Singular plural ways of staging together: perspectives on contemporary dance, art performance and visual art
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Bielefeld
transcript
[2024]
|
| Series: | TanzScripte
72 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 384 Seiten Illustrationen, Diagramme 24 cm x 15.5 cm, 667 g |
| ISBN: | 9783837672473 3837672476 |
Staff View
MARC
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| 100 | 1 | |a Julian, Iris |d 1975- |e Verfasser |0 (DE-588)1015407072 |4 aut | |
| 240 | 1 | 0 | |a Formen der Zusammenarbeit und des "Mit-Seins" |
| 245 | 1 | 0 | |a Singular plural ways of staging together |b perspectives on contemporary dance, art performance and visual art |c Iris Julian |
| 264 | 1 | |a Bielefeld |b transcript |c [2024] | |
| 300 | |a 384 Seiten |b Illustrationen, Diagramme |c 24 cm x 15.5 cm, 667 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a TanzScripte |v 72 | |
| 502 | |b Dissertation |c Akademie der Bildenden Künst |d 2021 |g Originaltitel der Dissertation: Formen der Zusammenarbeit und des "Mit-Seins" | ||
| 650 | 0 | 7 | |a Choreografie |0 (DE-588)4069977-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tanz |0 (DE-588)4059028-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 653 | |a Culture | ||
| 653 | |a Dance | ||
| 653 | |a Performance | ||
| 653 | |a Rehearsal | ||
| 653 | |a Artistic Collaboration | ||
| 653 | |a Theatre | ||
| 653 | |a Theatre Studies | ||
| 653 | |a Theory of Art | ||
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Record in the Search Index
| _version_ | 1824679573129789440 |
|---|---|
| adam_text |
CONTENTS
PREFACE:
CHOREOGRAPHY
AS
SOCIAL
PRACTICE
GERALD
SIEGMUND
.
11
01.00
THE
SELECTED
WORKS
AND
THEIR
ARTISTIC
FIELD
.
15
01.01
THE
STAGING
PROCESS
AN
OBJECT
OF
RESEARCH?
.
15
01.02
THE
BLACK
BOX
OF
THE
THEATRE
AND
THE
WHITE
CUBE
OF
THE
MUSEUM
.
18
01.03
THE
COMMON
WORKING
SCHEME:
THE
ROSAS
DANCE
COMPANY
.
21
01.04
ON
DANCE
HISTORY:
FREEDOM?
IN
CHOREOGRAPHIC
DESIGN
.
22
01.05
SELECTING
THE
STAGING
PROCESSES
.
25
01.06
STAGING
PROCESSES
IN
DANCE
AND
PERFORMANCE:
A
HISTORICAL
OUTLINE
.
31
01.07
COLLABORATIVE
FORMATS
AS
SEDUCERS
.
37
02.00
TOWARDS
A
PRODUCTION-AESTHETIC
APPROACH
.
41
02.01
PRODUCTION-AESTHETIC
PERSPECTIVES
IN
DANCE
AND
THEATRE
STUDIES
.
41
02.02
PERFORMANCES,
STAGING
PROCESSES
AND
SOCIAL
(INTER)ACTIONS
.
58
02.03
INDIVIDUUM:
THE
OTHER
SIDE
OF
THE
SINGULAR
PLURAL
.
70
03.00
RESEARCH
QUESTIONS:
THREE
PERSPECTIVES
.
91
03.01
THE
FIRST
PERSPECTIVE:
THEATRE
STUDIES
AND
ART
HISTORY
.
91
03.02
THE
SECOND
PERSPECTIVE:
CHOREOGRAPHY
AS
1,2,
3.SINGULAR
PLURALS
.
92
03.03
THE
THIRD
PERSPECTIVE:
AGAINST
THE
BACKDROP
OF
REAL
LIFE
.
96
03.04
CO-SENSE
-
A
BASIS
OF
ALTERNATIVE
AUTHORSHIP?
.
100
04.00
METHODOLOGY
FOR
A
SOCIOLOGICAL
PERSPECTIVE
.
