The last man and Gothic sympathy:

This Element explores the theme of 'Gothic sympathy' as it appears in a collection of 'Last Man' novels. A liminal site of both possibility and irreconcilability, Gothic sympathy at once challenges the anthropocentric bias of traditional notions of sympathetic concern, premising...

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Bibliographic Details
Main Author: Cameron, Michael (Author)
Format: Electronic eBook
Language:English
Published: Cambridge Cambridge University Press 2024
Series:Cambridge elements
Subjects:
Online Access:DE-12
DE-473
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Summary:This Element explores the theme of 'Gothic sympathy' as it appears in a collection of 'Last Man' novels. A liminal site of both possibility and irreconcilability, Gothic sympathy at once challenges the anthropocentric bias of traditional notions of sympathetic concern, premising compassionate relations with other beings - animal, vegetal, etc. - beyond the standard measure of the liberal-humanist subject, and at the same time acknowledges the horror that is the ineluctable and untranslatable otherness accompanying, interrupting, and shaping such a sympathetic connection. Many examples of 'Last Man' fiction explore the dialectical impasse of Gothic sympathy by dramatizing complicated relationships between a lone liberal-humanist subject and other-than-human or posthuman subjects that will persist beyond humanity's extinction. Such confrontations as they appear in Mary Shelley's The Last Man, H.G. Wells's The Time Machine, and Richard Matheson's I Am Legend will be explored
Item Description:Title from publisher's bibliographic system (viewed on 22 Feb 2024)
Physical Description:1 Online-Ressource (68 Seiten)
ISBN:9781009357500
DOI:10.1017/9781009357500

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