The Routledge companion to global film music in the early sound era:
"In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2024
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| Schriftenreihe: | Routledge music companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues-culturally, historically, and aesthetically-across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history"-- |
| Beschreibung: | xxxiv, 807 Seiten Illustrationen, Notenbeispiele, Porträts 26,3 cm |
| ISBN: | 9781138586697 9781032595313 |
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| 505 | 8 | |a Introduction / Jeremy Barham -- PART 1. Western Europe and Scandinavia. "A very great error of judgment" : Caution and Timidity in the Musical Provision of Britain's Early Talkie Features / Geoff Brown ; A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes. Early Sound Film in The Netherlands : Developments & Debates / Emile Wennekes ; The Use of Non-Diegetic Music in Early Swedish Talkies 1930-1931 / Christopher Natzén ; The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema / Maria Fuchs ; Eternally Feminine : Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany / Jeremy Barham ; Film Music in France, 1928-1940' / Colin Roust ; Silent Film, Music, and Fantasy During the Transition to Sound / James Buhler ; Coming to Terms with Music as Narrative Architecture : Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932) / Dominique Nasta and Hubert Bolduc-Cloutier ; Readymade Soundtracks : Musical Accompaniment for Dada and Surrealist Film ; Suzy Mangion ; Exotic Music, Colonial Others, and French Cultural Identity in Poetic Realist Cinema / Hannah Lewis ; The Advent of Sound Film in Italy and the First Approaches to the New Audio-Visual Genre by Italian Composers during the Years 1930-1940 / Kristjan Stopar ; "Oh ... Modern Music!" Hollywood, Satire, and "Modernism" in Giuseppe Piazzi's Score for I fratelli dinamite (1949) / Marco Bellano ; The Folkloric Film Musical in the Spanish Second Republic (1931-1939) : Imperio Argentina, Florián Rey and their Morena Clara / Laura Miranda González ; Composing the Nation : the Role of fado in A Severa, the First Portuguese Sound Film (1931) / Helena Marinho and Susana Sardo | |
| 505 | 8 | |a PART 2. Central and Eastern Europe. Music and Dance in the Service of Modern Poland in Polish Films of the 1930s / Ewa Mazierska ; Battle of Songs : Music and Language in Left-wing Yiddish Films Made in Poland During the 1930s and 1940s / Iwona Sowińska ; Film Song as a Synergistic Commodity in the Acoustic Media Culture of 1930s Czechoslovakia / Petr Szczepanik ; Charms and Whispers: Musical Comedy and Vocal Performance in Oldřich Nový's Star Image 1936-1945 / Šárka Gmiterková ; The Metamusical Qualities of the Viennese Film, Cine-Operetta, and the Music Film in Austrian Sound Film of the 1930s / Robert Dassanowsky ; Composing for the Screen, Composing for the Stage : Hungarian Film Composers in the Interwar Period / Zsuzsanna Varga ; A Theme Runs Through It : Early Hungarian Sound Films and the Music of Tibor Weygand / Gábor Gergely ; Who is Singing Over There? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans / Ana Grgic and Marian Tutui ; Early Greek Talkies (1930-1940) : Struggling Between Technological Innovation and Theatrical Tradition / Emmanuel Arkolakis ; Intercultural Synergies in Early Mediterranean Sound Cinema : Togo Mizrahi's Greek-Speaking Film The Girl Refugee (1938) / Nick Poulakis ; From Alafranga to Alaturca, from Operettas to Melodramas : Music in Early Turkish Talkies / Özge Özyılmaz ; "The Dream of a Fatty :" the First Lithuanian Sound Film in the Context of Early Puppet-Animation Films / Antanas Kučinskas | |
| 505 | 8 | |a PART 3. North Africa, The Middle East, Asia, and Australasia. Essentially Egyptian : the Development of a Syncretic Film Song Style / Margaret Farrell ; The Singing Cinema : Synchronized Sound and the Reception by Press and Audiences of Singing Films in Egypt, 1907-1934 / Mohannad Ghawanmeh ; Myth-building through Diegetic African Music in Early South African Sound Films / Christopher Jeffery ; The Indian Origins of the Iranian Sound Film / Pedram Partovi ; Sound and Music in the Early Indian Talkie : 1931-1936 / Virchand Dharamsey and Iyesha Geeth Abbas ; The Musical Language of Indian Film Song of the 1940s / John Caldwell ; Mental Hearing of Sound : the Evocation and Mediation of Acoustic Experience in Two Stars in the Milky Way (1931) / Ling Zhang ; Film Songwriting Practices in Pre-war Hong Kong Cinema : a Case Study of Director Chan Pei / Stephanie Ng ; Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943) / Timmy Chih-Ting Chen ; Singing Japanese Modernity : a Genealogy of Performance Scenes in Early Talkies in Japan and their Heterogeneous Representation / Fumito Shirai ; Emerging from Silence : Shochiku, Ito, and Ozu's Early Sound Films / James M. Doering ; Tarzan Meets Hiawatha : Musical Representation in Australian Indigenous Films of the 1930s / Anthony Linden Jones | |
