Transitions in mid-Baroque music: style, genre and performance
"Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the m...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk ; Rochester, NY
The Boydell Press
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe."--Publisher's website |
| Beschreibung: | xxx, 331 Seiten Illustrationen, Notenbeispiele 25 cm |
| ISBN: | 9781837651580 |
Internformat
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| 245 | 1 | 0 | |a Transitions in mid-Baroque music |b style, genre and performance |c edited by Carrie Churnside |
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| 505 | 8 | |a 1. Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez -- 2. Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century -- 3. French Dances and the Consort Dances of Matthew Locke and his English Contemporaries -- 4. 'Italian sonatas in orchestral garb': Purcell and the 'reforme of musickal' Italiana' -- 5. Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century -- 6. Continuity and Change in Continuo Practice: The Case of Italian Opera -- 7. Musical Transitions at St. Mary's Church in Lübeck, 1630-1705 -- 8. The Creation of a 'Bolognese Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) -- 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -- 10. Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the turn of the Seventeenth Century -- 11. How Italian is the tragédieen musique of Quinault and Lully? -- 12. Euterpe's Revenge, or: The Italian Opera Aria c. 1660-1720 -- 13. 'Ho procurato di seguitare ... i tre maggiori lumi della nostra professione': Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -- 14. A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia | |
| 520 | 3 | |a "Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe."--Publisher's website | |
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Datensatz im Suchindex
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Contents List of Illustrations List ofMusic Examples List of Contributors Preface Carrie Churnside Acknowledgements List ofAbbreviations be xiii xviii xxii xxviii xxix Part I. Historical and Geographical Transitions in German and English Instrumental Music i Duplex Genius: The French and Italian Musical Styles in the Instrumental Works ofJohann Christoph Pez Samantha Owens 3 2 Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century 14 Michael Robertson 3 French Dances and the Consort Dances of Matthew Locke and his English Contemporaries 38 Andrew Woolley 4 ‘Italian sonatas in orchestral garb’: Purcell and the ‘reforme of musick al' Italliana’ Alan Howard 55 Part II. Changing Notational and Performance Practices 5 Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century 69 Gregory Barnett 6 Continuity and Change in Continuo Practice: The Case of Italian Opera Peter Holman 115 Part III. Two Case Studies in Mid-Baroque Church Music 7 Musical Transitions at St. Mary’s Church in Lübeck, 1630-1705 KERALA J. Snyder 139
Contents viii 8 The Creation of a ‘Bolognese Style’: Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) 161 Rodolfo Zitellini Part IV. Transition in Italian Instrumental Music 9 On the Cusps of Stylistic Change: Vivaldi’s Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots 189 Michael Talbot 10 Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the Turn of the Seventeenth Century 201 Guido Olivieri Part V. Change and Influence in Vocal Music 11 How Italian is the tragédie en musique of Quinault and Lully? 227 Michael Klaper 12 Euterpe’s Revenge, or: The Italian Opera Aria c. 1660-1720 Colin Timms 13 ‘Ho procurato di seguitare . i tre maggiori lumi della nostra professione’: Homage and Modernity in Perti’s Cantate morali e spirituali, op. 1 (1688) 247 272 Carrie Churnside 14 A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings ofA voi ehe I'accendeste by Francesco Maria Paglia 299 Rosalind Halton Index 32.7 |
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| author2 | Churnside, Carrie ca. 20./21. Jh |
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| contents | 1. Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez -- 2. Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century -- 3. French Dances and the Consort Dances of Matthew Locke and his English Contemporaries -- 4. 'Italian sonatas in orchestral garb': Purcell and the 'reforme of musickal' Italiana' -- 5. Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century -- 6. Continuity and Change in Continuo Practice: The Case of Italian Opera -- 7. Musical Transitions at St. Mary's Church in Lübeck, 1630-1705 -- 8. The Creation of a 'Bolognese Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) -- 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -- 10. Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the turn of the Seventeenth Century -- 11. How Italian is the tragédieen musique of Quinault and Lully? -- 12. Euterpe's Revenge, or: The Italian Opera Aria c. 1660-1720 -- 13. 'Ho procurato di seguitare ... i tre maggiori lumi della nostra professione': Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -- 14. A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia |
