Mut'at al-asma' fi 'ilm al-sama': = the ears' pleasure and the science of listening to music
"The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and rep...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Leiden ; Boston
Brill
[2024]
|
| Series: | Islamic history and civilization
volume 206 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and repertoire in Andalusia, the Maghreb, Persia and the Middle East; Andalusian song lyrics and the appearance of new poetic forms such as the zajal and the muwashshaḥ; Andalusian musical instruments; dances of Egypt, Iraq, Syria, India and China; Andalusian dances and shadow plays and shadow dancers; aesthetics of dance; poems describing the dances"-- |
| Physical Description: | XVII, 226 Seiten Illustrationen 25 cm |
| ISBN: | 9789004542778 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text |
Contents Preface xi Acknowledgments xv Abbreviations χνι The Author’s Introduction i i The Eminence of Listening to Music above All Else, and the Superiority of Melodies and the Wonderful Effects They Have on the Human Body 5 2 The Importance of Listening to Singing While Drinking and the Exclusive Usefulness of Listening While Drinking over Other Activities 7 3 When It Is Appropriate to Listen and Drink 4 The Order of Singing in a Drinking Majlis 5 The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music 12 6 How the Strings Wondrously Affect the Four Humors That Make Up the Human Body 13 7 About the Divine Secret Causing the Effects of Melodies on the Souls of Humans and Animals 15 8 The Singer’s Excellent Qualities 9 How to Listen to Singing in the Musical Majlis 10 The Singing Styles of People of Different Regions [and the Repertoire of the People of the Maghrib] 20 11 Andalusian Musical Laws: [The Composers and] Their Instruments 34 9 10 17 19
VIII CONTENTS 12 The Origin of the Old Singing and the Modes Used in All the Songs of the Arabs and the Persians in the Eastern and Western Empire 56 13 Mention of the Memorized Repertoire among the Common Singers in Our Era in the Eastern Empire and Their Poems 63 14 The Difference in Superiority between the Easy and Plain Singing with Few Cycles and Notes, and Its Opposite, the One with Heavier Cycles and Many Notes 66 15 Melodies That Resemble the Meanings and Suit the Poems 16 The Definition of Singing 17 The Origin of Arabic Singing, Its Source and Birth Place 18 Favoring Older Singing over the Modern 19 The Process of Composition 20 The Amount of Tarab That Affects the Person Knowledgeable in the Art of Singing 79 21 What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis 80 22 The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners 82 23 Good and Bad, Stated or Implied Song Themes 24 On the Proper Behavior to Praise Men and Women Singers 25 The Conditions Required to Be a Skilled Singer, and the Necessity of Combining Theoretical and Practical Knowledge 89 26 How to Choose Would-Be Singers (Girls and Boys) in order to Teach Them Singing 92 27 68 70 72 73 76 ich Singer Is Pleasant to Listen to 94 85 87
IX CONTENTS 28 Singing and the Requirements of Dignified Hearing and Respectful Listening 95 29 The Relation between the Prosodic Meters and the Rhythmic Modes 96 3° Behavior in front of Kings and Their Subjects 3i The First to Invent and Devise Rhythm 32 The Rhythmic Modes (Tarîqa), Their Numbers, Their Basic (Asi) and Ornamented Forms (Far’) 100 33 Which Particular Genuses of Modes Should Be Used in Which Types of Melodies 104 34 The Characteristics of the Urghânïn Copied from Ibn al-Tahhan’s Treatise 107 35 The Characteristics of the Rabäb from the Book of Ibn al-Tahhän1 111 3θ The Characteristics of the Lute from the Rasa’ll (Epistles) of the Ikhwän al-Safa’ 113 37 The Resemblance of the Laws of Music to the Laws of Prosody 38 The Durations of the Attacks, the Durations of the Rhythmic Modes, Their Harmony and Disharmony That Are Called Being in Rhythm and off Rhythm 121 39 [The Reason for Calling the 'Üd the Barbat; the First to Create It and Play It; the Reason for Bringing It into Existence;] 'Üd Strings and Their Relations with the Four Basic Elements and the Four Humors of the Human Being 124 97 99 1 The square here and in the rest of the table of contents are proper but missing in the table of contents as it appears in the ms. 118 text
X CONTENTS 40 The Rhythmic Modes 41 How Compactly Twisted Strings and Less Dense Strings Affect the Human Humors 134 42 At What Time Should Singing Slave Girls Be Invited to Sing 43 Wonderful and Beautiful Poems about the Description of Singing, Singers, and Their Instruments 138 44 Poems about Musical Instruments 45 Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) 156 46 Dance and the Requirements the Dancer Must Fulfill to Be Free of Mistakes and Imperfections; Mention of Excellent Skills; Mention of the Types Used in Various Regions and Countries 159 47 Marvelous and Pure Poems Composed by Eastern and Western Poets about All Types of Dances and Shadow Dances 167 131 136 146 Appendix: The Qualities Required of Dancers according to al-Mas'üdï 189 Glossary 192 Instruments Charts 202 Bibliography 208 Index of Names and Places 213 Index of Terms and Subjects 219 |
| any_adam_object | 1 |
| author | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 |
| author2 | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 |
| author2_role | |
| author2_variant | a i y t aiy aiyt |
| author_GND | (DE-588)1055753397 |
| author_facet | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 |
| author_role | aut |
| author_sort | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 |
| author_variant | a i y t aiy aiyt |
| building | Verbundindex |
| bvnumber | BV049758004 |
| ctrlnum | (OCoLC)1435162038 (DE-599)BVBBV049758004 |
| era | Geschichte 1200-1300 gnd |
| era_facet | Geschichte 1200-1300 |
| format | Book |