| 505 | 8 | |a PART 4. Latin America. Imaginaries from Buenos Aires. From Tango Poetics of the 1920s Toward Sound Films in the 1930s / Pablo Piedras ; Film and Tango : the Contribution of Luis César Amadori to the Argentine Film Industry in the Late 1930s / Lucía Rodríguez Riva ; Songs Beyond "el Rancho Grande" : Trans/national and Cross-Media Dimensions in the Mexican Comedia Ranchera / Peter W. Schulze ; Dance, Desire, and Cosmopolitanism : Early Danzón Performances in the 1930s Mexican Prostitute Melodrama / Jacqueline Avila and Oswaldo Mejí Mendiola ; Beyond the Musical Numbers : the Brazilian Film Coisas Nossas and its Arrangements with the Local Record Industry / Suzana Reck Miranda ; Between Cinearte and Phono-arte : on the Arrival of Brazilian Sound Film in Two Magazines / Rafael de Luna Freire ; Villa-Lobos's Music for the Feature O descobrimento do Brasil [The Discovery of Brazil] (1937) : Nationalism in the Early Sound Era / Anselmo Mancini ; When 'Early' Sound Cinema was 'Late :' Differential Chronologies in Chile, Uruguay, Cuba and Colombia / Ana M. López | |
| 505 | 8 | |a PART 5. Soviet Russia. The Sound of Socialist Realism : Excess and Ideology in Stalinist Film / Lilya Kaganovsky ; "New Means of Enormous Power" : Music in Early Soviet Sound Film / Kathryn Kalinak ; Experimentalism and the 'Mainstream' in the Early Film Scores of Gavril Popov and Vladimir Shcherbachyov / Joan Titus ; Accordions as 'Sluts,' Guitars as Gypsies, and Pianos as Noble Fops : the Images of Russian Musical Instruments in Soviet Sound Movies of the 1930s / Dmitri Zakharine | |
| 520 | 3 | |a "In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues-culturally, historically, and aesthetically-across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history"-- | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS xüi xt’ xxi’ Acknowledgments List of music examples, figures,and tables Notes on contributor biographies 1 Introduction feremy Barham PARTI Western Europe and Scandinavia 33 1 “A Very Great Error of Judgment”: caution and timidity in the musical provision of Britain’s early talkie features Geoff Brown 2 A man saying “Mooh” and an actress bursting into an aria about red and white radishes. Early sound film in The Netherlands: developments debates Emile Wennekes 35 49 3 The use of non-diegetic music in early Swedish talkies 1930-1931 Christopher Natzén 4 The Kinotheken and Giuseppe Becce’s scoring practices in early German sound cinema Maria Fuchs vii 65 ?3
Contents 5 Eternally feminine: Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and cultural representations of womanhood in the scoring of early sound films from Weimar-Republic Germany Jeremy Barham 97 6 Film music in France, 1928-1940 Colin Roust 122 7 Silent film, music, and fantasy during the transition to sound James Buhler 132 8 Coming to terms with music as narrative architecture: Jean Grémillon’s Maldone (1928), La Petite Lise (1930), and Da'inah la Métisse (1932) Dominique Nasta and Hubert Bolduc-Cloutier 9 Readymade soundtracks: musical accompaniment for Dada and surrealist film Suzy Mangion 143 158 10 Exotic music, colonial others, and French cultural identity in poetic realist cinema Hannah Lewis 168 11 The advent of sound film in Italy and the first approaches to the new audio-visual genre by Italian composers during the years 1930-1940 Kristjan Stopar 181 12 “Oh . . . Modern Music!” Hollywood, satire, and ‘modernism’ in Giuseppe Piazzi’s score for I fratelli dinamite (1949) Marco Bellano 197 13 The Folkloric film musical in the Spanish second republic (19311939): Imperio Argentina, Florian Rey and their Morena Clara Laura Miranda 212 14 Composing the nation: the role of fado in A Severa, the first Portuguese sound film (1931) Helena Marinho and Susana Sardo 229 viii
Contents PART 2 Central and Eastern Europe 243 15 Music and dance in the service of modern Poland in Polish films of the 1930s Ewa Mazierska 245 16 Battle of songs: music and language in left-wing Yiddish films made in Poland during the 1930s and 1940s Iwona Sowmska 255 17 Film song as a synergistic commodity in the acoustic media culture of 1930s Czechoslovakia Petr Szczepanik 268 18 Charms and whispers: musical comedy and vocal performance in Oldfich Novy’s star image 1936-1945 ^ârka Jelinek Gmiterkovâ 284 19 The metamusical qualities of the Viennese film, cine-operetta, and the music film in Austrian sound film of the 1930s Robert Dassanowsky 295 20 Composing for the screen, composing for the stage: Hungarian film composers in the interwar period Zsuzsanna Varga 306 21 A theme runs through it: early Hungarian sound films and the music of Tibor Weygand Gabor Gergely 321 22 Who is singing over there? the Potpourri of multiple voices in early sound cinema of the Balkans Ana Grgic and Marian Tutui 332 23 Early Greek talkies (1930-1940): struggling between technological innovation and theatrical tradition Emmanuel Arkolakis 351 24 Intercultural synergies in early Mediterranean sound cinema: Togo Mizrahi’s Greek-speaking film The Girl Refugee (1938) Nick Poulakis 361 ix
Contents 25 From alafranga to alaturca, from operettas to melodramas: music in early Turkish Talkies Özge Özytlmaz 377 26 The Dream of a Fatty, the first Lithuanian sound film in the context of early puppet-animation films Antanas Kucinskas 397 PART 3 North Africa, The Middle East, Asia, and Australasia 405 27 Essentially Egyptian: the development of a syncretic film song style Margaret Farrell 407 28 The singing cinema: synchronized sound and the reception by press and audiences of singing films in Egypt, 1907-1934 Mohannad Ghawanmeh 425 29 Myth-building through diegetic African music in early South African sound films Christopher Jeffery 435 30 The Indian origins of the Iranian sound film Pedram Partovi 448 31 Sound and music in the early Indian talkie: 1931-1936 Virchand Dharamsey and lyesha Geeth Abbas 459 32 The musical language of Indian film song of the 1940s John Caldwell 479 33 Mental hearing of sound: the evocation and mediation of acoustic experience in Two Stars in the Milky Way (1931) Ling Zhang 517 34 Film songwriting practices in pre-war Hong Kong cinema: a case study of director Chan Pei Stephanie Ng 530 35 Charitable or traitorous? The ethics and aesthetics of performance in Myriad of Colors (1943) Timmy Chih-Ting Chen 550 X
