Renaissance in black and white: the art of printmaking in Venice (1494-1615)
During the Renaissance, Venice emerged in Italy as a prominent center alongside Rome for the production and distribution of prints, thanks also to its strategic position as an international commercial hub connected to Europe and the Mediterranean. This exhibition and catalogue seek to capture the es...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Verona
Scripta edizioni
marzo 2024
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| Schlagworte: | |
| Zusammenfassung: | During the Renaissance, Venice emerged in Italy as a prominent center alongside Rome for the production and distribution of prints, thanks also to its strategic position as an international commercial hub connected to Europe and the Mediterranean. This exhibition and catalogue seek to capture the essence of Veneto and Venetian Renaissance printmaking. They showcase its remarkable and groundbreaking achievements, drawing parallels with the developments in painting, as if they were mirroring each other. A visually compelling journey in which the prints’ ‘extremely successful black lines’, as vividly described by Erasmus of Rotterdam, intricately interact with the foundational and universally recognized themes of Venetian art. These encompass tonal chiaroscuro, expansive landscapes, vast canvases, narrative painting, the female nude, a local reinterpretation of antiquity, and a steadfast defence of the city’s unyielding identity. Through prints – objects that are immediately replicable and easily transportable, transcending geographical and linguistic boundaries – Venice revealed its profound significance within the artistic tradition of Europe as a vital crossroads of experiences in a state of perpetual and dynamic evolution |
| Beschreibung: | Mostra: "Renaissance in Black and White. The Art of Printmaking in Venice (1494-1615)", Museo Civico di Bassano del Grappa, Bassano del Grappa, 2.3.2024 - 23.6.2024; Ca' Rezzonico, Museo del Settecento Veneziano, 8.3.2024 - 3.6.2024 |
| Beschreibung: | 347 Seiten Illustrationen |
| ISBN: | 9791280581877 |
Internformat
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| 500 | |a Mostra: "Renaissance in Black and White. The Art of Printmaking in Venice (1494-1615)", Museo Civico di Bassano del Grappa, Bassano del Grappa, 2.3.2024 - 23.6.2024; Ca' Rezzonico, Museo del Settecento Veneziano, 8.3.2024 - 3.6.2024 | ||
| 520 | 3 | |a During the Renaissance, Venice emerged in Italy as a prominent center alongside Rome for the production and distribution of prints, thanks also to its strategic position as an international commercial hub connected to Europe and the Mediterranean. This exhibition and catalogue seek to capture the essence of Veneto and Venetian Renaissance printmaking. They showcase its remarkable and groundbreaking achievements, drawing parallels with the developments in painting, as if they were mirroring each other. A visually compelling journey in which the prints’ ‘extremely successful black lines’, as vividly described by Erasmus of Rotterdam, intricately interact with the foundational and universally recognized themes of Venetian art. These encompass tonal chiaroscuro, expansive landscapes, vast canvases, narrative painting, the female nude, a local reinterpretation of antiquity, and a steadfast defence of the city’s unyielding identity. Through prints – objects that are immediately replicable and easily transportable, transcending geographical and linguistic boundaries – Venice revealed its profound significance within the artistic tradition of Europe as a vital crossroads of experiences in a state of perpetual and dynamic evolution | |
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Datensatz im Suchindex
| _version_ | 1818972396487442432 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Landau, David 1950- Fara, Giovanni Maria 1969- |
| author2 | Landau, David 1950- Fara, Giovanni Maria 1969- |
| author2_role | edt edt |
| author2_variant | d l dl g m f gm gmf |
| author_GND | (DE-588)1105687805 (DE-588)1165577070 |
| author_facet | Landau, David 1950- Fara, Giovanni Maria 1969- Landau, David 1950- Fara, Giovanni Maria 1969- |
| author_role | aut aut |
| author_sort | Landau, David 1950- |
| author_variant | d l dl g m f gm gmf |
| building | Verbundindex |
| bvnumber | BV049761515 |
| ctrlnum | (OCoLC)1443877481 (DE-599)BVBBV049761515 |
| era | Geschichte 1494-1615 gnd |
| era_facet | Geschichte 1494-1615 |
| format | Book |
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| indexdate | 2024-12-20T15:07:36Z |
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| isbn | 9791280581877 |
| language | English |
