Xavier Dolan's backward cinema: straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Beschreibung: | Part I. Queer universalism |
| ISBN: | 978-1-4744-4458-3 |
Internformat
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| spelling | Grandena, Florian 1967- (DE-588)1017492557 aut Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world Florian Grandena and Pascal Gagné 2021 txt rdacontent n rdamedia nc rdacarrier Part I. Queer universalism Gagné, Pascal aut pages:80-97 The films of Xavier Dolan / edited by Andrée Lafontaine Edinburgh, 2021 Seite 80-97 ReFocus. The international directors series (DE-604)BV048367884 978-1-4744-4458-3 |
| spellingShingle | Grandena, Florian 1967- Gagné, Pascal Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world |
| title | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world |
| title_auth | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world |
| title_exact_search | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world |
| title_full | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world Florian Grandena and Pascal Gagné |
| title_fullStr | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world Florian Grandena and Pascal Gagné |
| title_full_unstemmed | Xavier Dolan's backward cinema straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world Florian Grandena and Pascal Gagné |
| title_short | Xavier Dolan's backward cinema |
| title_sort | xavier dolan s backward cinema straight spaces queer temporality and genealogical interruptions in tom at the farm and it s only the end of the world |
| title_sub | straight spaces, queer temporality, and genealogical interruptions in Tom at the farm and It's only the end of the world |
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