Proust's songbook: songs and their uses
In Proust's Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust's novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Prou...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
University of Pennsylvania Press
[2024]
|
| Schriftenreihe: | Sound in History
|
| Schlagworte: | |
| Online-Zugang: | DE-355 URL des Erstveröffentlichers |
| Zusammenfassung: | In Proust's Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust's novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust's opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs' significance by paying close attention to their lyrics, music, composers, and histories.Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust's novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust's juxtapositions of songs with meditations on the notion of "mauvaise musique" (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche-especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust's novel as songs of farewell-noting that to sing farewell is a means to resist the very parting that is being expressed-and demonstrates how songs, in formal terms, resist the forward impetus of narrative |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
| Beschreibung: | 1 Online-Ressource (324 Seiten) Notenbeispiele |
| ISBN: | 9781512825978 |
| DOI: | 10.9783/9781512825978 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049731741 | ||
| 003 | DE-604 | ||
| 005 | 20241202 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240606s2024 xx gl|| o|||| 00||| eng d | ||
| 020 | |a 9781512825978 |9 978-1-5128-2597-8 | ||
| 024 | 7 | |a 10.9783/9781512825978 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781512825978 | ||
| 035 | |a (OCoLC)1437839426 | ||
| 035 | |a (DE-599)BVBBV049731741 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 | ||
| 082 | 0 | |a 843/.912 |2 23//eng/20240422eng | |
| 100 | 1 | |a Rushworth, Jennifer |d 1987- |e Verfasser |0 (DE-588)1125884894 |4 aut | |
| 245 | 1 | 0 | |a Proust's songbook |b songs and their uses |c Jennifer Rushworth |
| 264 | 1 | |a Philadelphia |b University of Pennsylvania Press |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a 1 Online-Ressource (324 Seiten) |b Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Sound in History | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | ||
| 520 | |a In Proust's Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust's novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust's opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs' significance by paying close attention to their lyrics, music, composers, and histories.Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust's novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust's juxtapositions of songs with meditations on the notion of "mauvaise musique" (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche-especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust's novel as songs of farewell-noting that to sing farewell is a means to resist the very parting that is being expressed-and demonstrates how songs, in formal terms, resist the forward impetus of narrative | ||
| 546 | |a In English | ||
| 650 | 7 | |a LITERARY CRITICISM / European / French |2 bisacsh | |
| 650 | 7 | |a Music and literature |z France |x History |y 20th century |2 DLC. | |
| 650 | 4 | |a Music and literature |z France |x History |y 20th century | |
| 650 | 7 | |a Music in literature |2 DLC. | |
| 650 | 4 | |a Music in literature | |
| 650 | 7 | |a Songs in literature |2 DLC. | |
| 650 | 4 | |a Songs in literature | |
| 856 | 4 | 0 | |u https://doi.org/10.9783/9781512825978?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 940 | 1 | |q FHA_PDA_EMB | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035073931 | |
| 966 | e | |u https://doi.org/10.9783/9781512825978?locatt=mode:legacy |l DE-355 |p ZDB-23-DGG |q UBR Einzelkauf 2024 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824508260116332544 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Rushworth, Jennifer 1987- |
| author_GND | (DE-588)1125884894 |
| author_facet | Rushworth, Jennifer 1987- |
| author_role | aut |
| author_sort | Rushworth, Jennifer 1987- |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV049731741 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781512825978 (OCoLC)1437839426 (DE-599)BVBBV049731741 |
| dewey-full | 843/.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 843 - French fiction |
| dewey-raw | 843/.912 |
| dewey-search | 843/.912 |
| dewey-sort | 3843 3912 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| doi_str_mv | 10.9783/9781512825978 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049731741</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241202</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240606s2024 xx gl|| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781512825978</subfield><subfield code="9">978-1-5128-2597-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.9783/9781512825978</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781512825978</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437839426</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049731741</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">843/.912</subfield><subfield code="2">23//eng/20240422eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rushworth, Jennifer</subfield><subfield code="d">1987-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1125884894</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Proust's songbook</subfield><subfield code="b">songs and their uses</subfield><subfield code="c">Jennifer Rushworth</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia</subfield><subfield code="b">University of Pennsylvania Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (324 Seiten)</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Sound in History</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Proust's Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust's novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust's opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs' significance by paying close attention to their lyrics, music, composers, and histories.Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust's novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust's juxtapositions of songs with meditations on the notion of "mauvaise musique" (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche-especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust's novel as songs of farewell-noting that to sing farewell is a means to resist the very parting that is being expressed-and demonstrates how songs, in formal terms, resist the forward impetus of narrative</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / French</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music and literature</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield><subfield code="2">DLC.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music in literature</subfield><subfield code="2">DLC.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Songs in literature</subfield><subfield code="2">DLC.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Songs in literature</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.9783/9781512825978?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_EMB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035073931</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9781512825978?locatt=mode:legacy</subfield><subfield code="l">DE-355</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBR Einzelkauf 2024</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049731741 |
| illustrated | Illustrated |
| indexdate | 2025-02-19T17:37:47Z |
| institution | BVB |
| isbn | 9781512825978 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035073931 |
| oclc_num | 1437839426 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (324 Seiten) Notenbeispiele |
| psigel | ZDB-23-DGG FHA_PDA_EMB ZDB-23-DGG UBR Einzelkauf 2024 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | University of Pennsylvania Press |
| record_format | marc |
| series2 | Sound in History |
| spelling | Rushworth, Jennifer 1987- Verfasser (DE-588)1125884894 aut Proust's songbook songs and their uses Jennifer Rushworth Philadelphia University of Pennsylvania Press [2024] © 2024 1 Online-Ressource (324 Seiten) Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Sound in History Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) In Proust's Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust's novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust's opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs' significance by paying close attention to their lyrics, music, composers, and histories.Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust's novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust's juxtapositions of songs with meditations on the notion of "mauvaise musique" (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche-especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust's novel as songs of farewell-noting that to sing farewell is a means to resist the very parting that is being expressed-and demonstrates how songs, in formal terms, resist the forward impetus of narrative In English LITERARY CRITICISM / European / French bisacsh Music and literature France History 20th century DLC. Music and literature France History 20th century Music in literature DLC. Music in literature Songs in literature DLC. Songs in literature https://doi.org/10.9783/9781512825978?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rushworth, Jennifer 1987- Proust's songbook songs and their uses LITERARY CRITICISM / European / French bisacsh Music and literature France History 20th century DLC. Music and literature France History 20th century Music in literature DLC. Music in literature Songs in literature DLC. Songs in literature |
| title | Proust's songbook songs and their uses |
| title_auth | Proust's songbook songs and their uses |
| title_exact_search | Proust's songbook songs and their uses |
| title_full | Proust's songbook songs and their uses Jennifer Rushworth |
| title_fullStr | Proust's songbook songs and their uses Jennifer Rushworth |
| title_full_unstemmed | Proust's songbook songs and their uses Jennifer Rushworth |
| title_short | Proust's songbook |
| title_sort | proust s songbook songs and their uses |
| title_sub | songs and their uses |
| topic | LITERARY CRITICISM / European / French bisacsh Music and literature France History 20th century DLC. Music and literature France History 20th century Music in literature DLC. Music in literature Songs in literature DLC. Songs in literature |
| topic_facet | LITERARY CRITICISM / European / French Music and literature France History 20th century Music in literature Songs in literature |
| url | https://doi.org/10.9783/9781512825978?locatt=mode:legacy |
| work_keys_str_mv | AT rushworthjennifer proustssongbooksongsandtheiruses |