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| geographic | Islamische Staaten (DE-588)4073172-8 gnd |
| geographic_facet | Islamische Staaten |
| id | DE-604.BV049758004 |
| illustrated | Illustrated |
| indexdate | 2025-01-10T17:14:22Z |
| institution | BVB |
| isbn | 9789004542778 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035099503 |
| oclc_num | 1435162038 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XVII, 226 Seiten Illustrationen 25 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Brill |
| record_format | marc |
| series | Islamic history and civilization |
| series2 | Islamic history and civilization |
| spelling | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 Verfasser aut Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music by Ahmad b. Yusuf Al-tifashi l-Qafsi (580-651/1184-1253) ; [translated] by George Sawa the ears' pleasure and the science of listening to music Leiden ; Boston Brill [2024] © 2024 XVII, 226 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Islamic history and civilization volume 206 "The manuscript from the thirteenth century deals with musicians' behaviour at the court; singers' qualities; the eminence of music and its effect on people and animals; the importance of drinking when listening to music; the process of composition; rhythmic and melodic modes, and repertoire in Andalusia, the Maghreb, Persia and the Middle East; Andalusian song lyrics and the appearance of new poetic forms such as the zajal and the muwashshaḥ; Andalusian musical instruments; dances of Egypt, Iraq, Syria, India and China; Andalusian dances and shadow plays and shadow dancers; aesthetics of dance; poems describing the dances"-- Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd rswk-swf Geschichte 1200-1300 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Hofmusik (DE-588)4025520-7 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Islam (DE-588)4027743-4 gnd rswk-swf Quelle (DE-588)4135952-5 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Sozialverhalten (DE-588)4055903-8 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Islamische Staaten (DE-588)4073172-8 gnd rswk-swf Music / Performance / Islamic countries / History / 500-1400 Music theory / Islamic countries / History / 500-1400 Singing / Islamic countries / History / 500-1400 Musical instruments / Islamic countries / History / 500-1400 Dance / Islamic countries / History / To 1500 Théorie musicale / Pays musulmans / Histoire / 500-1400 Chant / Pays musulmans / Histoire / 500-1400 Dance Music / Performance Music theory Musical instruments Singing Islamic countries To 1500 History Islamische Staaten (DE-588)4073172-8 g Gesang (DE-588)4020470-4 s Islam (DE-588)4027743-4 s Komposition Musik (DE-588)4133320-2 s Musiker (DE-588)4040841-3 s Musikhandschrift (DE-588)4040847-4 s Musikinstrument (DE-588)4040851-6 s Sozialverhalten (DE-588)4055903-8 s Geschichte 1200-1300 z DE-604 Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X p Hofmusik (DE-588)4025520-7 s Quelle (DE-588)4135952-5 s Sawa, George Dimitri 1947- Sonstige (DE-588)1055753397 oth Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 Mut'at al-asma' fi 'ilm al-sama' Erscheint auch als Online-Ausgabe 978-90-04-54278-5 Islamic history and civilization volume 206 (DE-604)BV008939081 206 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035099503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tīfāshī, Aḥmad ibn Yūsuf -1253 or 1254 Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music Islamic history and civilization Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd Musikinstrument (DE-588)4040851-6 gnd Hofmusik (DE-588)4025520-7 gnd Gesang (DE-588)4020470-4 gnd Islam (DE-588)4027743-4 gnd Quelle (DE-588)4135952-5 gnd Musikhandschrift (DE-588)4040847-4 gnd Sozialverhalten (DE-588)4055903-8 gnd Musiker (DE-588)4040841-3 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)10241582X (DE-588)4040851-6 (DE-588)4025520-7 (DE-588)4020470-4 (DE-588)4027743-4 (DE-588)4135952-5 (DE-588)4040847-4 (DE-588)4055903-8 (DE-588)4040841-3 (DE-588)4133320-2 (DE-588)4073172-8 |
| title | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music |
| title_alt | the ears' pleasure and the science of listening to music Mut'at al-asma' fi 'ilm al-sama' |
| title_auth | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music |
| title_exact_search | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music |
| title_full | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music by Ahmad b. Yusuf Al-tifashi l-Qafsi (580-651/1184-1253) ; [translated] by George Sawa |
| title_fullStr | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music by Ahmad b. Yusuf Al-tifashi l-Qafsi (580-651/1184-1253) ; [translated] by George Sawa |
| title_full_unstemmed | Mut'at al-asma' fi 'ilm al-sama' = the ears' pleasure and the science of listening to music by Ahmad b. Yusuf Al-tifashi l-Qafsi (580-651/1184-1253) ; [translated] by George Sawa |
| title_short | Mut'at al-asma' fi 'ilm al-sama' |
| title_sort | mut at al asma fi ilm al sama the ears pleasure and the science of listening to music |
| title_sub | = the ears' pleasure and the science of listening to music |
| topic | Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 (DE-588)10241582X gnd Musikinstrument (DE-588)4040851-6 gnd Hofmusik (DE-588)4025520-7 gnd Gesang (DE-588)4020470-4 gnd Islam (DE-588)4027743-4 gnd Quelle (DE-588)4135952-5 gnd Musikhandschrift (DE-588)4040847-4 gnd Sozialverhalten (DE-588)4055903-8 gnd Musiker (DE-588)4040841-3 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Tīfāšī, Aḥmad Ibn-Yūsuf at- 1184-1253 Musikinstrument Hofmusik Gesang Islam Quelle Musikhandschrift Sozialverhalten Musiker Komposition Musik Islamische Staaten |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035099503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV008939081 |
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