The Oxford handbook of silent cinema:
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY, United States of America
Oxford University Press
[2024]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Physical Description: | xviii, 799 Seiten Illustrationen |
| ISBN: | 9780190496692 |
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MARC
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| 245 | 1 | 0 | |a The Oxford handbook of silent cinema |c edited by Rob King and Charlie Keil |
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| 246 | 1 | 3 | |a Silent cinema |
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Record in the Search Index
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Contents ix xi Acknowledgments List of Contributors 1. Introduction: The History of the History of Silent Film Rob King and Charlie Keil i PART I ORIGINS: FROM INVENTION TO MEDIUM 2. The Invention of Cinema Tom Gunning 17 3. Early Cinema and the Emergence of Television: An Archaeology of Intertwined Media Doron Galili 38 4. The Right to One’s Own Image: Animism, The Student of Prague, and Legal Doctrine Stefan Andriopoulos 55 5. Copying Technologies: Two Pirates, Two Centuries Jane Μ. Gaines 72 PART II INTERMEDIALITY: GENRE AND AESTHETICS IN SILENT FILM 6. The Unfinished Business of History: Defense and Illustration of the Concept “Cultural Series” André Gaudreault and Philippe Marion 7. Reviewing Maple Viewing (Momijigari, 1899) Daisuke Miyao 95 116
VÏ CONTENTS 8. African American Film History Beyond Cinema: William Foster and the Legacy of Black Theatrical Comedy Allyson Nadia Field 9. Picture, Shadow, Play: Ontology, Archaeology, Ecology Weihong Bao 10. Biograph 1904: The Invention of Chase Comedy Rob King 130 159 184 11. Storied Spaces: Staging and Editing in Early American Feature Films 204 Miriam Siegel 12. Salon Tango: Hollywood Pictorialism and the Beaux-Arts Tradition Tom Paulus '· 13. Symbolist Impressions: Modern Theater, Germaine Dulac, and the Making of an Art Cinema in Belle Époque France (or, the False Ideal of the Cinema against Theater) Tami Williams 225 251 PART III PEDAGOGICAL FORMATIONS: NON-THEATRICAL CINEMA AND THE USES OF FILM 14. Popular Science Monthly and the Uses of Moving Pictures Gregory A. Waller 283 15. Cinema and Science in the Silent Era Scott Curtis and Oliver Gaycken 305 16. Cinema on the Move: Museum-Sponsored Expedition Film in the Silent Era Alison Griffiths 332 17. Babies and Brochures: Public Service Pamphlet Films of the US Children’s Bureau (1919-1926) Jennifer Horne 354 18. Curiosity Seekers, Morbid Minds, and Embarrassed Young Ladies: Female Audiences and Reproductive Politics Onscreen Shelley Stamp 375
CONTENTS vii PART IV HOLLYWOOD, INC.: THE INSTITUTIONS OF MASS CULTURE 19. Unlikely Allies: Crafting Hollywood as Institution and Invention Charlie Keil and Denise McKenna 397 20. A System of Thorough Cooperation: Technology, Service, and the Film Labs of Hollywood Luci Marzola 420 21. A Prologue to Hollywood: Sid Grauman, Film Premieres, and the (Real-Estate) Development of Hollywood Ross Melnick 440 22. Franchising as a Strategy of National Feature Distribution in the 1910s: The Case of the Triangle Film Corporation Derek Long 460 23. Paramount Pictures, National Advertising Agencies, and the Conspicuous Distribution of First-Run Feature Films in the United States Paul S. Moore 481 PART V NATION, EMPIRE, WORLD: THE SPACES AND TIMES OF MODERNITY 24. Going Silent on Modernity: Periodization, Geopolitics, and Public Opinion Giorgio Bertellini 25. Empire · State · Media Lee Grieveson 26. Dandyism, Circulation, and Emergent Cinema in Iran: The Powers of Asynchrony Kaveh Askari 27. The Covered Wagon: Location Shooting and Settler Melodrama Jennifer Lynn Peterson 28. Scandinavian Cinema, Location, and the Discourse of Quality in 1920 Anne Bachmann 505 526 546 569 594
viii contents 29. Running Late: The Silent Serial, the Cliffhanger, and the Exigencies of Time, 1914-1920 Ruth Mayer 618 PART VI CINEMATIC PUBLICS: CRITICS, FANS, COMMUNITIES 30. The Silent Film Criticism of Siegfried Kracauer Johannes von Moltke 641 31. The Decline of Middlebrow Taste in Celebrity Culture: The First Fan Magazines Sumiko Higashi 662 32. The Many Genders' and Sexualities of American and European Silent Cinema Laura Horak 684 33. Art, Anti-Art, and Poetic Cinema: Revisiting Un Chien andalou (Luis Bunuel, 1929) Breixo Viejo 714 34. Coda: Silent Film after Sound Donna Kornhaber 738 Index 757
