsy of iberian cinematic dark humour |
title_sub | an autopsy of Iberian cinematic dark humour |
topic | Filmkomödie (DE-588)4154364-6 gnd Patriarchat Motiv (DE-588)4232551-1 gnd |
topic_facet | Filmkomödie Patriarchat Motiv Spanien |
volume_link | (DE-604)BV046862562 |
work_keys_str_mv | AT hoganerink patriarchysremainsanautopsyofiberiancinematicdarkhumour |