Jazz and American culture:
Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of A...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2023
|
Schriftenreihe: | Cambridge themes in American literature and culture
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks |
Beschreibung: | Introduction : A Brief History of Jazz in American Culture -- Part I. Elements of Sound and Style. Improvisation ; Scat and Vocalese ; Jazz as Intertextual Expression ; How to Watch Jazz : The Importance of Performance -- Part II. Aesthetic Movements. Jazz Age Harlem ; "Hard Times Don't Worry Me" : The Blues in Black Music and Literature in the 1930s ; A Fool for Beauty : Modernism and the Racial Semiotics of Crooning ; Free Jazz, Critical Performativity, and 1968 -- Part III. Cultural Contexts. Jazz Slang, Jazz Speak ; Jazz Cool ; The Institutionalization of Jazz ; Jazz Abroad -- Part IV. Literary Genres. Orchestrating Chaos : Othering and the Politics of Contingency in Jazz Fiction ; "Wail, wop" : Jazz Poetry On the Page and In Performance ; Jazz Criticism and Liner Notes ; Jazz Autobiography ; Jazz and the American Songbook -- Part V. Images and Screens. "The Sound I Saw" : Jazz and Visual Culture ; Love, Theft, and Transcendence : Jazz and Narrative Cinema ; Reinstating Televisual Histories of Jazz ; Documentary Jazz/Jazz Documentary ; Two Dark Rooms : Jazz and Photography |
Beschreibung: | 1 Online-Ressource (xv, 415 Seiten) Illustrationen |
ISBN: | 9781009420167 |
DOI: | 10.1017/9781009420167 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049695323 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240523s2023 |||| o||u| ||||||eng d | ||
020 | |a 9781009420167 |c Online |9 978-1-009-42016-7 | ||
024 | 7 | |a 10.1017/9781009420167 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781009420167 | ||
035 | |a (OCoLC)1437856715 | ||
035 | |a (DE-599)BVBBV049695323 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 781.650973 | |
084 | |a LS 48200 |0 (DE-625)110550: |2 rvk | ||
084 | |a HU 1121 |0 (DE-625)53721: |2 rvk | ||
084 | |a HU 1520 |0 (DE-625)53741: |2 rvk | ||
084 | |a HU 1691 |0 (DE-625)53750: |2 rvk | ||
084 | |a HV 11400 |0 (DE-625)163722: |2 rvk | ||
084 | |a HV 15200 |0 (DE-625)163736: |2 rvk | ||
084 | |a HV 17000 |0 (DE-625)163765: |2 rvk | ||
245 | 1 | 0 | |a Jazz and American culture |c edited by Michael Borshuk |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2023 | |
300 | |a 1 Online-Ressource (xv, 415 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Cambridge themes in American literature and culture | |
500 | |a Introduction : A Brief History of Jazz in American Culture -- Part I. Elements of Sound and Style. Improvisation ; Scat and Vocalese ; Jazz as Intertextual Expression ; How to Watch Jazz : The Importance of Performance -- Part II. Aesthetic Movements. Jazz Age Harlem ; "Hard Times Don't Worry Me" : The Blues in Black Music and Literature in the 1930s ; A Fool for Beauty : Modernism and the Racial Semiotics of Crooning ; Free Jazz, Critical Performativity, and 1968 -- Part III. Cultural Contexts. Jazz Slang, Jazz Speak ; Jazz Cool ; The Institutionalization of Jazz ; Jazz Abroad -- Part IV. Literary Genres. Orchestrating Chaos : Othering and the Politics of Contingency in Jazz Fiction ; "Wail, wop" : Jazz Poetry On the Page and In Performance ; Jazz Criticism and Liner Notes ; Jazz Autobiography ; Jazz and the American Songbook -- Part V. Images and Screens. "The Sound I Saw" : Jazz and Visual Culture ; Love, Theft, and Transcendence : Jazz and Narrative Cinema ; Reinstating Televisual Histories of Jazz ; Documentary Jazz/Jazz Documentary ; Two Dark Rooms : Jazz and Photography | ||
520 | |a Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a Jazz / History and criticism | |
650 | 4 | |a Influence (Literary, artistic, etc.) / History / 20th century | |
650 | 4 | |a Jazz / Social aspects / United States | |
650 | 4 | |a Jazz / Political aspects / United States | |
650 | 4 | |a Music and literature / History | |
650 | 0 | 7 | |a Kulturleben |0 (DE-588)4126540-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Öffentlichkeit |0 (DE-588)4043183-6 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Jazz |0 (DE-588)4028532-7 |D s |
689 | 0 | 2 | |a Kulturleben |0 (DE-588)4126540-3 |D s |
689 | 0 | 3 | |a Öffentlichkeit |0 (DE-588)4043183-6 |D s |