With thirty-four original chapters from three dozen top scholars. The Oxford n Handbook of Silent Cinema illustrates how much remains to be learned about 4 this period of cinematic history. Organized I topically, the essays provide a thoughtful and provocative reexamintation of a medium that would become the world’s dominant form of mass entertainment by the second decade of the twentieth century. The volume is arranged around a series of broad topics: — the invention" of cinema as both technology and medium: the intermedial development " of film aesthetics and genres; nontheatrical and noncommercial uses of cinema: the political economy of Hollywood mass culture: film and global modernities; and silent? cinema’s publics and counterpublics. The essays in this collection engage with the question of how we might rethink silent film history, especially in the context of the developed media ecosystem that defined the early 1900s. Influenced by methodologies as diverse as media archaeology and industrial studies, and sensitive to both the textual, contours of silent films and the cultural, economic, and ideological currents that helped shape them. The Oxford Handbook of Silent Cinema invites its reader to envision its — object in expansive terms that incorporate . the propulsive energy of the first decades y of the 1900s and deploy the analytical I frameworks of the current day. 1
Oxford Handbooks offer authoritative and up-to-date surveys of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates, as well as a foundation for future research. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities, social sciences, and sciences. fora fulllist ofourcurrentiand forthcoming m Oxford Handbooks, please visit www.oup.com Roh King is a professoral Columbia Iniversitvs School of the ArtsHeis the author of Hokum. The Sound Slapstick Short and Depression-Era Mass Culture and the award-winning The Fun 1 FactorThe Keystone hilm Companand s the Emergence of Mass Culture. He has also edited or coedited the volumes Cornell" Woolrich and Transmedia Noir, Beyond the Screen: Institutions. Networks, and Publics. of Early Cinema, Slapstick Comedy, and Early Cinema and the "National.”King is . currently working on a monograph on the m adult filmmaker Radley Metzger. Charlie Keil is a professor in the Cinema Studies Institute and the Department History at the University of Toronto, where he also serves as Principal ofInnis College. . He has published seven books, the majority., focusing on early and silent cinema, with an emphasis on the transitionalera ofAmerican. cinema. Heuis currently working on a study of the origins of Hollywood. as both a filmmaking center and a concept, coauthored with Denise McKenna. n Cover image: “Shooting the Photoplay, Sctertnc
American Magazine Cover, September 15. 1917.
The Oxford Handbook of SILENT-CINEMA ' J Stefan Andriöpoulos, Kaveh Askari, Anne Bachmann, A · a ’ Weihong Bao, Giorgio Bertellini, Scott Curtis, Allyson Nadia Field, Jane Μ. Gaines, Doron Galili, André Gaudreault, Oliver Gaycken, : ' · Lee Grieveson, Alison Griffiths, Tom Gunning, Sumiko Higashi, Laura Horak, Jennifer Horne, Charlie Keil, Rob King,\Doniia Kornhaber, Derek Long. Denise Mekenna. Philippe Marion, Luci Marzola, Ruth Mayer, Ross Melnick. Daisuke Mivao. Pauls. Moore. Tom Paulus, Jennifer Lynn Peterson, Miriam Siegel, Shelley Stamp, Breixo Viejo, Johannes von Moltke, Gregory A. Waller, Tami Williams ' f
Contents ix xi Acknowledgments List of Contributors 1. Introduction: The History of the History of Silent Film Rob King and Charlie Keil i PART I ORIGINS: FROM INVENTION TO MEDIUM 2. The Invention of Cinema Tom Gunning 17 3. Early Cinema and the Emergence of Television: An Archaeology of Intertwined Media Doron Galili 38 4. The Right to One’s Own Image: Animism, The Student of Prague, and Legal Doctrine Stefan Andriopoulos 55 5. Copying Technologies: Two Pirates, Two Centuries Jane Μ. Gaines 72 PART II INTERMEDIALITY: GENRE AND AESTHETICS IN SILENT FILM 6. The Unfinished Business of History: Defense and Illustration of the Concept “Cultural Series” André Gaudreault and Philippe Marion 7. Reviewing Maple Viewing (Momijigari, 1899) Daisuke Miyao 95 116