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| spelling | Transitions in mid-Baroque music style, genre and performance edited by Carrie Churnside Woodbridge, Suffolk ; Rochester, NY The Boydell Press 2024 xxx, 331 Seiten Illustrationen, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier 1. Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez -- 2. Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century -- 3. French Dances and the Consort Dances of Matthew Locke and his English Contemporaries -- 4. 'Italian sonatas in orchestral garb': Purcell and the 'reforme of musickal' Italiana' -- 5. Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century -- 6. Continuity and Change in Continuo Practice: The Case of Italian Opera -- 7. Musical Transitions at St. Mary's Church in Lübeck, 1630-1705 -- 8. The Creation of a 'Bolognese Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) -- 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -- 10. Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the turn of the Seventeenth Century -- 11. How Italian is the tragédieen musique of Quinault and Lully? -- 12. Euterpe's Revenge, or: The Italian Opera Aria c. 1660-1720 -- 13. 'Ho procurato di seguitare ... i tre maggiori lumi della nostra professione': Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -- 14. A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia "Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe."--Publisher's website Geschichte 1650-1720 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Music / 17th century / History and criticism Music / 18th century / History and criticism (DE-588)1071861417 Konferenzschrift Royal Birmingham Conservatoire 2015 gnd-content Barock (DE-588)4004541-9 s Musik (DE-588)4040802-4 s DE-604 Musikalischer Stil (DE-588)4170806-4 s Geschichte 1650-1720 z Churnside, Carrie ca. 20./21. Jh. (DE-588)1204933367 edt Erscheint auch als Online-Ausgabe 9781805433064 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035075323&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Transitions in mid-Baroque music style, genre and performance 1. Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez -- 2. Changing Concepts and Priorities: The German Consort Suite at the Start of the Eighteenth Century -- 3. French Dances and the Consort Dances of Matthew Locke and his English Contemporaries -- 4. 'Italian sonatas in orchestral garb': Purcell and the 'reforme of musickal' Italiana' -- 5. Key Signatures before Keys: Conceptualising and Notating Pitch Relations in the Seventeenth Century -- 6. Continuity and Change in Continuo Practice: The Case of Italian Opera -- 7. Musical Transitions at St. Mary's Church in Lübeck, 1630-1705 -- 8. The Creation of a 'Bolognese Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste in Bologna (1657-1671) -- 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -- 10. Naples at a Crossroads: Transformations in Neapolitan Instrumental Music at the turn of the Seventeenth Century -- 11. How Italian is the tragédieen musique of Quinault and Lully? -- 12. Euterpe's Revenge, or: The Italian Opera Aria c. 1660-1720 -- 13. 'Ho procurato di seguitare ... i tre maggiori lumi della nostra professione': Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -- 14. A Microcosm of Italian Cantata Composition in the 1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia Barock (DE-588)4004541-9 gnd Musikalischer Stil (DE-588)4170806-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4004541-9 (DE-588)4170806-4 (DE-588)4040802-4 (DE-588)1071861417 |
| title | Transitions in mid-Baroque music style, genre and performance |
| title_auth | Transitions in mid-Baroque music style, genre and performance |
| title_exact_search | Transitions in mid-Baroque music style, genre and performance |
| title_full | Transitions in mid-Baroque music style, genre and performance edited by Carrie Churnside |
| title_fullStr | Transitions in mid-Baroque music style, genre and performance edited by Carrie Churnside |
| title_full_unstemmed | Transitions in mid-Baroque music style, genre and performance edited by Carrie Churnside |
| title_short | Transitions in mid-Baroque music |
| title_sort | transitions in mid baroque music style genre and performance |
| title_sub | style, genre and performance |
| topic | Barock (DE-588)4004541-9 gnd Musikalischer Stil (DE-588)4170806-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Barock Musikalischer Stil Musik Konferenzschrift Royal Birmingham Conservatoire 2015 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035075323&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT churnsidecarrie transitionsinmidbaroquemusicstylegenreandperformance |