Contents 36 Singing Japanese modernity: a genealogy of performance scenes in early talkies in Japan and their heterogeneous representation Fumito Shirai 565 37 Emerging from silence: Shochiku, Ito, and Ozu’s early sound films James Μ. Doering 38 Tarzan meets Hiawatha: musical representation in Australian indigenous films of the 1930s Anthony Linden Jones 577 589 PART 4 Latin America 603 39 Imaginaries from Buenos Aires. From tango poetics of the 1920s toward sound films in the 1930s Pablo Piedras 605 40 Film and tango: the contribution of Luis César Amadori to the Argentine film industry in the late 1930s Lucia Rodriguez Riva 6 14 41 Songs beyond “El Rancho Grande”: trans/national and cross-media dimensions in the Mexican Comedia Ranchera Peter W. Schulze 623 42 Dance, desire, and cosmopolitanism: early Danzôn performances in the 1930s Mexican prostitute melodrama Jacqueline Avila and Oswaldo Meji Mendiola 634 43 Beyond the musical numbers: the Brazilian film Coisas Nossas and its arrangements with the local record industry Suzana Reck Miranda 651 44 Between Cinearte and Phono-arte: on the arrival of Brazilian sound film in two magazines Rafael de Luna Freire 661 45 Villa-Lobos’s music for the feature О descobrimento do Brasil [The Discovery of Brazil] (1937): nationalism in the early sound era Anselmo Mancini 676 xi
Contents 46 When ‘early’ sound cinema was ‘late:’ differential chronologies in Chile, Uruguay, Cuba and Colombia Ana Μ. Lopez 696 PART 5 Soviet Russia 713 47 The sound of socialist realism: excess and ideology in Stalinist film Lilya Kaganovsky 715 48 “New Means of Enormous Power”: music in early Soviet sound film Kathryn Kalinak 734 49 Experimentalism and the ‘mainstream’ in the early film scores of Gavril Popov and Vladimir Shcherbachyov Joan Titus 50 Accordions as ‘sluts,’ guitars as Gypsies, and pianos as noble fops: the images of Russian musical instruments in Soviet sound movies of the 1930s Dmitri Zakharine Index 749 762 778 |
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| contents | Introduction / Jeremy Barham -- PART 1. Western Europe and Scandinavia. "A very great error of judgment" : Caution and Timidity in the Musical Provision of Britain's Early Talkie Features / Geoff Brown ; A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes. Early Sound Film in The Netherlands : Developments & Debates / Emile Wennekes ; The Use of Non-Diegetic Music in Early Swedish Talkies 1930-1931 / Christopher Natzén ; The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema / Maria Fuchs ; Eternally Feminine : Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany / Jeremy Barham ; Film Music in France, 1928-1940' / Colin Roust ; Silent Film, Music, and Fantasy During the Transition to Sound / James Buhler ; Coming to Terms with Music as Narrative Architecture : Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932) / Dominique Nasta and Hubert Bolduc-Cloutier ; Readymade Soundtracks : Musical Accompaniment for Dada and Surrealist Film ; Suzy Mangion ; Exotic Music, Colonial Others, and French Cultural Identity in Poetic Realist Cinema / Hannah Lewis ; The Advent of Sound Film in Italy and the First Approaches to the New Audio-Visual Genre by Italian Composers during the Years 1930-1940 / Kristjan Stopar ; "Oh ... Modern Music!" Hollywood, Satire, and "Modernism" in Giuseppe Piazzi's Score for I fratelli dinamite (1949) / Marco Bellano ; The Folkloric Film Musical in the Spanish Second Republic (1931-1939) : Imperio Argentina, Florián Rey and their Morena Clara / Laura Miranda González ; Composing the Nation : the Role of fado in A Severa, the First Portuguese Sound Film (1931) / Helena Marinho and Susana Sardo PART 2. Central and Eastern Europe. Music and Dance in the Service of Modern Poland in Polish Films of the 1930s / Ewa Mazierska ; Battle of Songs : Music and Language in Left-wing Yiddish Films Made in Poland During the 1930s and 1940s / Iwona Sowińska ; Film Song as a Synergistic Commodity in the Acoustic Media Culture of 1930s Czechoslovakia / Petr Szczepanik ; Charms and Whispers: Musical Comedy and Vocal Performance in Oldřich Nový's Star Image 1936-1945 / Šárka Gmiterková ; The Metamusical Qualities of the Viennese Film, Cine-Operetta, and the Music Film in Austrian Sound Film of the 1930s / Robert Dassanowsky ; Composing for the Screen, Composing for the Stage : Hungarian Film Composers in the Interwar Period / Zsuzsanna Varga ; A Theme Runs Through It : Early Hungarian Sound Films and the Music of Tibor Weygand / Gábor Gergely ; Who is Singing Over There? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans / Ana Grgic and Marian Tutui ; Early Greek Talkies (1930-1940) : Struggling Between Technological Innovation and Theatrical Tradition / Emmanuel Arkolakis ; Intercultural Synergies in Early Mediterranean Sound Cinema : Togo Mizrahi's Greek-Speaking Film The Girl Refugee (1938) / Nick Poulakis ; From Alafranga to Alaturca, from Operettas to Melodramas : Music in Early Turkish Talkies / Özge Özyılmaz ; "The Dream of a Fatty :" the First Lithuanian Sound Film in the Context of Early Puppet-Animation Films / Antanas Kučinskas PART 3. North Africa, The Middle East, Asia, and Australasia. Essentially Egyptian : the Development of a Syncretic Film Song Style / Margaret Farrell ; The Singing Cinema : Synchronized Sound and the Reception by Press and Audiences of Singing Films in Egypt, 1907-1934 / Mohannad Ghawanmeh ; Myth-building through Diegetic African Music in Early South African Sound Films / Christopher Jeffery ; The Indian Origins of the Iranian Sound Film / Pedram Partovi ; Sound and Music in the Early Indian Talkie : 1931-1936 / Virchand Dharamsey and Iyesha Geeth Abbas ; The Musical Language of Indian Film Song of the 1940s / John Caldwell ; Mental Hearing of Sound : the Evocation and Mediation of Acoustic Experience in Two Stars in the Milky Way (1931) / Ling Zhang ; Film Songwriting Practices in Pre-war Hong Kong Cinema : a Case Study of Director Chan Pei / Stephanie Ng ; Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943) / Timmy Chih-Ting Chen ; Singing Japanese Modernity : a Genealogy of Performance Scenes in Early Talkies in Japan and their Heterogeneous Representation / Fumito Shirai ; Emerging from Silence : Shochiku, Ito, and Ozu's Early Sound Films / James M. Doering ; Tarzan Meets Hiawatha : Musical Representation in Australian Indigenous Films of the 1930s / Anthony Linden Jones PART 4. Latin America. Imaginaries from Buenos Aires. From Tango Poetics of the 1920s Toward Sound Films in the 1930s / Pablo Piedras ; Film and Tango : the Contribution of Luis César Amadori to the Argentine Film Industry in the Late 1930s / Lucía Rodríguez Riva ; Songs Beyond "el Rancho Grande" : Trans/national and Cross-Media Dimensions in the Mexican Comedia Ranchera / Peter W. Schulze ; Dance, Desire, and Cosmopolitanism : Early Danzón Performances in the 1930s Mexican Prostitute Melodrama / Jacqueline Avila and Oswaldo Mejí Mendiola ; Beyond the Musical Numbers : the Brazilian Film Coisas Nossas and its Arrangements with the Local Record Industry / Suzana Reck Miranda ; Between Cinearte and Phono-arte : on the Arrival of Brazilian Sound Film in Two Magazines / Rafael de Luna Freire ; Villa-Lobos's Music for the Feature O descobrimento do Brasil [The Discovery of Brazil] (1937) : Nationalism in the Early Sound Era / Anselmo Mancini ; When 'Early' Sound Cinema was 'Late :' Differential Chronologies in Chile, Uruguay, Cuba and Colombia / Ana M. López PART 5. Soviet Russia. The Sound of Socialist Realism : Excess and Ideology in Stalinist Film / Lilya Kaganovsky ; "New Means of Enormous Power" : Music in Early Soviet Sound Film / Kathryn Kalinak ; Experimentalism and the 'Mainstream' in the Early Film Scores of Gavril Popov and Vladimir Shcherbachyov / Joan Titus ; Accordions as 'Sluts,' Guitars as Gypsies, and Pianos as Noble Fops : the Images of Russian Musical Instruments in Soviet Sound Movies of the 1930s / Dmitri Zakharine |
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| era_facet | Geschichte 1928-1945 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008c 4500</leader><controlfield tag="001">BV049699073</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240705</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240528s2024 agcl b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138586697</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-138-58669-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032595313</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-032-59531-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1435166984</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049699073</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Routledge companion to global film music in the early sound era</subfield><subfield code="c">edited by Jeremy Barham</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxxiv, 807 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele, Porträts</subfield><subfield code="c">26,3 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge music companions</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction / Jeremy Barham -- PART 1. Western Europe and Scandinavia. "A very great error of judgment" : Caution and Timidity in the Musical Provision of Britain's Early Talkie Features / Geoff Brown ; A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes. Early Sound Film in The Netherlands : Developments & Debates / Emile Wennekes ; The Use of Non-Diegetic Music in Early Swedish Talkies 1930-1931 / Christopher Natzén ; The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema / Maria Fuchs ; Eternally Feminine : Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany / Jeremy Barham ; Film Music in France, 1928-1940' / Colin Roust ; Silent Film, Music, and Fantasy During the Transition to Sound / James Buhler ; Coming to Terms with Music as Narrative Architecture : Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932) / Dominique Nasta and Hubert Bolduc-Cloutier ; Readymade Soundtracks : Musical Accompaniment for Dada and Surrealist Film ; Suzy Mangion ; Exotic Music, Colonial Others, and French Cultural Identity in Poetic Realist Cinema / Hannah Lewis ; The Advent of Sound Film in Italy and the First Approaches to the New Audio-Visual Genre by Italian Composers during the Years 1930-1940 / Kristjan Stopar ; "Oh ... Modern Music!" Hollywood, Satire, and "Modernism" in Giuseppe Piazzi's Score for I fratelli dinamite (1949) / Marco Bellano ; The Folkloric Film Musical in the Spanish Second Republic (1931-1939) : Imperio Argentina, Florián Rey and their Morena Clara / Laura Miranda González ; Composing the Nation : the Role of fado in A Severa, the