689 | 0 | 4 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Borshuk, Michael |0 (DE-588)132019264 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardback |z 978-1-009-42019-8 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-009-42018-1 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781009420167 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035037839 | |
966 | e | |u https://doi.org/10.1017/9781009420167 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781009420167 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1814902728672935936 |
---|---|
adam_text | |
any_adam_object | |
author2 | Borshuk, Michael |
author2_role | edt |
author2_variant | m b mb |
author_GND | (DE-588)132019264 |
author_facet | Borshuk, Michael |
building | Verbundindex |
bvnumber | BV049695323 |
classification_rvk | LS 48200 HU 1121 HU 1520 HU 1691 HV 11400 HV 15200 HV 17000 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009420167 (OCoLC)1437856715 (DE-599)BVBBV049695323 |
dewey-full | 781.650973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.650973 |
dewey-search | 781.650973 |
dewey-sort | 3781.650973 |
dewey-tens | 780 - Music |
discipline | Anglistik / Amerikanistik Musikwissenschaft |
doi_str_mv | 10.1017/9781009420167 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049695323</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240523s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009420167</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-009-42016-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009420167</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009420167</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437856715</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049695323</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.650973</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48200</subfield><subfield code="0">(DE-625)110550:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1121</subfield><subfield code="0">(DE-625)53721:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1520</subfield><subfield code="0">(DE-625)53741:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1691</subfield><subfield code="0">(DE-625)53750:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HV 11400</subfield><subfield code="0">(DE-625)163722:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HV 15200</subfield><subfield code="0">(DE-625)163736:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HV 17000</subfield><subfield code="0">(DE-625)163765:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Jazz and American culture</subfield><subfield code="c">edited by Michael Borshuk</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 415 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge themes in American literature and culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction : A Brief History of Jazz in American Culture -- Part I. Elements of Sound and Style. Improvisation ; Scat and Vocalese ; Jazz as Intertextual Expression ; How to Watch Jazz : The Importance of Performance -- Part II. Aesthetic Movements. Jazz Age Harlem ; "Hard Times Don't Worry Me" : The Blues in Black Music and Literature in the 1930s ; A Fool for Beauty : Modernism and the Racial Semiotics of Crooning ; Free Jazz, Critical Performativity, and 1968 -- Part III. Cultural Contexts. Jazz Slang, Jazz Speak ; Jazz Cool ; The Institutionalization of Jazz ; Jazz Abroad -- Part IV. Literary Genres. Orchestrating Chaos : Othering and the Politics of Contingency in Jazz Fiction ; "Wail, wop" : Jazz Poetry On the Page and In Performance ; Jazz Criticism and Liner Notes ; Jazz Autobiography ; Jazz and the American Songbook -- Part V. Images and Screens. "The Sound I Saw" : Jazz and Visual Culture ; Love, Theft, and Transcendence : Jazz and Narrative Cinema ; Reinstating Televisual Histories of Jazz ; Documentary Jazz/Jazz Documentary ; Two Dark Rooms : Jazz and Photography</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Influence (Literary, artistic, etc.) / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / Social aspects / United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz / Political aspects / United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature / History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturleben</subfield><subfield code="0">(DE-588)4126540-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturleben</subfield><subfield code="0">(DE-588)4126540-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Borshuk, Michael</subfield><subfield code="0">(DE-588)132019264</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardback</subfield><subfield code="z">978-1-009-42019-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-009-42018-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009420167</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035037839</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009420167</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009420167</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049695323 |
