Pathology and Visual Culture: The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School
In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
University Park, PA
Penn State University Press
[2024]
|
| Subjects: | |
| Online Access: | Volltext |
| Summary: | In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity.During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created "scientific artworks" that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
| Physical Description: | 1 Online-Ressource (224 Seiten) |
| ISBN: | 9780271098203 |
| DOI: | 10.1515/9780271098203 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049731605 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240606s2024 xx o|||| 00||| eng d | ||
| 020 | |a 9780271098203 |9 978-0-271-09820-3 | ||
| 024 | 7 | |a 10.1515/9780271098203 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780271098203 | ||
| 035 | |a (OCoLC)1437844121 | ||
| 035 | |a (DE-599)BVBBV049731605 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 700/.4561 |2 23//eng/20240523eng | |
| 100 | 1 | |a Ruiz-Gómez, Natasha |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Pathology and Visual Culture |b The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School |c Natasha Ruiz-Gómez |
| 264 | 1 | |a University Park, PA |b Penn State University Press |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a 1 Online-Ressource (224 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | ||
| 520 | |a In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity.During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created "scientific artworks" that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture | ||
| 546 | |a In English | ||
| 650 | 7 | |a ART / History / Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 4 | |a Medicine and art |z France |x History |y 19th century | |
| 650 | 4 | |a Pathology |z France |x History |y 19th century | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780271098203?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 940 | 1 | |q FHA_PDA_EMB | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035073795 | |
Record in the Search Index
| _version_ | 1824508259832168448 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Ruiz-Gómez, Natasha |
| author_facet | Ruiz-Gómez, Natasha |
| author_role | aut |
| author_sort | Ruiz-Gómez, Natasha |
| author_variant | n r g nrg |
| building | Verbundindex |
| bvnumber | BV049731605 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780271098203 (OCoLC)1437844121 (DE-599)BVBBV049731605 |
| dewey-full | 700/.4561 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.4561 |
| dewey-search | 700/.4561 |
| dewey-sort | 3700 44561 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9780271098203 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049731605</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240606s2024 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780271098203</subfield><subfield code="9">978-0-271-09820-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780271098203</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780271098203</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437844121</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049731605</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.4561</subfield><subfield code="2">23//eng/20240523eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ruiz-Gómez, Natasha</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pathology and Visual Culture</subfield><subfield code="b">The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School</subfield><subfield code="c">Natasha Ruiz-Gómez</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, PA</subfield><subfield code="b">Penn State University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (224 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity.During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created "scientific artworks" that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Modern (late 19th Century to 1945)</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medicine and art</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pathology</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780271098203?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_EMB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035073795</subfield></datafield></record></collection> |
| id | DE-604.BV049731605 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:37:47Z |
| institution | BVB |
| isbn | 9780271098203 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035073795 |
| oclc_num | 1437844121 |
| open_access_boolean | |
| owner | DE-Aug4 |
| owner_facet | DE-Aug4 |
| physical | 1 Online-Ressource (224 Seiten) |
| psigel | ZDB-23-DGG FHA_PDA_EMB |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Penn State University Press |
| record_format | marc |
| spelling | Ruiz-Gómez, Natasha Verfasser aut Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School Natasha Ruiz-Gómez University Park, PA Penn State University Press [2024] © 2024 1 Online-Ressource (224 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity.During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created "scientific artworks" that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization.Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture In English ART / History / Modern (late 19th Century to 1945) bisacsh Medicine and art France History 19th century Pathology France History 19th century https://doi.org/10.1515/9780271098203?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ruiz-Gómez, Natasha Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School ART / History / Modern (late 19th Century to 1945) bisacsh Medicine and art France History 19th century Pathology France History 19th century |
| title | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School |
| title_auth | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School |
| title_exact_search | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School |
| title_full | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School Natasha Ruiz-Gómez |
| title_fullStr | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School Natasha Ruiz-Gómez |
| title_full_unstemmed | Pathology and Visual Culture The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School Natasha Ruiz-Gómez |
| title_short | Pathology and Visual Culture |
| title_sort | pathology and visual culture the scientific artworks of dr jean martin charcot and the salpetriere school |
| title_sub | The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpêtrière School |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Medicine and art France History 19th century Pathology France History 19th century |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Medicine and art France History 19th century Pathology France History 19th century |
| url | https://doi.org/10.1515/9780271098203?locatt=mode:legacy |
| work_keys_str_mv | AT ruizgomeznatasha pathologyandvisualculturethescientificartworksofdrjeanmartincharcotandthesalpetriereschool |