First Portuguese Sound Film (1931) / Helena Marinho and Susana Sardo</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART 2. Central and Eastern Europe. Music and Dance in the Service of Modern Poland in Polish Films of the 1930s / Ewa Mazierska ; Battle of Songs : Music and Language in Left-wing Yiddish Films Made in Poland During the 1930s and 1940s / Iwona Sowińska ; Film Song as a Synergistic Commodity in the Acoustic Media Culture of 1930s Czechoslovakia / Petr Szczepanik ; Charms and Whispers: Musical Comedy and Vocal Performance in Oldřich Nový's Star Image 1936-1945 / Šárka Gmiterková ; The Metamusical Qualities of the Viennese Film, Cine-Operetta, and the Music Film in Austrian Sound Film of the 1930s / Robert Dassanowsky ; Composing for the Screen, Composing for the Stage : Hungarian Film Composers in the Interwar Period / Zsuzsanna Varga ; A Theme Runs Through It : Early Hungarian Sound Films and the Music of Tibor Weygand / Gábor Gergely ; Who is Singing Over There? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans / Ana Grgic and Marian Tutui ; Early Greek Talkies (1930-1940) : Struggling Between Technological Innovation and Theatrical Tradition / Emmanuel Arkolakis ; Intercultural Synergies in Early Mediterranean Sound Cinema : Togo Mizrahi's Greek-Speaking Film The Girl Refugee (1938) / Nick Poulakis ; From Alafranga to Alaturca, from Operettas to Melodramas : Music in Early Turkish Talkies / Özge Özyılmaz ; "The Dream of a Fatty :" the First Lithuanian Sound Film in the Context of Early Puppet-Animation Films / Antanas Kučinskas</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART 3. North Africa, The Middle East, Asia, and Australasia. Essentially Egyptian : the Development of a Syncretic Film Song Style / Margaret Farrell ; The Singing Cinema : Synchronized Sound and the Reception by Press and Audiences of Singing Films in Egypt, 1907-1934 / Mohannad Ghawanmeh ; Myth-building through Diegetic African Music in Early South African Sound Films / Christopher Jeffery ; The Indian Origins of the Iranian Sound Film / Pedram Partovi ; Sound and Music in the Early Indian Talkie : 1931-1936 / Virchand Dharamsey and Iyesha Geeth Abbas ; The Musical Language of Indian Film Song of the 1940s / John Caldwell ; Mental Hearing of Sound : the Evocation and Mediation of Acoustic Experience in Two Stars in the Milky Way (1931) / Ling Zhang ; Film Songwriting Practices in Pre-war Hong Kong Cinema : a Case Study of Director Chan Pei / Stephanie Ng ; Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943) / Timmy Chih-Ting Chen ; Singing Japanese Modernity : a Genealogy of Performance Scenes in Early Talkies in Japan and their Heterogeneous Representation / Fumito Shirai ; Emerging from Silence : Shochiku, Ito, and Ozu's Early Sound Films / James M. Doering ; Tarzan Meets Hiawatha : Musical Representation in Australian Indigenous Films of the 1930s / Anthony Linden Jones</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART 4. Latin America. Imaginaries from Buenos Aires. From Tango Poetics of the 1920s Toward Sound Films in the 1930s / Pablo Piedras ; Film and Tango : the Contribution of Luis César Amadori to the Argentine Film Industry in the Late 1930s / Lucía Rodríguez Riva ; Songs Beyond "el Rancho Grande" : Trans/national and Cross-Media Dimensions in the Mexican Comedia Ranchera / Peter W. Schulze ; Dance, Desire, and Cosmopolitanism : Early Danzón Performances in the 1930s Mexican Prostitute Melodrama / Jacqueline Avila and Oswaldo Mejí Mendiola ; Beyond the Musical Numbers : the Brazilian Film Coisas Nossas and its Arrangements with the Local Record Industry / Suzana Reck Miranda ; Between Cinearte and Phono-arte : on the Arrival of Brazilian Sound Film in Two Magazines / Rafael de Luna Freire ; Villa-Lobos's Music for the Feature O descobrimento do Brasil [The Discovery of Brazil] (1937) : Nationalism in the Early Sound Era / Anselmo Mancini ; When 'Early' Sound Cinema was 'Late :' Differential Chronologies in Chile, Uruguay, Cuba and Colombia / Ana M. López</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART 5. Soviet Russia. The Sound of Socialist Realism : Excess and Ideology in Stalinist Film / Lilya Kaganovsky ; "New Means of Enormous Power" : Music in Early Soviet Sound Film / Kathryn Kalinak ; Experimentalism and the 'Mainstream' in the Early Film Scores of Gavril Popov and Vladimir Shcherbachyov / Joan Titus ; Accordions as 'Sluts,' Guitars as Gypsies, and Pianos as Noble Fops : the Images of Russian Musical Instruments in Soviet Sound Movies of the 1930s / Dmitri Zakharine</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues-culturally, historically, and aesthetically-across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1928-1945</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tonfilm</subfield><subfield code="0">(DE-588)4185670-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / Europe / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / Africa / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / Asia / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / Latin America / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / Soviet Union / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film, Musique de / Europe / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film, Musique de / Afrique / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film, Musique de / Asie / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film, Musique de / Amérique latine / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film, Musique de / URSS / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Africa</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Europe</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Latin America</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Soviet Union</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Tonfilm</subfield><subfield code="0">(DE-588)4185670-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1928-1945</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barham, Jeremy</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)132233223</subfield><subfield code="4">edt</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-032-59531-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="t">Routledge companion to global film music in the early sound era</subfield><subfield code="d">New York : Routledge, 2023</subfield><subfield code="z">9780429504471</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV049699073 |
| illustrated | Illustrated |
| indexdate | 2024-11-11T09:06:53Z |
| institution | BVB |
| isbn | 9781138586697 9781032595313 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035041516 |
| oclc_num | 1435166984 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xxxiv, 807 Seiten Illustrationen, Notenbeispiele, Porträts 26,3 cm |
| psigel | BSB_NED_20240703 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge music companions |
| spelling | The Routledge companion to global film music in the early sound era edited by Jeremy Barham New York ; London Routledge 2024 xxxiv, 807 Seiten Illustrationen, Notenbeispiele, Porträts 26,3 cm txt rdacontent n rdamedia nc rdacarrier Routledge music companions Introduction / Jeremy Barham -- PART 1. Western Europe and Scandinavia. "A very great error of judgment" : Caution and Timidity in the Musical Provision of Britain's Early Talkie Features / Geoff Brown ; A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes. Early Sound Film in The Netherlands : Developments & Debates / Emile Wennekes ; The Use of Non-Diegetic Music in Early Swedish Talkies 1930-1931 / Christopher Natzén ; The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema / Maria Fuchs ; Eternally Feminine : Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany / Jeremy Barham ; Film Music in France, 1928-1940' / Colin Roust ; Silent Film, Music, and Fantasy During the Transition to Sound / James Buhler ; Coming to Terms with Music as Narrative Architecture : Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932) / Dominique Nasta and Hubert Bolduc-Cloutier ; Readymade Soundtracks : Musical Accompaniment for Dada and Surrealist Film ; Suzy Mangion ; Exotic Music, Colonial Others, and French Cultural Identity in Poetic Realist Cinema / Hannah Lewis ; The Advent of Sound Film in Italy and the First Approaches to the New Audio-Visual Genre by Italian Composers during the Years 1930-1940 / Kristjan Stopar ; "Oh ... Modern Music!" Hollywood, Satire, and "Modernism" in Giuseppe Piazzi's Score for I fratelli dinamite (1949) / Marco Bellano ; The Folkloric Film Musical in the Spanish Second Republic (1931-1939) : Imperio Argentina, Florián Rey and their Morena Clara / Laura Miranda González ; Composing the Nation : the Role of fado in A Severa, the First Portuguese Sound Film (1931) / Helena Marinho and Susana Sardo PART 2. Central and Eastern Europe. Music and Dance in the Service of Modern Poland in Polish Films of the 1930s / Ewa Mazierska ; Battle of Songs : Music and Language in Left-wing Yiddish Films Made in Poland During the 1930s and 1940s / Iwona Sowińska ; Film Song as a Synergistic Commodity in the Acoustic Media Culture of 1930s Czechoslovakia / Petr Szczepanik ; Charms and Whispers: Musical Comedy and Vocal Performance in Oldřich Nový's Star Image 1936-1945 / Šárka Gmiterková ; The Metamusical Qualities of the Viennese Film, Cine-Operetta, and the Music Film in Austrian Sound Film of the 1930s / Robert Dassanowsky ; Composing for the Screen, Composing for the Stage : Hungarian Film Composers in the Interwar Period / Zsuzsanna Varga ; A Theme Runs Through It : Early Hungarian Sound Films and the Music of Tibor Weygand / Gábor Gergely ; Who is Singing Over There? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans / Ana Grgic and Marian Tutui ; Early Greek Talkies (1930-1940) : Struggling Between Technological Innovation and Theatrical Tradition / Emmanuel Arkolakis ; Intercultural Synergies in Early Mediterranean Sound Cinema : Togo Mizrahi's Greek-Speaking Film The Girl Refugee (1938) / Nick Poulakis ; From Alafranga to Alaturca, from Operettas to Melodramas : Music in Early Turkish Talkies / Özge Özyılmaz ; "The Dream of a Fatty :" the First Lithuanian Sound Film in the Context of Early Puppet-Animation Films / Antanas Kučinskas PART 3. North Africa, The Middle East, Asia, and Australasia. Essentially Egyptian : the Development of a Syncretic Film Song Style / Margaret Farrell ; The Singing Cinema : Synchronized Sound and the Reception by Press and Audiences of Singing Films in Egypt, 1907-1934 / Mohannad Ghawanmeh ; Myth-building through Diegetic African Music in Early South African Sound Films / Christopher Jeffery ; The Indian Origins of the Iranian Sound Film / Pedram Partovi ; Sound and Music in the Early Indian Talkie : 1931-1936 / Virchand Dharamsey and Iyesha Geeth Abbas ; The Musical Language of Indian Film Song of the 1940s / John Caldwell ; Mental Hearing of Sound : the Evocation and Mediation of Acoustic Experience