103
04.01
DEFINING
THE
CORE
(OF
THE)
TEAM
.
103
04.02
DIVISIONAL
WRITING
AND
COLLECTIVE
CREATIVITY
.
104
04.03
PARTICIPATION:
EVOLVING
ALONG
A
GREYSCALE
.
105
04.04
THE
TRIPARTITION
METHOD
.
106
04.05
DEGREES
IN
PARTICIPATION
AND
THE
QUESTION
OF
"POWER"
.
114
04.06
A
SENSE
OF
ONE'S
PLACE
.
117
04.07
BOURDIEU'S
THEORY
OF
CAPITAL
IN
RELATION
TO
MY
STUDY
.
118
04.08
THE
SOCIAL
SPACE
MODEL
.
132
04.09
DIFFERENT
TYPES
OF
CAPITAL.AND
THEIR
INTERPRETATION
.
135
04.10
ESCAPING
DETERMINISM
.
138
05.00
"REPORTABLE
PORTRAITS"
.
141
05.01
RESEARCH
SCOPE:
LA
COMMUNAUTE
DESOEUVREE
.
141
05.02
COUNTERACTING
THE
TRADITIONAL
NARRATIVE:
THE
CVS
OF
THE
PARTICIPANTS
.
144
05.03
CONCEPTION
PHASE:
A
STARTING
POINT
IS
NOT
A
STARTING
.
POINT
.
153
05.04
REHEARSAL
PHASE
.
154
05.05
REFORMULATION
AND
THE
NOTION
OF
"SENS
DE
CIRCULATION"
.
180
05.06
SOCIAL
SPACE:
FRICTIONS
AND
ANTAGONISMS
.
185
05.07
EVALUATING
THE
WORKING
SCHEME
AND
SOCIAL
SPACE
DIAGRAMS
.
186
05.08
SOCIAL
NETWORKS:
A
FURTHER
PERSPECTIVE
.
193
05.09
MICRO-HABITUS
.
196
05.10
MEDIA
PHASE:
INTERNAL
DISCOURSE
.
199
05.11
MEDIA
PHASE:
REPORTABLE
PORTRAITS
FROM
AN
OUTSIDE
PERSPECTIVE
.
206
05.12
BETWEEN
CO-SENSE
(MIT-SINN)
AND
THE
SINGULAR
.
209
05.13
AUTHORSHIP
AND
SYMBOLIC
CAPITAL
.
211
06.00
"COLLECT-IF
BY
COLLECT-IF"
.
215
06.01
REVERSING
THE
NARRATIVE
.
215
06.02
DEPICTING
THE
SOCIAL
SPACE
OF
COLLECT-IF
BY
COLLECT-IF
.
229
06.03
CONCEPTION
PHASE,
WITHOUT
CONCEPT
.
235
06.04
BETWEEN
ALL
CHAIRS:
AUDITION
.
237
06.05
REHEARSAL
PHASE:
THE
STARTING
POINT
AND
ITS
DIFFICULTIES
.
241
06.06
NO
GOAL?
.
257
06.07
SOCIAL
SPACE
DIAGRAM
AND
WORKERS'
SELF-ORGANISATION
.
260
06.08
MEDIA
PHASE:
THE
NECESSITIES
OF
RETRIEVABILITY
.
265
06.09
A
"REMAINDER"
THAT
CANNOT
BE
FULLY
GRASPED
.
271
07.00
"RETROSPECTIVE"
.
275
07.01
UNDOING
AUTHORSHIP(S)
.
275
07.02
UN/PRESENTABLE(S)
-
NON-HUMAN
PARTICIPANTS
.
283
07.03
CONCEPTION
PHASE:
A
SINGULAR
BEING
A
PLURAL
.
300
07.04
REHEARSAL
PHASE:
THE
SEQUENCES
SELECTED
.
304
07.05
MEDIA
PHASE:
QUESTIONS
OF
AUTHORSHIP(S)
.
338
08.00
SYNOPSIS
.
349
08.01
THREE
GUIDING
RESEARCH
PERSPECTIVES
.