VÏ CONTENTS 8. African American Film History Beyond Cinema: William Foster and the Legacy of Black Theatrical Comedy Allyson Nadia Field 9. Picture, Shadow, Play: Ontology, Archaeology, Ecology Weihong Bao 10. Biograph 1904: The Invention of Chase Comedy Rob King 130 159 184 11. Storied Spaces: Staging and Editing in Early American Feature Films 204 Miriam Siegel 12. Salon Tango: Hollywood Pictorialism and the Beaux-Arts Tradition Tom Paulus '· 13. Symbolist Impressions: Modern Theater, Germaine Dulac, and the Making of an Art Cinema in Belle Époque France (or, the False Ideal of the Cinema against Theater) Tami Williams 225 251 PART III PEDAGOGICAL FORMATIONS: NON-THEATRICAL CINEMA AND THE USES OF FILM 14. Popular Science Monthly and the Uses of Moving Pictures Gregory A. Waller 283 15. Cinema and Science in the Silent Era Scott Curtis and Oliver Gaycken 305 16. Cinema on the Move: Museum-Sponsored Expedition Film in the Silent Era Alison Griffiths 332 17. Babies and Brochures: Public Service Pamphlet Films of the US Children’s Bureau (1919-1926) Jennifer Horne 354 18. Curiosity Seekers, Morbid Minds, and Embarrassed Young Ladies: Female Audiences and Reproductive Politics Onscreen Shelley Stamp 375
CONTENTS vii PART IV HOLLYWOOD, INC.: THE INSTITUTIONS OF MASS CULTURE 19. Unlikely Allies: Crafting Hollywood as Institution and Invention Charlie Keil and Denise McKenna 397 20. A System of Thorough Cooperation: Technology, Service, and the Film Labs of Hollywood Luci Marzola 420 21. A Prologue to Hollywood: Sid Grauman, Film Premieres, and the (Real-Estate) Development of Hollywood Ross Melnick 440 22. Franchising as a Strategy of National Feature Distribution in the 1910s: The Case of the Triangle Film Corporation Derek Long 460 23. Paramount Pictures, National Advertising Agencies, and the Conspicuous Distribution of First-Run Feature Films in the United States Paul S. Moore 481 PART V NATION, EMPIRE, WORLD: THE SPACES AND TIMES OF MODERNITY 24. Going Silent on Modernity: Periodization, Geopolitics, and Public Opinion Giorgio Bertellini 25. Empire · State · Media Lee Grieveson 26. Dandyism, Circulation, and Emergent Cinema in Iran: The Powers of Asynchrony Kaveh Askari 27. The Covered Wagon: Location Shooting and Settler Melodrama Jennifer Lynn Peterson 28. Scandinavian Cinema, Location, and the Discourse of Quality in 1920 Anne Bachmann 505 526 546 569 594
viii contents 29. Running Late: The Silent Serial, the Cliffhanger, and the Exigencies of Time, 1914-1920 Ruth Mayer 618 PART VI CINEMATIC PUBLICS: CRITICS, FANS, COMMUNITIES 30. The Silent Film Criticism of Siegfried Kracauer Johannes von Moltke 641 31. The Decline of Middlebrow Taste in Celebrity Culture: The First Fan Magazines Sumiko Higashi 662 32. The Many Genders' and Sexualities of American and European Silent Cinema Laura Horak 684 33. Art, Anti-Art, and Poetic Cinema: Revisiting Un Chien andalou (Luis Bunuel, 1929) Breixo Viejo 714 34. Coda: Silent Film after Sound Donna Kornhaber 738 Index 757
With thirty-four original chapters from three dozen top scholars. The Oxford n Handbook of Silent Cinema illustrates how much remains to be learned about 4 this period of cinematic history. Organized I topically, the essays provide a thoughtful and provocative reexamintation of a medium that would become the world’s dominant form of mass entertainment by the second decade of the twentieth century. The volume is arranged around a series of broad topics: — the invention" of cinema as both technology and medium: the intermedial development " of film aesthetics and genres; nontheatrical and noncommercial uses of cinema: the political economy of Hollywood mass culture: film and global modernities; and silent? cinema’s publics and counterpublics. The essays in this collection engage with the question of how we might rethink silent film history, especially in the context of the developed media ecosystem that defined the early 1900s. Influenced by methodologies as diverse as media archaeology and industrial studies, and sensitive to both the textual, contours of silent films and the cultural, economic, and ideological currents that helped shape them. The Oxford Handbook of Silent Cinema invites its reader to envision its — object in expansive terms that incorporate . the propulsive energy of the first decades y of the 1900s and deploy the analytical I frameworks of the current day. 1