illustrated | Not Illustrated |
indexdate | 2024-11-05T17:01:59Z |
institution | BVB |
isbn | 9781009420167 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035037839 |
oclc_num | 1437856715 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xv, 415 Seiten) Illustrationen |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge themes in American literature and culture |
spelling | Jazz and American culture edited by Michael Borshuk Cambridge Cambridge University Press 2023 1 Online-Ressource (xv, 415 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Cambridge themes in American literature and culture Introduction : A Brief History of Jazz in American Culture -- Part I. Elements of Sound and Style. Improvisation ; Scat and Vocalese ; Jazz as Intertextual Expression ; How to Watch Jazz : The Importance of Performance -- Part II. Aesthetic Movements. Jazz Age Harlem ; "Hard Times Don't Worry Me" : The Blues in Black Music and Literature in the 1930s ; A Fool for Beauty : Modernism and the Racial Semiotics of Crooning ; Free Jazz, Critical Performativity, and 1968 -- Part III. Cultural Contexts. Jazz Slang, Jazz Speak ; Jazz Cool ; The Institutionalization of Jazz ; Jazz Abroad -- Part IV. Literary Genres. Orchestrating Chaos : Othering and the Politics of Contingency in Jazz Fiction ; "Wail, wop" : Jazz Poetry On the Page and In Performance ; Jazz Criticism and Liner Notes ; Jazz Autobiography ; Jazz and the American Songbook -- Part V. Images and Screens. "The Sound I Saw" : Jazz and Visual Culture ; Love, Theft, and Transcendence : Jazz and Narrative Cinema ; Reinstating Televisual Histories of Jazz ; Documentary Jazz/Jazz Documentary ; Two Dark Rooms : Jazz and Photography Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks Geschichte gnd rswk-swf Jazz / History and criticism Influence (Literary, artistic, etc.) / History / 20th century Jazz / Social aspects / United States Jazz / Political aspects / United States Music and literature / History Kulturleben (DE-588)4126540-3 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Jazz (DE-588)4028532-7 s Kulturleben (DE-588)4126540-3 s Öffentlichkeit (DE-588)4043183-6 s Geschichte z DE-604 Borshuk, Michael (DE-588)132019264 edt Erscheint auch als Druck-Ausgabe, Hardback 978-1-009-42019-8 Erscheint auch als Druck-Ausgabe, Paperback 978-1-009-42018-1 https://doi.org/10.1017/9781009420167 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Jazz and American culture Jazz / History and criticism Influence (Literary, artistic, etc.) / History / 20th century Jazz / Social aspects / United States Jazz / Political aspects / United States Music and literature / History Kulturleben (DE-588)4126540-3 gnd Jazz (DE-588)4028532-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
subject_GND | (DE-588)4126540-3 (DE-588)4028532-7 (DE-588)4043183-6 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Jazz and American culture |
title_auth | Jazz and American culture |
title_exact_search | Jazz and American culture |
title_full | Jazz and American culture edited by Michael Borshuk |
title_fullStr | Jazz and American culture edited by Michael Borshuk |
title_full_unstemmed | Jazz and American culture edited by Michael Borshuk |
title_short | Jazz and American culture |
title_sort | jazz and american culture |
topic | Jazz / History and criticism Influence (Literary, artistic, etc.) / History / 20th century Jazz / Social aspects / United States Jazz / Political aspects / United States Music and literature / History Kulturleben (DE-588)4126540-3 gnd Jazz (DE-588)4028532-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
topic_facet | Jazz / History and criticism Influence (Literary, artistic, etc.) / History / 20th century Jazz / Social aspects / United States Jazz / Political aspects / United States Music and literature / History Kulturleben Jazz Öffentlichkeit USA Aufsatzsammlung |
url | https://doi.org/10.1017/9781009420167 |
work_keys_str_mv | AT borshukmichael jazzandamericanculture |