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| spelling | Renaissance in black and white the art of printmaking in Venice (1494-1615) edited by Giovanni Maria Fara, David Landau ; [essays: Laura Aldovini, Ilaria Andreoli, Mattia Biffis, Giovanni Maria Fara, Jamie Gabbarelli, Paul Holberton, David Landau, Giorgio Tagliaferro, Samuel Vitali, Silvia Urbini] The art of printmaking in Venice (1494-1615) Verona Scripta edizioni marzo 2024 347 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Mostra: "Renaissance in Black and White. The Art of Printmaking in Venice (1494-1615)", Museo Civico di Bassano del Grappa, Bassano del Grappa, 2.3.2024 - 23.6.2024; Ca' Rezzonico, Museo del Settecento Veneziano, 8.3.2024 - 3.6.2024 During the Renaissance, Venice emerged in Italy as a prominent center alongside Rome for the production and distribution of prints, thanks also to its strategic position as an international commercial hub connected to Europe and the Mediterranean. This exhibition and catalogue seek to capture the essence of Veneto and Venetian Renaissance printmaking. They showcase its remarkable and groundbreaking achievements, drawing parallels with the developments in painting, as if they were mirroring each other. A visually compelling journey in which the prints’ ‘extremely successful black lines’, as vividly described by Erasmus of Rotterdam, intricately interact with the foundational and universally recognized themes of Venetian art. These encompass tonal chiaroscuro, expansive landscapes, vast canvases, narrative painting, the female nude, a local reinterpretation of antiquity, and a steadfast defence of the city’s unyielding identity. Through prints – objects that are immediately replicable and easily transportable, transcending geographical and linguistic boundaries – Venice revealed its profound significance within the artistic tradition of Europe as a vital crossroads of experiences in a state of perpetual and dynamic evolution Geschichte 1494-1615 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Innovation (DE-588)4027089-0 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Museo Civico di Bassano del Grappa 02.03.2024-23.06.2024 Bassano del Grappa gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo del Settecento Veneziano 08.03.2024-03.06.2024 Venedig gnd-content Venedig (DE-588)4062501-1 g Druckgrafik (DE-588)4113357-2 s Geschichte 1494-1615 z DE-604 Italien (DE-588)4027833-5 g Malerei (DE-588)4037220-0 s Innovation (DE-588)4027089-0 s Rezeption (DE-588)4049716-1 s Landau, David 1950- (DE-588)1105687805 edt aut Fara, Giovanni Maria 1969- (DE-588)1165577070 edt aut Museo Civico di Bassano del Grappa (DE-588)115760-7 his Museo del Settecento Veneziano (DE-588)5164126-4 his Parallele Sprachausgabe italienisch Rinascimento in bianco e nero 979-12-80581-86-0 |
| spellingShingle | Landau, David 1950- Fara, Giovanni Maria 1969- Renaissance in black and white the art of printmaking in Venice (1494-1615) Rezeption (DE-588)4049716-1 gnd Innovation (DE-588)4027089-0 gnd Malerei (DE-588)4037220-0 gnd Druckgrafik (DE-588)4113357-2 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4027089-0 (DE-588)4037220-0 (DE-588)4113357-2 (DE-588)4062501-1 (DE-588)4027833-5 (DE-588)4135467-9 |
| title | Renaissance in black and white the art of printmaking in Venice (1494-1615) |
| title_alt | The art of printmaking in Venice (1494-1615) |
| title_auth | Renaissance in black and white the art of printmaking in Venice (1494-1615) |
| title_exact_search | Renaissance in black and white the art of printmaking in Venice (1494-1615) |
| title_full | Renaissance in black and white the art of printmaking in Venice (1494-1615) edited by Giovanni Maria Fara, David Landau ; [essays: Laura Aldovini, Ilaria Andreoli, Mattia Biffis, Giovanni Maria Fara, Jamie Gabbarelli, Paul Holberton, David Landau, Giorgio Tagliaferro, Samuel Vitali, Silvia Urbini] |
| title_fullStr | Renaissance in black and white the art of printmaking in Venice (1494-1615) edited by Giovanni Maria Fara, David Landau ; [essays: Laura Aldovini, Ilaria Andreoli, Mattia Biffis, Giovanni Maria Fara, Jamie Gabbarelli, Paul Holberton, David Landau, Giorgio Tagliaferro, Samuel Vitali, Silvia Urbini] |
| title_full_unstemmed | Renaissance in black and white the art of printmaking in Venice (1494-1615) edited by Giovanni Maria Fara, David Landau ; [essays: Laura Aldovini, Ilaria Andreoli, Mattia Biffis, Giovanni Maria Fara, Jamie Gabbarelli, Paul Holberton, David Landau, Giorgio Tagliaferro, Samuel Vitali, Silvia Urbini] |
| title_short | Renaissance in black and white |
| title_sort | renaissance in black and white the art of printmaking in venice 1494 1615 |
| title_sub | the art of printmaking in Venice (1494-1615) |
| topic | Rezeption (DE-588)4049716-1 gnd Innovation (DE-588)4027089-0 gnd Malerei (DE-588)4037220-0 gnd Druckgrafik (DE-588)4113357-2 gnd |
| topic_facet | Rezeption Innovation Malerei Druckgrafik Venedig Italien Ausstellungskatalog Museo Civico di Bassano del Grappa 02.03.2024-23.06.2024 Bassano del Grappa Ausstellungskatalog Museo del Settecento Veneziano 08.03.2024-03.06.2024 Venedig |
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