349
08.02
A
PRIORI
QUESTIONS
.
349
08.03
FIRST
PERSPECTIVE
----
A
HISTORICAL
OUTLINE
.
352
08.04
SECOND
PERSPECTIVE:
AN
ONTOLOGICAL
READING
.
356
08.05
THIRD
PERSPECTIVE:
SOCIOLOGICAL
ENQUIRY
.
358
08.06
CO-SENSE:
A
BASIS
FOR
A
NEW
CONCEPT
OF
ALTERNATIVE
AUTHORSHIP?
.
365
08.07
CONCLUSION
AND
OUTLOOK
.
369
09.00
BIBLIOGRAPHY
.
371
10.00
TABLE
OF
ILLUSTRATIONS
.
383 |
| any_adam_object | 1 |
| author | Julian, Iris 1975- |
| author_GND | (DE-588)1015407072 |
| author_facet | Julian, Iris 1975- |
| author_role | aut |
| author_sort | Julian, Iris 1975- |
| author_variant | i j ij |
| building | Verbundindex |
| bvnumber | BV049701431 |
| classification_rvk | AP 87500 AP 84400 |
| ctrlnum | (OCoLC)1443578213 (DE-599)DNB1324268506 |
| discipline | Allgemeines |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV049701431 |
| illustrated | Illustrated |
| indexdate | 2025-02-21T15:00:44Z |
| institution | BVB |
| isbn | 9783837672473 3837672476 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035043820 |
| oclc_num | 1443578213 |
| open_access_boolean | |
| owner | DE-29 DE-703 DE-188 |
| owner_facet | DE-29 DE-703 DE-188 |
| physical | 384 Seiten Illustrationen, Diagramme 24 cm x 15.5 cm, 667 g |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | transcript |
| record_format | marc |
| series | TanzScripte |
| series2 | TanzScripte |
| spelling | Julian, Iris 1975- Verfasser (DE-588)1015407072 aut Formen der Zusammenarbeit und des "Mit-Seins" Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art Iris Julian Bielefeld transcript [2024] 384 Seiten Illustrationen, Diagramme 24 cm x 15.5 cm, 667 g txt rdacontent n rdamedia nc rdacarrier TanzScripte 72 Dissertation Akademie der Bildenden Künst 2021 Originaltitel der Dissertation: Formen der Zusammenarbeit und des "Mit-Seins" Choreografie (DE-588)4069977-8 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Culture Dance Performance Rehearsal Artistic Collaboration Theatre Theatre Studies Theory of Art (DE-588)4113937-9 Hochschulschrift gnd-content Choreografie (DE-588)4069977-8 s Performance Künste (DE-588)4173750-7 s Tanz (DE-588)4059028-8 s Theater (DE-588)4059702-7 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-3-8394-7247-7 TanzScripte 72 (DE-604)BV021384265 72 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035043820&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20240323 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Julian, Iris 1975- Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art TanzScripte Choreografie (DE-588)4069977-8 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4069977-8 (DE-588)4059028-8 (DE-588)4173750-7 (DE-588)4059702-7 (DE-588)4113937-9 |
| title | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art |
| title_alt | Formen der Zusammenarbeit und des "Mit-Seins" |
| title_auth | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art |
| title_exact_search | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art |
| title_full | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art Iris Julian |
| title_fullStr | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art Iris Julian |
| title_full_unstemmed | Singular plural ways of staging together perspectives on contemporary dance, art performance and visual art Iris Julian |
| title_short | Singular plural ways of staging together |
| title_sort | singular plural ways of staging together perspectives on contemporary dance art performance and visual art |
| title_sub | perspectives on contemporary dance, art performance and visual art |
| topic | Choreografie (DE-588)4069977-8 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Choreografie Tanz Performance Künste Theater Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035043820&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV021384265 |
| work_keys_str_mv | AT julianiris formenderzusammenarbeitunddesmitseins AT julianiris singularpluralwaysofstagingtogetherperspectivesoncontemporarydanceartperformanceandvisualart |