Oxford Handbooks offer authoritative and up-to-date surveys of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates, as well as a foundation for future research. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities, social sciences, and sciences. fora fulllist ofourcurrentiand forthcoming m Oxford Handbooks, please visit www.oup.com Roh King is a professoral Columbia Iniversitvs School of the ArtsHeis the author of Hokum. The Sound Slapstick Short and Depression-Era Mass Culture and the award-winning The Fun 1 FactorThe Keystone hilm Companand s the Emergence of Mass Culture. He has also edited or coedited the volumes Cornell" Woolrich and Transmedia Noir, Beyond the Screen: Institutions. Networks, and Publics. of Early Cinema, Slapstick Comedy, and Early Cinema and the "National.”King is . currently working on a monograph on the m adult filmmaker Radley Metzger. Charlie Keil is a professor in the Cinema Studies Institute and the Department History at the University of Toronto, where he also serves as Principal ofInnis College. . He has published seven books, the majority., focusing on early and silent cinema, with an emphasis on the transitionalera ofAmerican. cinema. Heuis currently working on a study of the origins of Hollywood. as both a filmmaking center and a concept, coauthored with Denise McKenna. n Cover image: “Shooting the Photoplay, Sctertnc
American Magazine Cover, September 15. 1917.
The Oxford Handbook of SILENT-CINEMA ' J Stefan Andriöpoulos, Kaveh Askari, Anne Bachmann, A · a ’ Weihong Bao, Giorgio Bertellini, Scott Curtis, Allyson Nadia Field, Jane Μ. Gaines, Doron Galili, André Gaudreault, Oliver Gaycken, : ' · Lee Grieveson, Alison Griffiths, Tom Gunning, Sumiko Higashi, Laura Horak, Jennifer Horne, Charlie Keil, Rob King,\Doniia Kornhaber, Derek Long. Denise Mekenna. Philippe Marion, Luci Marzola, Ruth Mayer, Ross Melnick. Daisuke Mivao. Pauls. Moore. Tom Paulus, Jennifer Lynn Peterson, Miriam Siegel, Shelley Stamp, Breixo Viejo, Johannes von Moltke, Gregory A. Waller, Tami Williams ' f |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of silent cinema edited by Rob King and Charlie Keil Handbook of silent cinema Silent cinema New York, NY, United States of America Oxford University Press [2024] xviii, 799 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Performing Arts / ukslc Films, cinema / thema Silent films / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content King, Rob 1975- (DE-588)1137973188 edt win aut Keil, Charles 1939- (DE-588)13367763X edt win aut Erscheint auch als Online-Ausgabe 978-0-19-049671-5 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-763032-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The Oxford handbook of silent cinema Performing Arts / ukslc Films, cinema / thema Silent films / History and criticism King, Rob 1975- Keil, Charles 1939- |
| subject_GND | (DE-588)4143413-4 |
| title | The Oxford handbook of silent cinema |
| title_alt | Handbook of silent cinema Silent cinema |
| title_auth | The Oxford handbook of silent cinema |
| title_exact_search | The Oxford handbook of silent cinema |
| title_full | The Oxford handbook of silent cinema edited by Rob King and Charlie Keil |
| title_fullStr | The Oxford handbook of silent cinema edited by Rob King and Charlie Keil |
| title_full_unstemmed | The Oxford handbook of silent cinema edited by Rob King and Charlie Keil |
| title_short | The Oxford handbook of silent cinema |
| title_sort | the oxford handbook of silent cinema |
| topic | Performing Arts / ukslc Films, cinema / thema Silent films / History and criticism |
| topic_facet | Performing Arts / ukslc Films, cinema / thema Silent films / History and criticism Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035100954&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kingrob theoxfordhandbookofsilentcinema AT keilcharles theoxfordhandbookofsilentcinema AT kingrob handbookofsilentcinema AT keilcharles handbookofsilentcinema AT kingrob silentcinema AT keilcharles silentcinema |
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