in Two Stars in the Milky Way (1931) / Ling Zhang ; Film Songwriting Practices in Pre-war Hong Kong Cinema : a Case Study of Director Chan Pei / Stephanie Ng ; Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943) / Timmy Chih-Ting Chen ; Singing Japanese Modernity : a Genealogy of Performance Scenes in Early Talkies in Japan and their Heterogeneous Representation / Fumito Shirai ; Emerging from Silence : Shochiku, Ito, and Ozu's Early Sound Films / James M. Doering ; Tarzan Meets Hiawatha : Musical Representation in Australian Indigenous Films of the 1930s / Anthony Linden Jones PART 4. Latin America. Imaginaries from Buenos Aires. From Tango Poetics of the 1920s Toward Sound Films in the 1930s / Pablo Piedras ; Film and Tango : the Contribution of Luis César Amadori to the Argentine Film Industry in the Late 1930s / Lucía Rodríguez Riva ; Songs Beyond "el Rancho Grande" : Trans/national and Cross-Media Dimensions in the Mexican Comedia Ranchera / Peter W. Schulze ; Dance, Desire, and Cosmopolitanism : Early Danzón Performances in the 1930s Mexican Prostitute Melodrama / Jacqueline Avila and Oswaldo Mejí Mendiola ; Beyond the Musical Numbers : the Brazilian Film Coisas Nossas and its Arrangements with the Local Record Industry / Suzana Reck Miranda ; Between Cinearte and Phono-arte : on the Arrival of Brazilian Sound Film in Two Magazines / Rafael de Luna Freire ; Villa-Lobos's Music for the Feature O descobrimento do Brasil [The Discovery of Brazil] (1937) : Nationalism in the Early Sound Era / Anselmo Mancini ; When 'Early' Sound Cinema was 'Late :' Differential Chronologies in Chile, Uruguay, Cuba and Colombia / Ana M. López PART 5. Soviet Russia. The Sound of Socialist Realism : Excess and Ideology in Stalinist Film / Lilya Kaganovsky ; "New Means of Enormous Power" : Music in Early Soviet Sound Film / Kathryn Kalinak ; Experimentalism and the 'Mainstream' in the Early Film Scores of Gavril Popov and Vladimir Shcherbachyov / Joan Titus ; Accordions as 'Sluts,' Guitars as Gypsies, and Pianos as Noble Fops : the Images of Russian Musical Instruments in Soviet Sound Movies of the 1930s / Dmitri Zakharine "In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues-culturally, historically, and aesthetically-across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history"-- Geschichte 1928-1945 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Tonfilm (DE-588)4185670-3 gnd rswk-swf Motion picture music / Europe / 20th century / History and criticism Motion picture music / Africa / 20th century / History and criticism Motion picture music / Asia / 20th century / History and criticism Motion picture music / Latin America / 20th century / History and criticism Motion picture music / Soviet Union / 20th century / History and criticism Film, Musique de / Europe / 20e siècle / Histoire et critique Film, Musique de / Afrique / 20e siècle / Histoire et critique Film, Musique de / Asie / 20e siècle / Histoire et critique Film, Musique de / Amérique latine / 20e siècle / Histoire et critique Film, Musique de / URSS / 20e siècle / Histoire et critique Motion picture music Africa Asia Europe Latin America Soviet Union 1900-1999 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Tonfilm (DE-588)4185670-3 s Filmmusik (DE-588)4017129-2 s Geschichte 1928-1945 z DE-604 Barham, Jeremy 1963- (DE-588)132233223 edt Äquivalent Druck-Ausgabe, Paperback 978-1-032-59531-3 Online version Routledge companion to global film music in the early sound era New York : Routledge, 2023 9780429504471 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035041516&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge companion to global film music in the early sound era Introduction / Jeremy Barham -- PART 1. Western Europe and Scandinavia. "A very great error of judgment" : Caution and Timidity in the Musical Provision of Britain's Early Talkie Features / Geoff Brown ; A Man Saying "Mooh" and an Actress Bursting into an Aria about Red and White Radishes. Early Sound Film in The Netherlands : Developments & Debates / Emile Wennekes ; The Use of Non-Diegetic Music in Early Swedish Talkies 1930-1931 / Christopher Natzén ; The Kinotheken and Giuseppe Becce's Scoring Practices in Early German Sound Cinema / Maria Fuchs ; Eternally Feminine : Das blaue Licht (1932), Anna und Elisabeth (1933), Elisabeth und der Narr (1933), and Cultural Representations of Womanhood in the Scoring of Early Sound Films from Weimar-Republic Germany / Jeremy Barham ; Film Music in France, 1928-1940' / Colin Roust ; Silent Film, Music, and Fantasy During the Transition to Sound / James Buhler ; Coming to Terms with Music as Narrative Architecture : Jean Grémillon's Maldone (1928), La Petite Lise (1930), and Daïnah la Métisse (1932) / Dominique Nasta and Hubert Bolduc-Cloutier ; Readymade Soundtracks : Musical Accompaniment for Dada and Surrealist Film ; Suzy Mangion ; Exotic Music, Colonial Others, and French Cultural Identity in Poetic Realist Cinema / Hannah Lewis ; The Advent of Sound Film in Italy and the First Approaches to the New Audio-Visual Genre by Italian Composers during the Years 1930-1940 / Kristjan Stopar ; "Oh ... Modern Music!" Hollywood, Satire, and "Modernism" in Giuseppe Piazzi's Score for I fratelli dinamite (1949) / Marco Bellano ; The Folkloric Film Musical in the Spanish Second Republic (1931-1939) : Imperio Argentina, Florián Rey and their Morena Clara / Laura Miranda González ; Composing the Nation : the Role of fado in A Severa, the First Portuguese Sound Film (1931) / Helena Marinho and Susana Sardo PART 2. Central and Eastern Europe. Music and Dance in the Service of Modern Poland in Polish Films of the 1930s / Ewa Mazierska ; Battle of Songs : Music and Language in Left-wing Yiddish Films Made in Poland During the 1930s and 1940s / Iwona Sowińska ; Film Song as a Synergistic Commodity in the Acoustic Media Culture of 1930s Czechoslovakia / Petr Szczepanik ; Charms and Whispers: Musical Comedy and Vocal Performance in Oldřich Nový's Star Image 1936-1945 / Šárka Gmiterková ; The Metamusical Qualities of the Viennese Film, Cine-Operetta, and the Music Film in Austrian Sound Film of the 1930s / Robert Dassanowsky ; Composing for the Screen, Composing for the Stage : Hungarian Film Composers in the Interwar Period / Zsuzsanna Varga ; A Theme Runs Through It : Early Hungarian Sound Films and the Music of Tibor Weygand / Gábor Gergely ; Who is Singing Over There? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans / Ana Grgic and Marian Tutui ; Early Greek Talkies (1930-1940) : Struggling Between Technological Innovation and Theatrical Tradition / Emmanuel Arkolakis ; Intercultural Synergies in Early Mediterranean Sound Cinema : Togo Mizrahi's Greek-Speaking Film The Girl Refugee (1938) / Nick Poulakis ; From Alafranga to Alaturca, from Operettas to Melodramas : Music in Early Turkish Talkies / Özge Özyılmaz ; "The Dream of a Fatty :" the First Lithuanian Sound Film in the Context of Early Puppet-Animation Films / Antanas Kučinskas PART 3. North Africa, The Middle East, Asia, and Australasia. Essentially Egyptian : the Development of a Syncretic Film Song Style / Margaret Farrell ; The Singing Cinema : Synchronized Sound and the Reception by Press and Audiences of Singing Films in Egypt, 1907-1934 / Mohannad Ghawanmeh ; Myth-building through Diegetic African Music in Early South African Sound Films / Christopher Jeffery ; The Indian Origins of the Iranian Sound Film / Pedram Partovi ; Sound and Music in the Early Indian Talkie : 1931-1936 / Virchand Dharamsey and Iyesha Geeth Abbas ; The Musical Language of Indian Film Song of the 1940s / John Caldwell ; Mental Hearing of Sound : the Evocation and Mediation of Acoustic Experience in Two Stars in the Milky Way (1931) / Ling Zhang ; Film Songwriting Practices in Pre-war Hong Kong Cinema : a Case Study of Director Chan Pei / Stephanie Ng ; Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943) / Timmy Chih-Ting Chen ; Singing Japanese Modernity : a Genealogy of Performance Scenes in Early Talkies in Japan and their Heterogeneous Representation / Fumito Shirai ; Emerging from Silence : Shochiku, Ito, and Ozu's Early Sound Films / James M. Doering ; Tarzan Meets Hiawatha : Musical Representation in Australian Indigenous Films of the 1930s / Anthony Linden Jones PART 4. Latin America. Imaginaries from Buenos Aires. From Tango Poetics of the 1920s Toward Sound Films in the 1930s / Pablo Piedras ; Film and Tango : the Contribution of Luis César Amadori to the Argentine Film Industry in the Late 1930s / Lucía Rodríguez Riva ; Songs Beyond "el Rancho Grande" : Trans/national and Cross-Media Dimensions in the Mexican Comedia Ranchera / Peter W. Schulze ; Dance, Desire, and Cosmopolitanism : Early Danzón Performances in the 1930s Mexican Prostitute Melodrama / Jacqueline Avila and Oswaldo Mejí Mendiola ; Beyond the Musical Numbers : the Brazilian Film Coisas Nossas and its Arrangements with the Local Record Industry / Suzana Reck Miranda ; Between Cinearte and Phono-arte : on the Arrival of Brazilian Sound Film in Two Magazines / Rafael de Luna Freire ; Villa-Lobos's Music for the Feature O descobrimento do Brasil [The Discovery of Brazil] (1937) : Nationalism in the Early Sound Era / Anselmo Mancini ; When 'Early' Sound Cinema was 'Late :' Differential Chronologies in Chile, Uruguay, Cuba and Colombia / Ana M. López PART 5. Soviet Russia. The Sound of Socialist Realism : Excess and Ideology in Stalinist Film / Lilya Kaganovsky ; "New Means of Enormous Power" : Music in Early Soviet Sound Film / Kathryn Kalinak ; Experimentalism and the 'Mainstream' in the Early Film Scores of Gavril Popov and Vladimir Shcherbachyov / Joan Titus ; Accordions as 'Sluts,' Guitars as Gypsies, and Pianos as Noble Fops : the Images of Russian Musical Instruments in Soviet Sound Movies of the 1930s / Dmitri Zakharine Filmmusik (DE-588)4017129-2 gnd Tonfilm (DE-588)4185670-3 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4185670-3 (DE-588)4143413-4 |
| title | The Routledge companion to global film music in the early sound era |
| title_auth | The Routledge companion to global film music in the early sound era |
| title_exact_search | The Routledge companion to global film music in the early sound era |
| title_full | The Routledge companion to global film music in the early sound era edited by Jeremy Barham |
| title_fullStr | The Routledge companion to global film music in the early sound era edited by Jeremy Barham |
| title_full_unstemmed | The Routledge companion to global film music in the early sound era edited by Jeremy Barham |
| title_short | The Routledge companion to global film music in the early sound era |
| title_sort | the routledge companion to global film music in the early sound era |
| topic | Filmmusik (DE-588)4017129-2 gnd Tonfilm (DE-588)4185670-3 gnd |
| topic_facet | Filmmusik Tonfilm Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035041516&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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